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Ladies in Lavender
EMAILPRINTRoadside Attractions
Generally favorable reviews
Based on 29 critic reviews
How did we calculate this?
Based on 9 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama | Foreign
Written by:
Charles Dance
William J. Locke (story)
Directed by: Charles Dance
Release Date:
Theatrical: April 29, 2005
DVD: December 6, 2005
Running Time: 103 minutes, Color
Origin: UK
Summary
RATING: PG-13 for brief strong language
Starring Judi Dench, Maggie Smith, Natascha McElhone, Daniel Brühl, Miriam Margolyes, David Warner, and Toby Jones
The dull lives of two elderly sisters on the coast of Cornwall are interrupted by a shipwrecked Polish sailor who rekindles old sibling rivalries, jealousies and unfulfilled dreams. (Roadside Attractions)
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Seattle Post-Intelligencer William Arnold
This is the most impressive directing debut by a "name" British actor in a long, long time.
Read Full Review >The New Republic Stanley Kauffmann
The film is old-fashioned because it exists. No one, to use an ever-dubious line, makes films like this anymore.
Read Full Review >Washington Post Michael O'Sullivan
The film is a small study in the dignity of letting go.
Read Full Review >Variety Jay Weissberg
Full of delightful moments that throw into high relief the actors' craft.
Read Full Review >Christian Science Monitor David Sterritt
Dance's directorial debut isn't exciting, but it's deeply felt and engagingly acted. Why doesn't he take more advantage of the story's opportunities for fine music, though?
Read Full Review >Portland Oregonian Marc Mohan
For his directorial debut, British actor Charles Dance tackles such familiar English themes as repressed desire and an arm's-length fascination with foreigners. Luckily for the slight story, he has recruited two of the most effortlessly brilliant grande dames of British film.
Read Full Review >Charlotte Observer Lawrence Toppman
The unspoken heroes of the project are cinematographer Peter Biziou, who finds all the beauty in Cornwall's landscapes, and U.S. violinist Joshua Bell, who extracts beauty without schmaltz from every violin solo.
Read Full Review >Philadelphia Inquirer Steven Rea
A wistful little thing about regret, jealousy and love.
Read Full Review >Washington Post Ann Hornaday
A poignant portrait of one woman who has loved and lost, and another who never had a love to lose.
Read Full Review >Village Voice David Ng
So tastefully subdued it makes Merchant Ivory look like Gaspar Noé. And while they never look bored, Smith and Dench are clearly slumming, having played these roles in other costume pics.
Read Full Review >Film Threat James Wegg
Charles Dance's début feature is an impressive achievement.
Read Full Review >The Hollywood Reporter Michael Rechtshaffen
It is to Dance's considerable credit that he never lets the filmmaking overtake the understated storytelling.
Read Full Review >Salon.com Stephanie Zacharek
The sort of small, independent-minded picture that so much of American indie cinema strives, and often fails, to give us. It's a conventional picture, but it feels so deeply alive that it's practically a novelty.
Read Full Review >Dallas Observer Melissa Levine
The film is rich with real feeling. And Dench's performance is a heartbreaker.
Read Full Review >Chicago Reader J.R. Jones
This movie will hardly set the world on fire, but it's a worthy vehicle for the two old troopers; Smith has the stiffest upper lip in the business, and Dench is heartrending as the naive, lovelorn sister.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
His (Charles Dance) cinematic style mixes the scent of mothballs with that of the lavender in which these ladies are preserved.
Read Full Review >New York Daily News Elizabeth Weitzman
Ultimately, Dance is unable to connect the many threads of his rather flimsy script, leading to an abrupt and somewhat unsatisfying conclusion. But the journey is worth taking, thanks to the company of its stars.
Read Full Review >Miami Herald Marta Barber
Doesn't stretch beyond the typical, period drama the Brits do so well. It is no more than a warm cup of tea on a chilly afternoon. The reward comes in seeing these two great actresses at work.
Read Full Review >The Globe and Mail (Toronto) Jennie Punter
May be a slight film, but watching the Dames work in harmony in beautiful nuanced performances is a rich and fully satisfying reward.
Read Full Review >TV Guide Maitland McDonagh
Its appeal lies in the powerhouse performances delivered by Dench and Smith.
Read Full Review >The Onion (A.V. Club) Tasha Robinson
It's important to go in knowing the central secret of the movie: Nothing exciting is going to happen. Ever. Armed with that knowledge, viewers should be able to settle down and enjoy the extremely low-key, melancholy character study that plays out between a handful of excellent actors.
Read Full Review >The New York Times Stephen Holden
The cinematic equivalent of a visit from a cherished but increasingly dithery maiden aunt.
Read Full Review >San Francisco Chronicle Ruthe Stein
The material obviously had to be stretched to fill the big screen for almost two hours.
Read Full Review >Boston Globe Ty Burr
Likably played by Bruhl, the castaway remains more dramatic device than living, breathing character. And without him truly being there, Dench and Smith are just volleying an imaginary ping-pong ball between them. That's not acting -- that's exercise.
Read Full Review >Austin Chronicle Steve Davis
Any film in which grande dames Maggie Smith and Judi Dench share the screen is one worth seeing, if only to marvel at their deft skills in the art of acting.
Read Full Review >LA Weekly Scott Foundas
Ladies in Lavender oscillates between scenes so relentlessly nice they make you want to scream and others - particularly those depicting the crush Dench develops on her new housemate - creepier than anything in "The Amityville Horror."
Read Full Review >What Our Users Said
The average user rating for this movie is 8.1 (out of 10) based on 9 User Votes
Note: User votes are NOT included in the Metascore calculation.
Saleria J. gave it an8:
A lovely, charming film with exceptional acting. It's meant to be a fairy tale and not analyzed to death. Just a wonderful, heartwarming confection. Dame Judi, once again, proves she's one of the greatest living actors of our day.
Michael P. gave it a5:
I'd have to agree with most of the positive reviews...with one exception. There was a hole in the plot larger than the colossal multiplex screen on which I saw this film. Namely, the teenage boy seems to come from nowhere, apparently with zero background, family, or any other history. Furthermore, neither of the sisters is remotely interested in where he comes from or where he was going or are concerned that his family might be sick with worry about his whereabouts and safety--apparently, just learning that he is Polish satisfies them in all such matters (oddly). There is no concern about the wrecked ship that he supposedly came from, no concern about the fate of the other passengers--nothing. In short, these characters do not behave in a realistic way. It bugged me for the first half of the film, and I heard other people in the audience complaining about it when I left the theater. I'm all for artsy films that explore elements of human nature that are rarely touched upon (like an older woman falling madly in love with a boy young enough to be her grandson--very well done here), but I believe that it's still possible to stick to the basics of good storytelling when making this kind of film. Without the fatal flaw--which, sadly, would have been easy to fix in the script--I would have given the film a high score.
cheryl c. gave it an8:
Where to begin... The acting by two all-time greats; the remote haven, out of time, between the great wars, full of characters Dickens might have concocted; the music; the yearning. No, they don't make pictures like this anymore. Actually, they never did. But it's possible to imagine that people lived lives like these, and those are so far removed from today they are priceless. Simply lovely.
Larry L. gave it a9:
Strong performances throughout. A little trouble with dialog at times, but on the whole an extremely well-crafted motion picture.
Arthur F. gave it a7:
Judy and Maggie are wonderful -- makes it more than worthwhile just to see them. And the story is beautifully told.
