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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
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66
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74
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48
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56
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Beaches of Agnes, The
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Brothers Bloom, The
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End of the Line, The
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Girl from Monaco, The
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89
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Rudo y Cursi
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Seraphine
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Song of Sparrows, The
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60
Under Our Skin
69
Unmistaken Child
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Valentino: The Last Emperor
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What Goes Up
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57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Lantana
Lions Gate Films
FILM:
MPAA RATING: R for language and sexuality
Starring
Anthony LaPaglia,
Geoffrey Rush,
Barbara Hershey,
Kerry Armstrong,
and
Rachael Blake
This ensemble mystery set in Australia examines the stories of four married couples, each touched by the discovery of a murdered woman.
| GENRE(S): |
Suspense/Thriller
|
| WRITTEN BY: |
Andrew Bovell (also play Speaking in Tongues)
|
| DIRECTED BY: |
Ray Lawrence
|
| RELEASE DATE: |
DVD: May 21, 2002
Video: May 21, 2002
Theatrical: December 14, 2001
|
| RUNNING TIME: |
120 minutes, Color |
| ORIGIN: |
Australia / Germany |
Audience Award for Best Feature, 2001 Melbourne International Film Festival; Best Picture, Best Director, Best Actor (LaPaglia), Best Actress (Armstrong), Best Supporting Actress (Blake), Best Supporting Actor (Colosimo), Best Adapted Screenplay, 2001 Australian Film Institute Awards

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Baltimore Sun
Michael Sragow
Voluptuous dance about love, pain and the whole damn thing.

100
Wall Street Journal
Joe Morgenstern
It's one of the best surprises of the holiday season.
100
Variety
David Stratton
A wonderfully acted, acutely observed psychological drama.

100
Salon.com
Andrew O'Hehir
Elegant but never overstated, sinister but never coldhearted, this is a note-perfect masterwork on a modest, human scale.

100
San Francisco Chronicle
Mick LaSalle
Stuns with writing, acting, direction.

100
The New York Times
Dana Stevens
Astonishingly well acted film, so much so that it seems unfair to single out any of the performances. Mr. Lawrence's camera sense is as sure and unobtrusive as his feel for acting. The movie just seems to happen, to grow out of the ground like a thorny plant, revealing the intricate intelligence of its design only in hindsight.

90
Washington Post
Desson Thomson
Has a refreshingly keen ability to see everything from multiple angles.

90
LA Weekly
Ella Taylor
Notable for its power of surprise and its refusal to immediately clarify the confusion of these lost souls.

90
Time
Richard Schickel
Lawrence's style, naturally lit and roughly realistic, matches the writing. Lantana sometimes has the air of a routine police procedural, sometimes the quality of a dour film noir. But this movie, so alert to mischance and dreams that don't quite work out as they should, has a good soul, a heart yearning for decency.
90
New Times (L.A.)
Bill Gallo
Lawrence constructs a vivid pastiche of human foibles, nicely flavored with a touch of suspense and some well-timed jolts of humor. In the end it's a terrifically entertaining film, if not quite so profound as the makers might wish.

90
Los Angeles Times
Kenneth Turan
A remarkably thoughtful drama, Lantana makes it clear not only how hard to come by any emotional comfort is in this life, but more important, why we can't give up on the struggle.

90
Washington Post
Rita Kempley
Perceptive, powerfully acted psychodrama.

90
Rolling Stone
Peter Travers
The acting is top-notch, and LaPaglia, who makes the cop's torment palpable, gives the performance of his career.

88
Boston Globe
Jay Carr
Haunting, powerfully acted, penetratingly written, it's about people coming home -- and not coming home -- to their marriages.

88
Chicago Tribune
Mark Caro
More intent on engaging the heart as it explores the mysteries contained within - mysteries that, as Lawrence and his spot-on cast demonstrate, are far more compelling than simple murder.

88
Chicago Sun-Times
Roger Ebert
This description no doubt makes the film seem like some kind of gimmicky puzzle. What's surprising is how easy it is to follow the plot, and how the coincidences don't get in the way.

83
Portland Oregonian
Ted Mahar
The story is ingeniously intricate but never gimmicky or implausible. As it develops, the suspense grows about what direction the story could possibly take next.

83
Seattle Post-Intelligencer
Paula Nechak
It's LaPaglia's finest, deepest role and he's matched by Armstrong, who makes Sonja's undaunting optimism palpable within a trying marriage that's gulping for breath.

80
Chicago Reader
Jonathan Rosenbaum
Striking for its performances -- especially Anthony LaPaglia.

75
Philadelphia Inquirer
Steven Rea
Steeped in quiet despair, Lantana is a psychological thriller that emphasizes the psychology over the thrills. It's a smart, heart-twisting picture.
75
New York Post
Lou Lumenick
This isn't a mystery except in the most general sense. It's a dense, Altman-esque psychological drama centering on 10 characters whose lives become as tangled as the lantana.

75
Christian Science Monitor
David Sterritt
While the movie is well acted and creative, its story and style are too self-consciously clever to build a high degree of emotional power.

75
New York Daily News
Jami Bernard
In addition to the strong script, the ensemble performances are topnotch, with no one hogging the limelight.

75
ReelViews
James Berardinelli
For the briefest of moments, someone not paying attention might mistake Lantana for a mystery. -- Lantana is actually an examination of human interaction.

75
Miami Herald
Rene Rodriguez
There's some genuine suspense in Lantana, including one unbearably tense moment that is worthy of Hitchcock. But the movie's most unnerving aspect is the way in which it suggests true happiness may be impossible to regain once you've lost it.
70
Film Threat
Michael Dequina
Love is indeed the greatest mystery, as Lantana's tagline goes, and while the film is ultimately still and interesting and fairly involving one, it's a bit unfortunate that the filmmakers weren't content to simply explore that quandary instead of manufacturing another.

67
Austin Chronicle
Marrit Ingman
While viewers who expect a conventional suspense film may be disappointed in Lantana overall, it does succeed on a smaller, more intimate scale.

50
TV Guide
Frank Lovece
Thought-provoking but proceeding at a crawl, the film suffers from performances that are virtually all pitched to the same note of existential ennui -- thank goodness, then, for Rush, who's arrives like a wake-up blast of compressed air.

30
Village Voice
Dennis Lim
The scenario eventually becomes so coincidence-choked that the filmmakers have no choice but to play it for mild snickers.


The average user rating for this movie is 8.5 (out of 10) based on 21 User Votes
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