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Little Children
New Line Cinema


7.0

based on 34 reviews
Read critic reviews
How did we calculate this?

based on 111 votes
Read user comments
Rate this movie

FILM:

In the Bedroom

MPAA RATING: R for strong sexuality and nudity, language and some disturbing content

Starring Kate Winslet, Patrick Wilson, Jennifer Connelly, Jackie Earle Haley, Noah Emmerich, Gregg Edelman, Phyllis Somerville, and Raymond J. Barry

Based on the novel by Tom Perrotta, Little Children centers on a handful of individuals whose lives intersect on the playgrounds, town pools and streets of their small community in surprising and potentially dangerous ways. (New Line Cinema)

GENRE(S):	Comedy \| Crime \| Drama \| Romance
WRITTEN BY:	Todd Field Tom Perrotta (also novel)
DIRECTED BY:	Todd Field
RELEASE DATE:	DVD: May 1, 2007 Theatrical: October 6, 2006
RUNNING TIME:	130 minutes, Color
ORIGIN:	USA

Named best picture of 2006 by the San Francisco Film Critics Circle.

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Los Angeles Times Carina Chocano

The movie is one of the few films I can think of that examines the baffling combination of smugness, self-abnegation, ceremonial deference and status anxiety that characterizes middle-class Gen X parenting, and find sheer, white-knuckled terror at its core.

100

TV Guide Ken Fox

Once again, Field has crafted and grown-up movie that grabs you by the throat, drags you in and doesn't let you go until the very bitter end.

100

Chicago Tribune Michael Phillips

Unnervingly good, Little Children is one of the rare American films about adultery that feels right--dangerous, hushed, immediate.

100

San Francisco Chronicle Mick LaSalle

Perrotta and Field succeed, not by guessing, but by knowing this world. They understand it enough to see it with cold precision -- and to approach it, at times, with disarming warmth. The characters aren't types, but people.

Seattle Post-Intelligencer William Arnold

It's as absorbing as a train wreck, and its brand of heavy drama is so rare in movies these days that everything about it seems amazingly fresh.

Portland Oregonian Shawn Levy

Like "In the Bedroom," the film is studded with brilliant acting, and it's all rendered with gorgeously fluent technique. The result is a film that skirts cruelty and easy satire for deep, troubling realities -- a nearly thorough triumph, in short.

Entertainment Weekly Lisa Schwarzbaum

A jolting, artfully made drama set in and around a suburban playground somewhere between "American Beauty" and "In the Bedroom" on America's psychic highway.

The Hollywood Reporter John DeFore

Providing richness of detail and metaphor, elegantly blueprinted themes and impressive mastery of a constantly shifting tone, Little Children does just that. It is a deeply satisfying film.

The New York Times A.O. Scott

The result is a movie that is challenging, accessible and hard to stop thinking about...But in too many recent movies intelligence is woefully undervalued, and it is this quality -- even more than its considerable beauty -- that distinguishes Little Children from its peers.

The New Yorker David Denby

A sharply intelligent and affecting view of suburban blues.

Washington Post Desson Thomson

A hugely absorbing social drama that is, by turns, excruciating, sad and sardonic.

Film Threat Don R. Lewis

While the screenplay for Little Chilldren is basically perfect, it's the acting that really drives the film home.

New York Daily News Jack Mathews

Built from a perfect story-telling collaboration.

ReelViews James Berardinelli

The rarest of movies - a literary multi-character drama. From the erudition of the voiceover narrative to the three dimensionality of the characters, Field's film is the closest it's possible to get to a book without reading one.

Rolling Stone Peter Travers

This unnervingly funny and quietly devastating film -- director Todd Field's first since his smash 2001 debut with "In the Bedroom" -- pulls you in like a magnetic-force field.

Slate Dana Stevens

All of the actors, most notably Winslet, are superb, but the movie belongs to Jackie Earle Haley, a former child actor.

Time Richard Schickel

Little Children does not have quite the bleak discipline of Field's more keenly judged "In the Bedroom." Yet it is a more ambitious film and a considerable achievement.

Chicago Reader J.R. Jones

The characters are drawn with such compassion their follies become our own and their desires seem as vast as the night sky.

Empire Helen O'Hara

This is complex, thought-provoking cinema.

Philadelphia Inquirer Carrie Rickey

During its two hours-plus running time, Field's movie veers from dark comedy to melodrama, not always gracefully. But tonal inconsistencies don't blunt the keenness of its satire, so sharp that I walked out with emotional razor burn.

Boston Globe Wesley Morris

What Little Children understands so well, and so poignantly, is a kind of parental existentialism that hits 30- somethings with kids: How does having children make you such a less interesting adult?

USA Today Claudia Puig

Little Children maintains much of the power, humor and nuance of Tom Perrotta's wonderful novel, but seems unsure if it's a satire or a serious drama.

The Onion (A.V. Club) Scott Tobias

Decades removed from his dreamy Kelly in the "Bad News Bears" movies, Haley pulls off the remarkable feat of bringing childlike vulnerability to his character while still suggesting ungodly menace.

Newsweek David Ansen

The Madame Bovary-in-suburbia motif may sound familiar, yet the unusual mix of satire and melodrama feels fresh. Not everything works (beware the football scenes), but this adaptation of Tom Perrotta's novel is hard to shake off.

Variety Todd McCarthy

Like "In the Bedroom," Little Children, at well over two hours, is somewhat long for an intense, intimate drama, and arguments could run many ways concerning what could be tightened or excised.

Austin Chronicle Marc Savlov

It's Winslet who is the heart and soul of Little Children, and when she makes a desperate, final bid to reclaim her soul, it's both horrifying and heart-rending.

The Globe and Mail (Toronto) Rick Groen

To these disappointed eyes, Little Children seems a frustrating mess.

Miami Herald Rene Rodriguez

Slowly loses its grip, becoming just another story about infidelity, albeit an exceptionally polished, well-acted one.

Baltimore Sun Michael Sragow

Instead of being supple and expansive like the book, this Little Children is heavy-handed and snarky.

Village Voice Ella Taylor

This overly long movie, made sluggish by a superfluously novelistic narrator, feels divided against itself, driven by opposed impulses of tragedy and dark humor that make it impossible for us to identify with these lost souls' break for freedom or wait for them to grow up.

New York Magazine David Edelstein

An unusually powerful mess, a broad satire of suburban self-indulgence with little in the way of a consistent style, and with a character who's serious business: a convicted child molester.

Christian Science Monitor Peter Rainer

By turns jokey, portentous, and pretentious, the movie immediately sizes up each of its protagonists and never budges from that assessment.

Wall Street Journal Joe Morgenstern

Mr. Field is a filmmaker with an exceptional gift for directing actors -- he's an actor himself -- and an eye for telling detail. (His cinematographer here, as in the previous film, is Antonio Calvache, and again the images are quietly sumptuous.) Yet I was put off by Little Children's satiric tone.

Salon.com Andrew O'Hehir

It's an unholy mess, simultaneously too Gothic and too sarcastic, that preaches liberation and delivers only puritanism. It's a craftsmanlike but robotic imitation of "interesting" filmmaking, only in patches, and by accident, the real thing.

The average user rating for this movie is 7.0 (out of 10) based on 111 User Votes
Note: User votes are NOT included in the Metascore calculation.

Ian S. gave it a2:
Really good movie till the end. The end is just plain and simply stupid.

Chad S. gave it a9:
Just in case you're impervious to irony, "Little Children" gives you one last chance to reconsider that adjective and noun, "little" and "children", when Brad(Patrick Wilson) and his skateboard part ways; when Lucy offers her mother some comforting words and a pat on the back. Yes, "Little Children" has its false moments; none more so than Sarah's insecurity about her beauty in comparison to Kathy(Jennifer Connelly), since we can all see that Kate Winslet is in the same ballpark as Connelly, a "knockout"(Brad's description of his wife) in her own right. But for the most part, "Little Children" is a smartly written, smartly acted film about, yes, angsty affluent white people, but the film is never whiny, never static, because the "little children" grow up, especially the "bully" who picks on Ronnie(Jackie Earle Haley).

Tony B. gave it a5:
This is a well-acted film that fails to reach its potential. With more plot lines than it can develop satisfactorily, it sometimes both jumps all over the place and rambles on at a snail's pace. Watch for Jennifer Connelly's realization that Kate Winslet and Patrick Wilson have been naughty. It's by far the best scene in the film.

Dan C. gave it a9:
An unusual but very good film. Kate Winslet is subtle and brilliant throughout - yet another reason she's one of my favorite actresses. The strange texture of the characters' lives in handled in a sympathetic but realistic way. They are flawed people searching for happiness, but also capable of much love and understanding. See it.

Christopher D. gave it a9:
This is a finely woven piece of film. A story with an edge that teases and does not overplay itself. This is how an ensemble piece should be made and the surprise is that Altman did not shoot this film.

Mark K. gave it a7:
There is some promise here, but the characters tend towards the stereotypical; also, running time could have been at least 20 minutes shorter. Overall, the DVD box made promises the movie couldn't deliver upon.

Andrew F. gave it a4:
The boring photography experienced in viewing Little Children was only the least of its problems. The film was an all-too-bleak, dry, uninteresting window into the world of problems associated with suburban life, including a very choppy overused view on adultery. With a script perpetually spiraling nowhere, the writers opted to slap unrealistic epiphanies into the heads of the main characters by way of "terrible accidents/tragedies averted", and then tried to create a positive spin from them, when, in actuality, the concluding moments of the film felt forced upon the viewer because the writers hit a snag in moving the story toward a satisfactory conclusion. Any comparison of this film to CRASH is very correct; if you ate the spoon-fed archetypes and messages about racism and how to "conquer it" in CRASH, then you'll really love the baseless conclusion about how to conquer the problems of suburban life in LITTLE CHILDREN. However, if you want a powerful viewing experience that delivers the goods in the end, then look to AMERICAN BEAUTY. Comparing LITTLE CHILDREN to AMERICAN BEAUTY would be a crime.

Little Children New Line Cinema

Little Children
New Line Cinema