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Stars indicate the most critically-acclaimed movies.
64
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69
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54
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xx
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Cthulhu
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Dukes, The
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Filth and Wisdom
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Fireproof
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Frost/Nixon
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Girl Cut in Two, A
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84
Happy-Go-Lucky
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Hounddog
26
House of the Sleeping Beauties
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How About You
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72
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I.O.U.S. A
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27
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Momma's Man
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Other End of the Line, The
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77
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RocknRolla
57
Sixty Six
85
Slumdog Millionaire
57
Special
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Stranded: I Have Come from a Plane That Crashed on the Mountains
67
Synecdoche, New York
82
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83
Trouble the Water
43
Tru Loved
83
U2 3D
59
We Are Wizards
55
What Just Happened?
89
Man on Wire
85
Slumdog Millionaire
84
Momma's Man
84
Christmas Tale, A
84
Happy-Go-Lucky
83
Trouble the Water
83
U2 3D
82
Tell No One
82
Rachel Getting Married
82
Frozen River
82
Let the Right One In
81
Dear Zachary: A Letter to a Son About His Father
79
Stranded: I Have Come from a Plane That Crashed on the Mountains
78
I've Loved You So Long
77
Pray the Devil Back to Hell
76
Betrayal - Nerakhoon, The
75
Pool, The
73
Girl Cut in Two, A
72
I Served the King of England
71
Frost/Nixon
70
I.O.U.S. A
69
Ashes of Time Redux
69
Fear(s) of the Dark
68
August Evening
68
Hunger
67
Synecdoche, New York
64
Appaloosa
63
JCVD
63
Eden
63
Changeling
62
Duchess, The
59
We Are Wizards
57
Special
57
Sixty Six
56
Religulous
55
Boy in the Striped Pajamas, The
55
What Just Happened?
54
Battle in Seattle
54
Good Dick
53
RocknRolla
51
Morning Light
50
Breakfast with Scot
47
How About You
47
Choke
46
Dukes, The
43
Tru Loved
43
Gardens of the Night
41
Cthulhu
40
Igor
40
Other End of the Line, The
34
My Name Is Bruce
34
Otto; or Up with Dead People
32
Repo! The Genetic Opera
31
Hounddog
30
Guitar, The
28
Fireproof
27
Lake City
26
House of the Sleeping Beauties
26
Filth and Wisdom
xx
Dostana
xx
Black Balloon, The
xx
Let Them Chirp Awhile
xx
Local Color
xx
Nobel Son
xx
Extreme Movie
Stars indicate the most critically-acclaimed movies.
|
Lives of Others, The
Sony Pictures Classics
MPAA RATING: R for some sexuality/nudity
Starring
Martina Gedeck,
Ulrich Mühe,
Sebastian Koch,
Ulrich Tukur,
and
Thomas Thieme
At once a political thriller and human drama, The Lives of Others begins in East Berlin in 1984, five years before Glasnost and the fall of the Berlin Wall and ultimately takes us to 1991, in what is now the reunited Germany. The film traces the gradual disillusionment of Captain Gerd Wiesler, a highly skilled officer who works for the Stasi, East Germany's all-powerful secret police. (Sony Pictures Classics)
| GENRE(S): |
Drama
|
Foreign
|
| WRITTEN BY: |
Florian Henckel von Donnersmarck
|
| DIRECTED BY: |
Florian Henckel von Donnersmarck
|
| RELEASE DATE: |
DVD: August 21, 2007
Theatrical: December 1, 2006
|
| RUNNING TIME: |
137 minutes, Color |
| ORIGIN: |
Germany |
| LANGUAGE(S): |
German (with English subtitles) |
Original title "Das Leben der Anderen"
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
The New Yorker
Anthony Lane
If there is any justice, this year's Academy Award for best foreign-language film will go to The Lives of Others, a movie about a world in which there is no justice.
100
The New York Times
A.O. Scott
The easy, complacent distance that informs much historical filmmaking is almost entirely absent from this supremely intelligent, unfailingly honest movie.
100
Wall Street Journal
Joe Morgenstern
Rather than dwell on the darkness and squalor, von Donnersmarck has fashioned a genuinely thrilling tale, leavened with sly humor, that works ingenious variations on the theme of cat and mouse, speaks to current concerns about personal privacy and illuminates the timeless conflict between totalitarianism and art.
100
USA Today
Claudia Puig
A thoroughly compelling political thriller, at once intellectually challenging and profoundly emotional.
100
TV Guide
Ken Fox
A tense and tightly plotted fictional thriller is based on real tactics used by the Stasi -- East Germany's secret police force -- to spy on and interrogate their own citizens.
100
Slate
Dana Stevens
It's an intricate, ambiguous and deeply satisfying movie, a tautly plotted tale of state surveillance and personal betrayal that ultimately becomes an ode to the transformative power of art.
100
Time
Richard Corliss
Smartly crafted, impeccably acted, The Lives of Others packs a subtle punch, from its creepy first images to its poignant finale.
100
San Francisco Chronicle
Mick LaSalle
A great film, the best I've seen since Terrence Malick's "The New World," and far and away the richest and most brilliantly acted picture to be released this Oscar season.
100
Washington Post
Desson Thomson
To watch "Lives" is not just to enjoy a fabulously constructed timepiece; it's to appreciate a deft cautionary tale.
100
Portland Oregonian
Shawn Levy
It's so full-blooded, smart, sexy, tense and absorbing, so cleverly written and shot and cut, so filled with superb acting and music, so perfect in its closing moment, that it surely ranks with the most impressive debuts in world cinema.
100
Philadelphia Inquirer
Carrie Rickey
Lives is a best-foreign-film nominee competing in a year that at least three movies in this category are stronger than Oscar's best-picture contenders.
100
Baltimore Sun
Michael Sragow
The unique, serious fun of this movie - and forbidding reputation aside, it is exhilarating - lies in the way that Wiesler, Dreyman and Sieland end up collaborating unknowingly on their own Design for Living (for a while, it's like Noel Coward for moral cowards).
100
Film Threat
Matthew Sorrento
von Donnersmarck creates a milieu so realistic that the attention-worthy setting becomes just a backdrop, while an intricate tale, as suspenseful as it is humanistic, takes over.
100
Empire
Alan Morrison
Already fêted, von Donnersmarck’s debut sets a closely focused, personal story against a more expansive backdrop of politics and power games -- a moving, enlightening tale of recent times.
100
Chicago Sun-Times
Roger Ebert
A powerful but quiet film, constructed of hidden thoughts and secret desires.
91
Entertainment Weekly
Lisa Schwarzbaum
Utterly riveting fictional drama.
90
Newsweek
David Ansen
It's hard to believe this is von Donnersmarck's first feature. His storytelling gifts have the novelistic richness of a seasoned master. The accelerating plot twists are more than just clever surprises; they reverberate with deep and painful ironies, creating both suspense and an emotional impact all the more powerful because it creeps up so quietly.
90
Los Angeles Times
Kenneth Turan
It convincingly demonstrates that when done right, moral and political quandaries can be the most intensely dramatic dilemmas of all.
90
The New Republic
Stanley Kauffmann
Despite the fact that parts of this film remind us of past pictures with comparable themes, the director and his actors make it immediate, gripping.
90
New York Magazine
David Edelstein
Ulrich Mühe gives a marvelously self-contained performance. There isn't an ounce of fat on his body, or in his acting: He has pared himself down to a pair of eyes that prowl the faces of his character's countrymen for signs of arrogance--i.e., of independent thinking.
89
Austin Chronicle
Josh Rosenblatt
Like all great screen performances, Mühe's magic comes out most in its tiniest moments: a raised eyebrow here, a slight upturn of the lips there. It's a triumph of muted grandeur; it's like watching someone being born.
88
Boston Globe
Ty Burr
The Lives of Others has similarities to Francis Ford Coppola's 1974 classic "The Conversation" but with undercurrents that resound across an entire century of European political history.
88
Miami Herald
Rene Rodriguez
Beautifully textured and layered movie.
88
The Globe and Mail (Toronto)
Rick Groen
A movie that combines the Cold War intrigue of John Le Carré with the wired buzz of Francis Ford Coppola's "The Conversation" -- one of those rare two-hour-plus pictures that runs long but plays bracingly, excitingly short.
88
New York Post
Lou Lumenick
The skillfully acted and directed The Lives of Others is a timely warning about governments that seek to repress dissent.
88
Chicago Tribune
Michael Wilmington
Works beautifully, both as a social and psychological drama and as a taut, tightly wired thriller.
88
Rolling Stone
Peter Travers
Von Donnersmarck has crafted the best kind of movie: one you can't get out of your head.
88
ReelViews
James Berardinelli
With solid performances and a terrific screenplay, this movie offers solid, no-frills drama that feels organic and believable, not contrived.
88
Premiere
Glenn Kenny
von Donnersmarck delivers something extraordinary and rare: a thriller that's entirely adult in both its concerns and perspective which manages to be as thoroughly gripping as any finely tuned albeit adolescent Hollywood nail-biter.
88
New York Daily News
Jack Mathews
Except for Hempf, every character is under incredible duress, and the performances are exceptional. With his first feature, an Oscar nominee for foreign-language film, von Donnersmarck has certainly left his mark.
83
Christian Science Monitor
Peter Rainer
The director is fortunate to have cast actors who fully embody their roles. Muehe, who once played Josef Mengele in Costa-Gavras's "Amen," has the ability to let you see far beneath his masklike countenance. Koch, dashing and intense, is entirely believable as a man of the theater; Gedeck exudes a sensuousness that this covert society cannot abide.
83
Seattle Post-Intelligencer
Sean Axmaker
Mühe's performance is brilliant, communicating more turmoil and pain with the droop of a lip and a flicker of the eye across an otherwise intently passive face than all the emotional storms of the cast.
80
Salon.com
Stephanie Zacharek
This is a teasingly complex political thriller, but it's also a sort-of romance.
80
The Hollywood Reporter
Eric Hansen
Starts out dark and challenging then comes to a startlingly satisfying and warmly human conclusion that lingers long after the curtain has come down.
80
Variety
Derek Elley
Superbly cast drama… that looks to be a solid upscale attraction wherever the special chemistry of good writing and performances is appreciated.
75
The Onion (A.V. Club)
Noel Murray
von Donnersmarck gives his debut feature, The Lives Of Others, no particular style, and the absence of visual risk-taking renders an exciting premise ponderous and stolid.
70
Village Voice
J. Hoberman
A compelling thriller but an unsatisfying character drama.
70
Chicago Reader
Jonathan Rosenbaum
The fictional story here, set between 1984 and 1991, focuses on the investigation of a popular and patriotic playwright (Sebastian Koch); that the captain assigned to his case (touchingly played by Ulrich Mühe) is mainly sympathetic and working surreptitiously on the playwright's behalf only makes this more disturbing.
50
LA Weekly
Scott Foundas
The Lives of Others wants us to see that the Stasi -- at least some of them -- were, like their Gestapo brethren, “just following orders." You can call that naive optimism on Donnersmarck's part, or historical revisionism of the sort duly lambasted by the current film version of Alan Bennett's "The History Boys." I, for one, tremble at the thought of what this young director does for an encore.
 The average user rating for this movie is 9.0 (out of 10) based on 119 User Votes
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