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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
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Away We Go
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Beaches of Agnes, The
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Big Man Japan
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Big Shot-Caller, The
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Boys: The Sherman Brothers' Story, The
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Brothers Bloom, The
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Burma VJ: Reporting from a Closed Country
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Call of the Wild
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Cheri
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Cherry Blossoms
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Dead Snow
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Easy Virtue
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End of the Line, The
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Every Little Step
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Examined Life
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Gigantic
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Girl from Monaco, The
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Girlfriend Experience, The
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89
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Harvard Beats Yale 29-29
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Paris 36
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Pressure Cooker
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Revanche
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Rudo y Cursi
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Seraphine
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Sex Positive
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Shall We Kiss?
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Sin Nombre
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Sleep Dealer
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Song of Sparrows, The
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Sugar
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Tokyo Sonata
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60
Under Our Skin
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Unmistaken Child
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Valentino: The Last Emperor
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What Goes Up
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Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Ladies in Lavender
Roadside Attractions
MPAA RATING: PG-13 for brief strong language
Starring
Judi Dench,
Maggie Smith,
Natascha McElhone,
Daniel Brühl,
Miriam Margolyes,
David Warner,
and
Toby Jones
The dull lives of two elderly sisters on the coast of Cornwall are interrupted by a shipwrecked Polish sailor who rekindles old sibling rivalries, jealousies and unfulfilled dreams. (Roadside Attractions)
| GENRE(S): |
Drama
|
Foreign
|
| WRITTEN BY: |
Charles Dance
William J. Locke (story)
|
| DIRECTED BY: |
Charles Dance
|
| RELEASE DATE: |
DVD: December 6, 2005
Theatrical: April 29, 2005
|
| RUNNING TIME: |
103 minutes, Color |
| ORIGIN: |
UK |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
83
Seattle Post-Intelligencer
William Arnold
This is the most impressive directing debut by a "name" British actor in a long, long time.

80
The New Republic
Stanley Kauffmann
The film is old-fashioned because it exists. No one, to use an ever-dubious line, makes films like this anymore.

80
Washington Post
Michael O'Sullivan
The film is a small study in the dignity of letting go.

80
Variety
Jay Weissberg
Full of delightful moments that throw into high relief the actors' craft.

80
Los Angeles Times
Kevin Thomas
It is a pleasure from start to finish.

75
Christian Science Monitor
David Sterritt
Dance's directorial debut isn't exciting, but it's deeply felt and engagingly acted. Why doesn't he take more advantage of the story's opportunities for fine music, though?

75
Portland Oregonian
Marc Mohan
For his directorial debut, British actor Charles Dance tackles such familiar English themes as repressed desire and an arm's-length fascination with foreigners. Luckily for the slight story, he has recruited two of the most effortlessly brilliant grande dames of British film.

75
Charlotte Observer
Lawrence Toppman
The unspoken heroes of the project are cinematographer Peter Biziou, who finds all the beauty in Cornwall's landscapes, and U.S. violinist Joshua Bell, who extracts beauty without schmaltz from every violin solo.

75
Philadelphia Inquirer
Steven Rea
A wistful little thing about regret, jealousy and love.

70
Washington Post
Ann Hornaday
A poignant portrait of one woman who has loved and lost, and another who never had a love to lose.

70
Village Voice
David Ng
So tastefully subdued it makes Merchant Ivory look like Gaspar Noé. And while they never look bored, Smith and Dench are clearly slumming, having played these roles in other costume pics.

70
Film Threat
James Wegg
Charles Dance's début feature is an impressive achievement.

70
The Hollywood Reporter
Michael Rechtshaffen
It is to Dance's considerable credit that he never lets the filmmaking overtake the understated storytelling.

70
Salon.com
Stephanie Zacharek
The sort of small, independent-minded picture that so much of American indie cinema strives, and often fails, to give us. It's a conventional picture, but it feels so deeply alive that it's practically a novelty.

70
Dallas Observer
Melissa Levine
The film is rich with real feeling. And Dench's performance is a heartbreaker.

70
Chicago Reader
J.R. Jones
This movie will hardly set the world on fire, but it's a worthy vehicle for the two old troopers; Smith has the stiffest upper lip in the business, and Dench is heartrending as the naive, lovelorn sister.

67
Entertainment Weekly
Lisa Schwarzbaum
His (Charles Dance) cinematic style mixes the scent of mothballs with that of the lavender in which these ladies are preserved.

63
New York Daily News
Elizabeth Weitzman
Ultimately, Dance is unable to connect the many threads of his rather flimsy script, leading to an abrupt and somewhat unsatisfying conclusion. But the journey is worth taking, thanks to the company of its stars.

63
Miami Herald
Marta Barber
Doesn't stretch beyond the typical, period drama the Brits do so well. It is no more than a warm cup of tea on a chilly afternoon. The reward comes in seeing these two great actresses at work.

63
The Globe and Mail (Toronto)
Jennie Punter
May be a slight film, but watching the Dames work in harmony in beautiful nuanced performances is a rich and fully satisfying reward.

60
TV Guide
Maitland McDonagh
Its appeal lies in the powerhouse performances delivered by Dench and Smith.

60
The Onion (A.V. Club)
Tasha Robinson
It's important to go in knowing the central secret of the movie: Nothing exciting is going to happen. Ever. Armed with that knowledge, viewers should be able to settle down and enjoy the extremely low-key, melancholy character study that plays out between a handful of excellent actors.

60
The New York Times
Stephen Holden
The cinematic equivalent of a visit from a cherished but increasingly dithery maiden aunt.

50
New York Post
Lou Lumenick
Well-acted but a bit creaky.

50
Chicago Sun-Times
Roger Ebert
Perfectly sweet and civilized.

50
San Francisco Chronicle
Ruthe Stein
The material obviously had to be stretched to fill the big screen for almost two hours.

50
Boston Globe
Ty Burr
Likably played by Bruhl, the castaway remains more dramatic device than living, breathing character. And without him truly being there, Dench and Smith are just volleying an imaginary ping-pong ball between them. That's not acting -- that's exercise.

40
Austin Chronicle
Steve Davis
Any film in which grande dames Maggie Smith and Judi Dench share the screen is one worth seeing, if only to marvel at their deft skills in the art of acting.

30
LA Weekly
Scott Foundas
Ladies in Lavender oscillates between scenes so relentlessly nice they make you want to scream and others - particularly those depicting the crush Dench develops on her new housemate - creepier than anything in "The Amityville Horror."


The average user rating for this movie is 8.1 (out of 10) based on 9 User Votes
Note: User votes are NOT included in the Metascore calculation.
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