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Stars indicate the most critically-acclaimed movies.

67
$9.99
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24 City
66
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48
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Beaches of Agnes, The
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Brothers Bloom, The
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Easy Virtue
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End of the Line, The
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Examined Life
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Girl from Monaco, The
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Rudo y Cursi
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Seraphine
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Song of Sparrows, The
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Under Our Skin
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Unmistaken Child
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Valentino: The Last Emperor
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What Goes Up
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Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Last Castle, The
DreamWorks Distribution L.L.C.
FILM:
MPAA RATING: R for language and violence
Starring
Robert Redford,
James Gandolfini,
Mark Ruffalo,
Steve Burton,
George Scott,
Addison Pate,
and
Nick Kokich
The Castle -- the unlikely last stop in the brilliant career of three-star General Irwin (Redford). Court-martialed and stripped of his rank, Irwin has been sentenced to the maximum-security military prison, which is run with an iron fist by its warden, Colonel Winter (Gandolfini).
| GENRE(S): |
Drama
|
| WRITTEN BY: |
David Scarpa (also story)
Graham Yost
|
| DIRECTED BY: |
Rod Lurie
|
| RELEASE DATE: |
DVD: March 5, 2002
Video: March 5, 2002
Theatrical: October 19, 2001
|
| RUNNING TIME: |
131 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
New York Post
Jonathan Foreman
It's an even rarer pleasure to see a film that combines exciting action with a smart, well-informed script and vivid yet restrained performances.

75
Chicago Sun-Times
Roger Ebert
It could have been more, could have been a triumph and a classic, instead of simply an effective entertainment.

75
Boston Globe
Jay Carr
The kind of movie you can enjoy easily enough, as long as you don't think about it much.
75
San Francisco Chronicle
Mick LaSalle
Not as simple as it looks, though its appeal is simple: Robert Redford goes to prison, and James Gandolfini ("The Sopranos") is the warden. That's a movie worth seeing right there.

75
Seattle Post-Intelligencer
William Arnold
Like Lurie's previous two films, it's also simplistic and somewhat muddled.

70
Chicago Reader
J. R. Jones
Engrossing if standard-issue prison drama.

70
LA Weekly
F. X. Feeney
Lurie manages, despite these obstacles, to inspire Redford to give one of the most layered and interesting performances of his career.

63
Philadelphia Inquirer
Carrie Rickey
If this melodrama has that haven't-we-met-before look, it's because it combines elements of "The Caine Mutiny" (Gandolfini's Winter is Queeg-like) with those of "Stalag 17."

63
Chicago Tribune
Michael Wilmington
An outrageously unlikely prison action movie made with lots of eye-catching pizzazz and undeserved expertise.
60
Mr. Showbiz
Cody Clark
It's good enough, smart enough, and people will like it. It's also a high-concept cop-out, a convention-strangled genre movie that never zigs when your every instinct is screaming that it's about to zag.
60
Variety
Todd McCarthy
A disappointingly pedestrian prison meller that falls between stools artistically and politically.

58
Entertainment Weekly
Owen Gleiberman
This is, after all, not just Robert Redford. It's Redford in the nobly burnished self-mythologic perfection of his late-middle-aged golden god-ness.

50
USA Today
Claudia Puig
They may call it The Last Castle, but moviegoers will ultimately feel rooked.

50
The New York Times
A.O. Scott
The movie is exuberant, strapping and obvious -- a problem drama suffering from a steroid overdose.

50
Miami Herald
Rene Rodriguez
Often feels choppy, as if chunks of connecting narrative had been lopped off in the editing room.

50
TV Guide
Maitland McDonagh
While the film is shot in shades of gray, the drama is played out in black and white.

40
Film Threat
Michael Dequina
All crass in its empty bluster and bogus uplift.

40
Austin Chronicle
Marc Savlov
Ruffalo, actually, who was so perfect in the little-seen "You Can Count On Me," is the only real reason to sit through The Last Castle.

40
Washington Post
Rita Kempley
Robert Redford does everything but wear a crown of thorns as the selfless war hero of The Last Castle, a heavy-handed military prison melodrama.

40
Wall Street Journal
Joe Morgenstern
This is an odd and ultimately dispiriting film, despite some intriguing ideas about brute force vs. moral authority, the elaborately staged uprising -- and impressive actors in the cast. That is to say, they've been impressive elsewhere.
40
Los Angeles Times
Kenneth Turan
It's not objectionable (which is saying something these days) but neither does it have any compelling reason to be seen.

40
The New Yorker
David Denby
(Lurie's) a shameless, if skilled, manipulator of easy emotions. (29 Oct 2001, p. 93)
40
Washington Post
Desson Thomson
Although the movie has a few interesting twists and turns, its mind-versus-mind conceit devolves into a mundane warden-versus-inmate conclusion.

38
Baltimore Sun
Michael Sragow
It's a mishmash of "The Bridge on the River Kwai," "From Here to Eternity" and "The Great Escape," with everything complex and entertaining siphoned off.

38
New York Daily News
Jack Mathews
I don't know why Redford and the white-hot Gandolfini signed on for this fiasco, but the give-and-take between them is the film's sole pleasure.

33
Portland Oregonian
Shawn Levy
Miscast, clumsily staged and ideologically wobbly.

30
Salon.com
Stephanie Zacharek
Deadly dull.

30
New Times (L.A.)
Luke Y. Thompson
Lurie's politics aside, it's astonishing that a man who once reviewed films keeps churning out movies full of cinema's most hollow clichés; indeed, he turns out stuff that's even more disjointed and improbable than the most mediocre fare.

30
Slate
David Edelstein
A melodrama in which the clichés prove more lethal than the bullets.

30
Time
Richard Schickel
Redford underacts, Gandolfini overacts, and this movie is directed with the same air of unreality, the same grim passion for cliches, both cinematic and emotional, that Lurie brought to his first film, "The Contender."

20
Village Voice
Michael Atkinson
Bizarre, confused, sanctimonious manure that makes Lurie's own "The Contender" look responsible by comparison.

20
New York Magazine
Peter Rainer
Plays out like "Cool Hand Luke" meets "Attica," and it's quite the silliest thing.


The average user rating for this movie is 7.9 (out of 10) based on 24 User Votes
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