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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
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Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Last Mistress, The
IFC Films
 |
|
MPAA RATING: Not Rated
Starring
Asia Argento,
Fu'ad Ait Aattou,
Roxane Mesquida,
Claude Sarraute,
and
Yolande Moreau
The Last Mistress marks the monumental pairing of cinema's premiere provocateur, director Catherine Breillat with the most fearless and explosive actor of our generation, Asia Argento. A penniless rogue, Ryno de Marigny, shocks 19th century France with his engagement to the virginal gem of the aristocracy, Hermangarde. As lurid speculations of Ryno's ten year affair with the carnal Vellini manifest, a supremely erotic and wickedly humorous depiction of human lust is revealed - overriding the brittle facade of nobility and reverence. Bolstered by Breillat's mastery of the medium and Argento's commanding performance, The Last Mistress is a highly entertaining yet incredibly provocative film that has resulted in unanimous praise from audiences and critics across the world. (IFC Films)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Catherine Breillat
|
| DIRECTED BY: |
Catherine Breillat
|
| RELEASE DATE: |
Theatrical: June 27, 2008
|
| RUNNING TIME: |
104 minutes, Color |
| ORIGIN: |
France | Italy |
| LANGUAGE(S): |
French |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
91
Entertainment Weekly
Lisa Schwarzbaum
Breillat, the flamethrower who made "Romance" and "Fat Girl," artfully twists period-piece drama to suit her provocative modern notions about sex, gender roles, and power.

90
Los Angeles Times
Robert Abele
The Catherine Breillat-directed period piece is an extreme cinematic pleasure, a well-told yarn of merciless desire.

90
Film Threat
Matthew Sorrento
Here Breillat directs one of the most thrilling actresses working today, and the latter makes this calculated study into a tale brimming with passion and sorrow.

90
Village Voice
J. Hoberman
A highly entertaining adaptation of French dandy Jules-Amédée Barbey d'Aurevilly's mid-19th-century novel Une vieille maîtresse.

90
The New York Times
Manohla Dargis
What’s explicit here is ravenous passion and the depiction of desire as a creating, destroying force that invades the very flesh. It's terribly French.

90
Salon.com
Stephanie Zacharek
This explicit movie about a sexually insatiable 19th century courtesan emerges like an erotic dream.

88
New York Post
V.A. Musetto
Beautifully composed, The Last Mistress, Breillat's 11th film, deals with the theme she has put forth in such previous work as "Romance" and "Fat Girl": how women deal with sexual desire.

88
Chicago Tribune
Michael Phillips
The picture's visual style is clean, exact and beautifully photographed by Yorgos Arvanitis.

88
TV Guide
Ken Fox
Under the beautifully appointed costumes and to-die-for interiors is Breillat's preoccupation with female sexuality and desire, all centered on a blistering performance from a perfectly cast Asia Argento.

88
Chicago Sun-Times
Roger Ebert
A passionate and explicit film about sexual obsession.

88
The Globe and Mail (Toronto)
Kamal AL-Solaylee
The Last Mistress proves that Breillat has found something in the luscious language of the 19th century that makes sense to us today.

83
Baltimore Sun
Michael Sragow
The Last Mistress turns the melodramatic pieties of films like Fatal Attraction inside out. The anti-heroine acts like a vampire in reverse: Even when she drinks the anti-hero's blood, she makes him feel more alive.

83
The Onion (A.V. Club)
Scott Tobias
Given their reputations as feminist provocateurs, the coming together of Breillat and Argento seems natural, even inevitable, and The Last Mistress gets a charge from their feisty, uncompromising spirit.

75
Christian Science Monitor
Peter Rainer
Decorous to a fault, in the manner of middling Eric Rohmer talkfests, it's a film that could use some shaking up.

75
Philadelphia Inquirer
Carrie Rickey
Lush. Debauched. Ravishing. And did I mention sexy?

75
Portland Oregonian
Marc Mohan
What's different here is the setting: Instead of modern-day misogyny, the heroine of The Last Mistress is up against its 19th-century version.

75
Boston Globe
Ty Burr
Cool, carnal, and lethal, The Last Mistress is a period drama with a difference.

75
San Francisco Chronicle
Mick LaSalle
Breillat is inviting us to really look at sex as it occurs in life, and to engage with it mentally, as a driving mystery of human existence.

70
Washington Post
Ann Hornaday
Argento and Aattou deliver appropriately outsize performances to fit the movie's sense of extravagant escapism, and Claude Sarraute delivers a slyly witty performance as the elderly lady carried away by Ryno's Scheherazade-like tale.

70
Variety
Lisa Nesselson
Adapting a book by semi-notorious novelist and critic Jules Barbey d'Aurevilly (1808-89), Breillat freely stamps her strong and singular feminine insights on a man's material.

60
New York Daily News
Elizabeth Weitzman
Though Argento and Aattou lack the searing chemistry needed, the social politics are consistently intriguing, and everything - not to mention everyone -looks absolutely stunning.

60
Chicago Reader
Jonathan Rosenbaum
Breillat may be serious about creating period ambience, but she also can't resist patterning her heroine after Marlene Dietrich's Concha in "The Devil Is a Woman" (even though Argento sometimes suggests Maria Montez in the pleasure she takes in her own company).

50
Seattle Post-Intelligencer
William Arnold
Seems like very tame stuff, with little in the way of graphic sex and all the baggage of a run-of-the-mill art-house costume drama.

50
ReelViews
James Berardinelli
Perhaps it's the lack of sex or perhaps it's the incessant, banal chattering of the characters, but this movie is more likely to inspire sleep than interest. Breillat has done something I never expected from her: made a boring film.

50
Austin Chronicle
Marc Savlov
It wouldn't feel out of place on a double bill with "Dangerous Liaisons," given Breillat's unrepentantly nihilistic attitude toward the battle of the sexes in which all are pawns, every knight is errant, and the only queen is Queen Bitch.


The average user rating for this movie is 7.2 (out of 10) based on 4 User Votes
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