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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
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Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
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Call of the Wild
63
Cheri
62
Cherry Blossoms
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Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
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Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
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Management
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Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
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Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
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Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
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Tennessee
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Tetro
64
Throw Down Your Heart
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Tokyo Sonata
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Tokyo!
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Tony Manero
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Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Lions for Lambs
United Artists (MGM)
 |
|
FILM:
MPAA RATING: R for some war violence and language
Starring
Tom Cruise,
Meryl Streep,
Robert Redford,
Michael Pena,
Derek Luke,
and
Andrew Garfield
The story begins after Arian and Ernest, two determined students at a West Coast university, follow the inspiration of their idealistic professor Dr. Malley and attempt to do something important with their lives. But when the two make the bold decision to join the battle in Afghanistan, Malley is both moved and distraught. Now, as Arian and Ernest fight for survival in the field, they become the string that binds together two disparate stories on opposite sides of America. In California, an anguished Dr. Malley attempts to reach a privileged but disaffected student who is the very opposite of Arian and Ernest. Meanwhile, in Washington DC, charismatic presidential hopeful Senator Jasper Irving is about to give a bombshell story to a probing TV journalist that may affect Arian and Ernest's fates. As arguments, memories, and bullets fly, the three stories are woven even more tightly together, revealing how each of these Americans has a profound impact on one another and the world. (United Artists)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Matthew Michael Carnahan
|
| DIRECTED BY: |
Robert Redford
|
| RELEASE DATE: |
DVD: April 8, 2008
Theatrical: November 9, 2007
|
| RUNNING TIME: |
88 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
80
Empire
Helen O'Hara
A smart, accessible, surprisingly balanced look at our dysfunctional world. Compelling stuff.

78
Austin Chronicle
Steve Davis
Despite its flaws, which become more evident as time elapses, Lions for Lambs is worth seeing for no other reason that you’ve never seen anything like it before.

75
Entertainment Weekly
Owen Gleiberman
The tiny scale and armchair talkiness mark the movie as a bit of a folly, an act of idealistic hubris in today's commercial marketplace, yet that's its (minor) fascination too.

75
San Francisco Chronicle
Mick LaSalle
This is responsive, engaged filmmaking, the kind of movie they say Americans don't make.

70
Newsweek
David Ansen
Intelligent, deadly serious, made in a spirit of patriotism and protest, Redford's movie is more civics lesson than drama and doesn't pretend otherwise. It is what it is: a call to action.

70
Salon.com
Stephanie Zacharek
This is a weird movie hybrid, both a tasteful picture and an angry one.

67
Seattle Post-Intelligencer
William Arnold
All the good intentions in the world and solid performances from three of the biggest and most respected movie stars of our time cannot disguise the fact that Lions for Lambs is resting on a talky, disjointed and not-very-well-thought-out script.

63
USA Today
Claudia Puig
Though characters make some strong points, the film feels preachy and falls flat as entertainment.

63
Miami Herald
Rene Rodriguez
And unlike other recent dramas such as "Rendition," the film never feels like it's preaching. Instead, it just urges: Whatever you believe, do something.

63
Charlotte Observer
Lawrence Toppman
All true, but not new -- and not especially compelling.

63
Chicago Sun-Times
Roger Ebert
There is a long stretch toward the beginning of the film when we're interested, under the delusion that it's going somewhere. When we begin to suspect it's going in circles, our interest flags, and at the end, while rousing music plays, I would have preferred the Peggy Lee version of "Is That All There Is?"

50
Christian Science Monitor
Peter Rainer
Like many a Hollywood political drama, Lions for Lambs carries a full head of steam that is indistinguishable from a lot of hot air.

50
Village Voice
Ella Taylor
The movie is awful--and also oddly touching, even adorable in its dogged sense of responsibility, its stubborn refusal of style.

50
The Hollywood Reporter
Ray Bennett
Politicians, the media, educators, military commanders and a docile public all come under fire in a well-made movie that offers no answers but raises many important questions.

50
Chicago Reader
J.R. Jones
The movie is compelling now but unlikely to survive its moment.

50
The Globe and Mail (Toronto)
Liam Lacey
Lions for Lambs appears to have taken its inspiration from Al Gore's stolid "An Inconvenient Truth," using the stage lecture and Power Point presentation in lieu of dramatic momentum.

50
TV Guide
Ken Fox
In the end, it all remains a dramatically inert set of talking points, and not even the high-caliber cast can make much more out of it.

50
Chicago Tribune
Michael Phillips
This is the sort of film where a character says “Here we are, having a high-minded debate ...” and you wonder if countless moviegoers will be rolling their eyes in unison.

50
Premiere
Matt Mueller
Lambs feels five years too late.

50
The New York Times
Manohla Dargis
It tells us everything most of us know already, including the fact that politicians lie, journalists fail and youth flounders. Mostly it tells us that Mr. Redford feels really bad about the state of things. Welcome to the club.

50
Philadelphia Inquirer
Steven Rea
Dull plod.

50
ReelViews
James Berardinelli
One of those movies in which the principals talk a lot but don't say much.

50
Film Threat
Pete Vonder Haar
Fortunately for Redford, Lions for Lambs is a less ham-handed effort than Sayles’ “Silver City,” but it’s a near thing.

50
New York Daily News
Elizabeth Weitzman
This tactic, and the film's valid but familiar arguments, might have been fleshed out with better results onstage.

50
Baltimore Sun
Michael Sragow
The problem with Lions for Lambs isn't its political engagement but its cinematic disengagement. Robert Redford directs and stars in this ambitious talkathon, which would have been more effective as a radio play.

50
Boston Globe
Wesley Morris
It does not feel good to report that a movie with Robert Redford, Meryl Streep, and Tom Cruise makes the eyelids droop. But that's what Lions for Lambs does.

42
Portland Oregonian
Marc Mohan
Talky, didactic and essentially free of any real narrative, it views Iraq through the lens of Vietnam, which is fair enough, but ends up making the whole polemic seem like a condescending effort from aging baby boomers to get the younger generation to step up to the plate.

40
Los Angeles Times
Carina Chocano
Redford and Carnahan would like us to ponder our role in their fate. And maybe we would, if the lecture weren't so dull and self-satisfied.

40
New York Magazine
David Edelstein
Robert Redford’s Lions for Lambs is the clunkiest, windiest, and roughest of the lot. Most of it is dead on the screen. But its earnestness is so naked that it exerts a strange pull. You have to admire a director who works so diligently to help us rise above all the bad karma.

40
Variety
Derek Elley
Amounts to a giant cry of "Americans, get engaged!" wrapped in a star-heavy discourse that uses a lot of words to say nothing new.

40
The New Yorker
Anthony Lane
It winces with liberal self-chastisement: Redford is surely smart enough to realize, as the professor turns his ire on those who merely chatter while Rome burns, that his movie is itself no better, or more morally effective, than high-concept Hollywood fiddling.

40
Washington Post
Ann Hornaday
But for all its passion and topical currency, the movie plays too often like a college colloquium. And it ends on an unsatisfying note, with each character's choice, whether fateful or fatal, hanging in a confounding limbo of indeterminacy.

38
New York Post
Kyle Smith
I went to a wartime thriller, but then a Poli Sci 101 seminar broke out.

30
Slate
Dana Stevens
Ought to have been called "Slugs for Snails," so leisurely does it creep toward its predictably bombastic conclusion.

25
The Onion (A.V. Club)
Nathan Rabin
All talk and zero characterization, it doesn't even feel like a real movie.

20
Wall Street Journal
Joe Morgenstern
You could make a case for this as a feature-film version of the FCC's fairness doctrine, but it feels more like a blandness doctrine, a pulling and hauling of the tone-deaf script, which is credited to Matthew Michael Carnahan, to the point of perfect vacuousness.


The average user rating for this movie is 4.9 (out of 10) based on 74 User Votes
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