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Kingdom, The

Mixed or average reviews
Based on 37 critic reviews
How did we calculate this?
Based on 68 votes
Read user comments
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Movie Info
Genre(s): Drama | Suspense/Thriller
Written by: Matthew Michael Carnahan
Directed by: Peter Berg
Release Date:
Theatrical: September 28, 2007
DVD: December 26, 2007
Running Time: 110 minutes, Color
Origin: USA
Summary
RATING: R for intense sequences of graphic brutal violence, and for language
Starring Jamie Foxx, Jennifer Garner, Jason Bateman, Chris Cooper, Jeremy Piven, Brooke Langton, and Frances Fisher
When a terrorist bomb detonates inside a Western housing compound in Riyadh, Saudi Arabia, an international incident is ignited. While diplomats slowly debate equations of territorialism, FBI Special Agent Ronald Fleury quickly assembles an elite team and negotiates a secret five-day trip into Saudi Arabia to locate the madman behind the bombing. However, upon landing in the desert kingdom, Fleury and his team discover that Saudi authorities are suspicious and unwelcoming of American interlopers in what they consider a local matter. Hamstrung by protocol--and with the clock ticking on their five days--the FBI agents find their expertise worthless without the trust of their Saudi counterparts, who want to locate the terrorists in their homeland on their own terms. (Universal Studio)
Also On Metacritic
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Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Baltimore Sun Michael Sragow
Berg doesn't let up on the tension, even when the action is bloodless.
Read Full Review >Empire Helen O'Hara
Not quite as smart as it wants to be, and a better action movie than it is a political thriller, this is still a heart-pounding drama.
Read Full Review >Seattle Post-Intelligencer William Arnold
Foxx is magnetic in the lead, and the subplot in which he bonds with his Saudi police liaison (Ashraf Barhom, giving the movie's best performance) is touching.
Read Full Review >Miami Herald Connie Ogle
Though its violence is searing and brutal, the film, about four FBI agents investigating a terrorist attack in Saudi Arabia, shows a conscience and a brain, and if it explains things a bit simplistically at times, so much the better.
Read Full Review >Charlotte Observer Lawrence Toppman
Director Peter Berg and first-time writer Matthew Michael Carnahan do a smooth, efficient job of storytelling most of the way.
Read Full Review >ReelViews James Berardinelli
Overall, the film is smart and engaging, and if it plays a little on our fears of the next big terrorist attack, it does so without feeling exploitative.
Read Full Review >Rolling Stone Peter Travers
Matthew Michael Carnahan's caffeinated script isn't much concerned with balance, but it gets some anyway, from the resonant images of culture clash that Berg catches on the fly and a remarkable performance from Ashraf Barhom.
Read Full Review >Variety John Anderson
A realist thriller that mixes crowd-pleasing mayhem with provocative politics.
Read Full Review >Village Voice J. Hoberman
A timely--if tepid--fantasy of American vengeance on the Qutbian extremists of Saudi Arabia.
Read Full Review >New York Magazine David Edelstein
Sensationally directed by Peter Berg, it’s a combination forensics detective movie (car bomb blows up secure American compound in Saudi Arabia--who dunnit and how can we stop him from doing it again?) and red-meat waste-the-terrorists action picture.
Read Full Review >Newsweek David Ansen
As a genre movie, The Kingdom delivers atmosphere, heroic American derring-do and some decent thrills, though director Peter Berg's approximation of a jerky documentary style suffers from its proximity to the more textured "Bourne Ultimatum."
Read Full Review >Salon.com Stephanie Zacharek
The Kingdom is distasteful in several obvious and irrefutable ways: For one thing, the idea of setting an action-thriller against terrorist activity that's all too close to real-life events is simply opportunistic and creepy.
Read Full Review >The New York Times A.O. Scott
The result is a slick, brutishly effective genre movie: “Syriana” for dummies. Which is not entirely a put-down.
Read Full Review >Time Richard Corliss
Director Peter Berg cannily hypes the tension and the sentiment in the only one of the current Middle East political movies designed to appeal to the action crowd. Hard truths are absorbed while stuff blows up.
Read Full Review >Portland Oregonian Marc Mohan
Wants to be both a hot-button, ripped-from-the-headlines statement movie and a crowd-pleasing, rip-roaring action thriller. It ends up meeting each goal about halfway.
Read Full Review >Christian Science Monitor Peter Rainer
The filmmakers's attempts to balance out the gung-ho shoot-'em-ups with an overlay of "fairness" are rudimentary. The movie works us into a frenzy of righteous revenge, it makes us cheer each kill by the FBI warriors, and then it tells us that this violence only breeds more violence.
Read Full Review >New York Daily News Jack Mathews
Berg has an excellent eye for violent extravaganza and the action - especially a 10-15 minute set piece midway through - is as cleansing as a high colonic.
Read Full Review >USA Today Claudia Puig
Director Peter Berg's frenetic style heightens tension and a sense of disorientation. But some will find its chaotic quality dizzying and off-putting.
Read Full Review >Boston Globe Ty Burr
The movie ends on a plaintive can’t-we-all-get-along note, but at heart it’s a Charles Bronson flick. It mashes the revenge button the real world won’t let us push.
Read Full Review >Chicago Tribune Sid Smith
The Kingdom has a heart and a viewpoint. It’s a thrill ride with a lingering thought or two in its wake. But the explosions, breakneck chases, daredevil escapes and predictability about which side will be victorious remain its foremost mission.
Read Full Review >TV Guide Ken Fox
Peter Berg's fast-talking and unnecessarily complicated tale of Middle East terrorism is more smoke and mirrors than meat. It may come on like Syriana, but it boils down to little more than a diverting episode of "CSI: Riyadh."
Read Full Review >Philadelphia Inquirer Carrie Rickey
Ultimately, this jingo-bingo action thriller squarely hits its target, then delivers a delayed-action message contrary to everything that has preceded it. Berg heroizes the plucky Americans, but in the closing scenes of his ripping action flick, sucker-punches them. It's as if this populist Syriana frags itself.
Read Full Review >Los Angeles Times Kenneth Turan
THE Kingdom has some power but not enough sense. A ripped-from-today's-headlines thriller, it wants us to feel as if we're watching something relevant when what's really going on is a slick excuse for efficient mayhem that's not half as smart as it would like to be.
Read Full Review >The Hollywood Reporter Stephen Farber
Berg's movie is no more than an action movie with an exotic backdrop. That would be fine, if only the movie were more exciting. It succeeds neither as a pointed political commentary nor as a taut thriller.
Read Full Review >Austin Chronicle Marjorie Baumgarten
If the jingoism that permeates the latter half of The Kingdom does not sufficiently sour the experience of watching it, then the film's closing sentiments about the eternality of vengeance will surely do the trick.
Read Full Review >Dallas Observer Robert Wilonsky
The Kingdom is essentially "C.S.I.: Riyadh," starring Jamie Foxx in yet another movie his Oscar statue will watch with shame.
Read Full Review >The Globe and Mail (Toronto) Liam Lacey
The Kingdom is a barely coherent compendium of Middle East fantasies, fears and doubts.
Read Full Review >Wall Street Journal Joe Morgenstern
The Kingdom comes down to a police procedural, and one whose procedures prove none too interesting.
Read Full Review >San Francisco Chronicle Mick LaSalle
The opening is spectacular, but the rest is fairly routine.
Read Full Review >The Onion (A.V. Club) Scott Tobias
The heroes of Peter Berg's gung-ho retribution tale are fighting the terrorists over there so we don't have to fight them here, but his film is indulging in a queasy brand of escapism. Winning imaginary wars isn't the same as winning real ones, but The Kingdom nonetheless smells like victory.
Read Full Review >Washington Post Desson Thomson
One electrifying performance becomes the only saving grace of The Kingdom, a goofy action movie that tries to marry the blitzkrieg entertainment of "Rambo" to the cultural consciousness of "Syriana."
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
So shameless is The Kingdom, ignoring consequence and treating its audience like cash-dispensing machines with buttons to be pushed rather than thinking individuals willing to consider the reality of America's entanglement with the Middle East.
Read Full Review >New York Post Lou Lumenick
The opening montage raises expectations of a serious, politically incisive depiction of the region. What we actually get is an offensively pandering, Bruckheimer-esque riff on the real-life Khobar Towers bombing of 1996, a Saudi Hezbollah attack that killed 19 Americans.
Read Full Review >Premiere Glenn Kenny
Its climactic highway shootout, and much else in the picture, is rendered in the best Paul Greengrass manner that Hollywood money can buy. But where Greengrass pictures aim to keep one on the edge of one's seat throughout, the tension here, such as it is, is designed to stoke audience bloodlust. If that's your kind of thing, The Kingdom certainly satisfies.
Read Full Review >Chicago Reader J.R. Jones
At its core this is just another piece of big-studio nothingness. The characters are so underwritten they barely qualify as types, and the movie is badly paced, bookended by high-ordnance action sequences but painfully static in the middle.
Read Full Review >What Our Users Said
The average user rating for this movie is 5.5 (out of 10) based on 68 User Votes
Note: User votes are NOT included in the Metascore calculation.
Dennis S gave it a9:
Too sophisticated for the average American viewer. Excellent blend of Hollywood entertainment and the political realities of navigating the complex ocean of foreign affairs.
Darren Z. gave it a5:
Rather limp for an action film. I appreciate the effort to use cultural conflict to create drama, but I don't believe the Saudi Arabians were well portrayed as they seemed very Western in their behavior and attitudes which tended to undercut the drama. What to say about the plot? It was almost inconsequential, really, since there wasn't much to it, and it didn't seem to drive the film forward in any meaningful way. I also question the plausibility of four FBI agents being to solve the case in five day's time, especially given the difficulties they faced and the fact that they didn't really start the investigation in earnest until the third day. By the end, the film devolves into a standard action-movie shootout with the requisite implausible physics (i.e. characters outrunning RPGs or being only slightly injured by an explosion that is close enough to shatter the windows of the vehicle they're occupying). In short, THE KINGDOM doesn't work particularly well on any level. It's barely even worth a rental.
Laura D gave it a9:
I thought this was an incredible film, it had my attention from beginning to end.
Michalis A. gave it a0:
Not really an action movie but a sci-fi!
Judy T gave it a4:
Too shallow to be taken seriously.
Nick W. gave it a4:
This movie was OK at best but the problem I had was it felt like an American propaganda film, especially with the "Kill them all" remark at the end. Just my two cents.
Brandon W gave it a6:
It was a good action flick. The reviews i read that say "0" are prejudiced at best. It's an action flick; it's not a deep, artistic film. Every film can't be. I'm a big fan of deep, intelligent movies, but sometimes i want to see a good action flick. Those of you complaining because it didn't lean properly to your overly self-conscious anti-American views need to get some perspective. I'm a Middle Eastern analyst and a friend of many Arabs. This film addressed the issue of terrorism fairly well, although somewhat simplistically. Yes, there's the revenge angle that's underlying in the film. I felt, however, that the positive work between the Faris and Fluery was more apparent, as it should have been. Americans need to see that there are a lot of positive people in the Middle East just as there are in America. Not every American is arrogant and self-centered, and not all Saudis (or Arabs in general) are terrorists or anti-progression. They want 3 square meals and a hot bed just like we do. Good flick...no Oscar nominee, but a good flick.
