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Stars indicate the most critically-acclaimed movies.

67
$9.99
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24 City
66
Adoration
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Afghan Star
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Alien Trespass
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American Violet
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Anvil! The Story of Anvil
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Away We Go
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Beaches of Agnes, The
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Big Man Japan
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Big Shot-Caller, The
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Boys: The Sherman Brothers' Story, The
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Brothers Bloom, The
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Burma VJ: Reporting from a Closed Country
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Call of the Wild
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Cheri
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Cherry Blossoms
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Dead Snow
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Departures
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Easy Virtue
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End of the Line, The
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Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
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Girlfriend Experience, The
87
Gomorrah
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Goodbye Solo
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Great Buck Howard, The
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Harvard Beats Yale 29-29
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Hurt Locker, The
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I Hate Valentine's Day
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Julia
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Lemon Tree
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Life is Hot in Cracktown
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Limits of Control, The
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Little Ashes
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Lymelife
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Merry Gentleman, The
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Moon
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New York
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Not Forgotten
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Offshore
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Outrage
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Paris 36
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Pontypool
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Pressure Cooker
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Revanche
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Rudo y Cursi
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Seraphine
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Sex Positive
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Shall We Kiss?
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Sin Nombre
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Sleep Dealer
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Song of Sparrows, The
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Sugar
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Summer Hours
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Tetro
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Tokyo Sonata
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Under Our Skin
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Unmistaken Child
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Valentino: The Last Emperor
22
What Goes Up
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Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Kingdom, The
Universal Pictures
 |
|
FILM:
MPAA RATING: R for intense sequences of graphic brutal violence, and for language
Starring
Jamie Foxx,
Jennifer Garner,
Jason Bateman,
Chris Cooper,
Jeremy Piven,
Brooke Langton,
and
Frances Fisher
When a terrorist bomb detonates inside a Western housing compound in Riyadh, Saudi Arabia, an international incident is ignited. While diplomats slowly debate equations of territorialism, FBI Special Agent Ronald Fleury quickly assembles an elite team and negotiates a secret five-day trip into Saudi Arabia to locate the madman behind the bombing. However, upon landing in the desert kingdom, Fleury and his team discover that Saudi authorities are suspicious and unwelcoming of American interlopers in what they consider a local matter. Hamstrung by protocol--and with the clock ticking on their five days--the FBI agents find their expertise worthless without the trust of their Saudi counterparts, who want to locate the terrorists in their homeland on their own terms. (Universal Studio)
| GENRE(S): |
Drama
|
Suspense/Thriller
|
| WRITTEN BY: |
Matthew Michael Carnahan
|
| DIRECTED BY: |
Peter Berg
|
| RELEASE DATE: |
DVD: December 26, 2007
Theatrical: September 28, 2007
|
| RUNNING TIME: |
110 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
83
Baltimore Sun
Michael Sragow
Berg doesn't let up on the tension, even when the action is bloodless.

80
Empire
Helen O'Hara
Not quite as smart as it wants to be, and a better action movie than it is a political thriller, this is still a heart-pounding drama.

75
Seattle Post-Intelligencer
William Arnold
Foxx is magnetic in the lead, and the subplot in which he bonds with his Saudi police liaison (Ashraf Barhom, giving the movie's best performance) is touching.

75
Miami Herald
Connie Ogle
Though its violence is searing and brutal, the film, about four FBI agents investigating a terrorist attack in Saudi Arabia, shows a conscience and a brain, and if it explains things a bit simplistically at times, so much the better.

75
Charlotte Observer
Lawrence Toppman
Director Peter Berg and first-time writer Matthew Michael Carnahan do a smooth, efficient job of storytelling most of the way.

75
ReelViews
James Berardinelli
Overall, the film is smart and engaging, and if it plays a little on our fears of the next big terrorist attack, it does so without feeling exploitative.

75
Rolling Stone
Peter Travers
Matthew Michael Carnahan's caffeinated script isn't much concerned with balance, but it gets some anyway, from the resonant images of culture clash that Berg catches on the fly and a remarkable performance from Ashraf Barhom.

70
Variety
John Anderson
A realist thriller that mixes crowd-pleasing mayhem with provocative politics.

70
Village Voice
J. Hoberman
A timely--if tepid--fantasy of American vengeance on the Qutbian extremists of Saudi Arabia.

70
New York Magazine
David Edelstein
Sensationally directed by Peter Berg, it’s a combination forensics detective movie (car bomb blows up secure American compound in Saudi Arabia--who dunnit and how can we stop him from doing it again?) and red-meat waste-the-terrorists action picture.

70
Newsweek
David Ansen
As a genre movie, The Kingdom delivers atmosphere, heroic American derring-do and some decent thrills, though director Peter Berg's approximation of a jerky documentary style suffers from its proximity to the more textured "Bourne Ultimatum."

70
Salon.com
Stephanie Zacharek
The Kingdom is distasteful in several obvious and irrefutable ways: For one thing, the idea of setting an action-thriller against terrorist activity that's all too close to real-life events is simply opportunistic and creepy.

70
The New York Times
A.O. Scott
The result is a slick, brutishly effective genre movie: “Syriana” for dummies. Which is not entirely a put-down.

70
Time
Richard Corliss
Director Peter Berg cannily hypes the tension and the sentiment in the only one of the current Middle East political movies designed to appeal to the action crowd. Hard truths are absorbed while stuff blows up.

67
Portland Oregonian
Marc Mohan
Wants to be both a hot-button, ripped-from-the-headlines statement movie and a crowd-pleasing, rip-roaring action thriller. It ends up meeting each goal about halfway.

67
Christian Science Monitor
Peter Rainer
The filmmakers's attempts to balance out the gung-ho shoot-'em-ups with an overlay of "fairness" are rudimentary. The movie works us into a frenzy of righteous revenge, it makes us cheer each kill by the FBI warriors, and then it tells us that this violence only breeds more violence.

63
New York Daily News
Jack Mathews
Berg has an excellent eye for violent extravaganza and the action - especially a 10-15 minute set piece midway through - is as cleansing as a high colonic.

63
USA Today
Claudia Puig
Director Peter Berg's frenetic style heightens tension and a sense of disorientation. But some will find its chaotic quality dizzying and off-putting.

63
Boston Globe
Ty Burr
The movie ends on a plaintive can’t-we-all-get-along note, but at heart it’s a Charles Bronson flick. It mashes the revenge button the real world won’t let us push.

63
Chicago Tribune
Sid Smith
The Kingdom has a heart and a viewpoint. It’s a thrill ride with a lingering thought or two in its wake. But the explosions, breakneck chases, daredevil escapes and predictability about which side will be victorious remain its foremost mission.

63
TV Guide
Ken Fox
Peter Berg's fast-talking and unnecessarily complicated tale of Middle East terrorism is more smoke and mirrors than meat. It may come on like Syriana, but it boils down to little more than a diverting episode of "CSI: Riyadh."

63
Philadelphia Inquirer
Carrie Rickey
Ultimately, this jingo-bingo action thriller squarely hits its target, then delivers a delayed-action message contrary to everything that has preceded it. Berg heroizes the plucky Americans, but in the closing scenes of his ripping action flick, sucker-punches them. It's as if this populist Syriana frags itself.

60
Los Angeles Times
Kenneth Turan
THE Kingdom has some power but not enough sense. A ripped-from-today's-headlines thriller, it wants us to feel as if we're watching something relevant when what's really going on is a slick excuse for efficient mayhem that's not half as smart as it would like to be.

60
The New Yorker
Anthony Lane
A thumper of a movie, full of furious souls.

60
The Hollywood Reporter
Stephen Farber
Berg's movie is no more than an action movie with an exotic backdrop. That would be fine, if only the movie were more exciting. It succeeds neither as a pointed political commentary nor as a taut thriller.

50
Austin Chronicle
Marjorie Baumgarten
If the jingoism that permeates the latter half of The Kingdom does not sufficiently sour the experience of watching it, then the film's closing sentiments about the eternality of vengeance will surely do the trick.

50
Dallas Observer
Robert Wilonsky
The Kingdom is essentially "C.S.I.: Riyadh," starring Jamie Foxx in yet another movie his Oscar statue will watch with shame.

50
The Globe and Mail (Toronto)
Liam Lacey
The Kingdom is a barely coherent compendium of Middle East fantasies, fears and doubts.

50
Film Threat
Pete Vonder Haar
“Syriana's” dumber, louder cousin.

50
Wall Street Journal
Joe Morgenstern
The Kingdom comes down to a police procedural, and one whose procedures prove none too interesting.

50
San Francisco Chronicle
Mick LaSalle
The opening is spectacular, but the rest is fairly routine.

50
The Onion (A.V. Club)
Scott Tobias
The heroes of Peter Berg's gung-ho retribution tale are fighting the terrorists over there so we don't have to fight them here, but his film is indulging in a queasy brand of escapism. Winning imaginary wars isn't the same as winning real ones, but The Kingdom nonetheless smells like victory.

50
Washington Post
Desson Thomson
One electrifying performance becomes the only saving grace of The Kingdom, a goofy action movie that tries to marry the blitzkrieg entertainment of "Rambo" to the cultural consciousness of "Syriana."

42
Entertainment Weekly
Lisa Schwarzbaum
So shameless is The Kingdom, ignoring consequence and treating its audience like cash-dispensing machines with buttons to be pushed rather than thinking individuals willing to consider the reality of America's entanglement with the Middle East.

38
New York Post
Lou Lumenick
The opening montage raises expectations of a serious, politically incisive depiction of the region. What we actually get is an offensively pandering, Bruckheimer-esque riff on the real-life Khobar Towers bombing of 1996, a Saudi Hezbollah attack that killed 19 Americans.

25
Premiere
Glenn Kenny
Its climactic highway shootout, and much else in the picture, is rendered in the best Paul Greengrass manner that Hollywood money can buy. But where Greengrass pictures aim to keep one on the edge of one's seat throughout, the tension here, such as it is, is designed to stoke audience bloodlust. If that's your kind of thing, The Kingdom certainly satisfies.

10
Chicago Reader
J.R. Jones
At its core this is just another piece of big-studio nothingness. The characters are so underwritten they barely qualify as types, and the movie is badly paced, bookended by high-ordnance action sequences but painfully static in the middle.


The average user rating for this movie is 5.5 (out of 10) based on 67 User Votes
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