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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Magdalene Sisters, The
Miramax Films
MPAA RATING: R for violence/cruelty, nudity, sexual content and language
Starring
Geraldine McEwan,
Anne-Marie Duff,
Nora-Jane Noone,
Dorothy Duffy,
Eileen Walsh,
Mary Murray,
Britta Smith,
and
Frances Healy
An unflinching and compelling emotional drama, charting several years in the young lives of four "fallen woman" who were rejected by their families and abandoned to the mercy of the Catholic Church in 1960's Ireland. (Miramax Films)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Peter Mullan
|
| DIRECTED BY: |
Peter Mullan
|
| RELEASE DATE: |
DVD: March 23, 2004
Theatrical: August 1, 2003
|
| RUNNING TIME: |
119 minutes, Color |
| ORIGIN: |
UK / Ireland |
Golden Lion for Best Film, 2002 Venice International Film Festival; Discovery Award, 2002 Toronto International Film Festival; Best Feature Film, 2003 Newport Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Christian Science Monitor
David Sterritt
A pungent, powerful film that points an accusing finger not at religious beliefs but at flawed human institutions. It also targets social and cultural mores that are almost medieval in their patriarchal bias against girls and women.

100
Boston Globe
Ty Burr
Blistering and brilliant work.

100
Chicago Tribune
Michael Wilmington
A fierce, brilliant film that breaks (and then mends) your heart.

100
Entertainment Weekly
Owen Gleiberman
The rare movie that turns cruelty into art.

100
Film Threat
K.J. Doughton
Although this ain't Hogwarts, there's full-scale witchery being practiced behind Magdalene's locked doors.

91
Portland Oregonian
Kim Morgan
A picture so powerfully harrowing, its slight shortcomings are forgettable compared to the entire film's cumulative effect. It's that searing.

90
Washington Post
Ann Hornaday
A stirring, emotionally galvanizing film, not only due to its shattering subject matter but thanks to Mullan's spot-on eye for casting and fluid, uncoercive style.

90
Los Angeles Times
Kenneth Turan
Graced with performers who bring a purity of emotion to their work, the film is always dramatically convincing. There is a fundamental air of truth about it, a sense that, horrific though things seem, this is how it must have been.

90
Washington Post
Desson Thomson
Mullan's movie is admiringly uncompromising. He refuses to augment the horrors with relief.

90
Wall Street Journal
Joe Morgenstern
See The Magdalene Sisters for its own sake; the performances alone are inspirational. But see it too as an example of how powerful a feature film still can be in the hands of an impassioned filmmaker.
90
Slate
David Edelstein
Both a masterpiece and a holy hell: Watching it, you feel you're being punished for a crime you didn't commit. Which puts you, come to think of it, in the same frame of mind as those poor Magdalene girls.

89
Austin Chronicle
Marc Savlov
While its perhaps not the best date film of the year, it is a grim and unmistakable masterpiece of bleak, black sorrow.

88
USA Today
Claudia Puig
It is an unsettling tale told simply and chillingly by director Peter Mullan, with stand-out performances, an evocative soundtrack and spare, haunting visuals.

88
Baltimore Sun
Michael Sragow
The picture has immediacy, force and humanity. It's a muckraking work of art.

88
New York Daily News
Jack Mathews
The whole system was sadistic and indefensible, and the church, looking the other way as long as profits rolled in from the laundries, deserves the scorn that Mullan and his fine cast heap on it.

88
New York Post
V.A. Musetto
The cast is amazing -- two of the lead actresses are first-timers.

88
Chicago Sun-Times
Roger Ebert
A harrowing look at institutional cruelty, perpetrated by the Catholic Church in Ireland, and justified by a perverted hysteria about sex.

83
Seattle Post-Intelligencer
Sean Axmaker
It is passionate and angry and rousing where you might expect it to become numbing and depressing.

80
Variety
David Rooney
Mullan's increased maturity as a director is evident in his skill at manipulating light and dark dramatic tones, and shifting between moods of anger and plaintive melancholy.

80
LA Weekly
Scott Foundas
Grim, grueling and triumphantly powerful.

80
The New York Times
Stephen Holden
The Magdalene Sisters would be too painful to watch if it didn't have a silver lining. Suffice it to say that it is possible to fly over this religious cuckoo's nest and remain free. All it takes is courage and the timely kindness of strangers.

80
New York Magazine
Peter Rainer
When it comes time for some of the girls to flee, the result is one of the most emotionally satisfying of all prison breaks.

80
The New Republic
Stanley Kauffmann
Why was this film made after the homes had already been abolished? One reason, hardly trifling, is that it was made excellently. Thematically, however, it stings -- as a reminder that Catholicism is only one religion that is dominated by males and that this domination is proprietary.

80
Chicago Reader
Jonathan Rosenbaum
Its brutal take on living under totalitarian rule periodically suggests Orwell's "Nineteen Eighty-Four." Mullan makes the authority figures (such as the nun played by Geraldine McEwan) grimly believable, but as in "Orphans," there are times when he doesn't know when to quit.

80
Salon.com
Andrew O'Hehir
A rip-roaring feminist yarn that should offer relief to viewers anxious for an alternative to the boys-with-guns flicks of summer.

75
Premiere
Glenn Kenny
The film is beautifully acted by all, but Nora-Jane Noone, as the sloe-eyed orphan Bernadette, is first among equals here, and a genuine find.

75
Philadelphia Inquirer
Carrie Rickey
A film of haunting eloquence and justifiable fury.

75
Miami Herald
Rene Rodriguez
If The Magdalene Sisters occasionally flirts with cartoonishness, the movie is tempered by Mullan's considerable filmmaking skills.

75
The Globe and Mail (Toronto)
Liam Lacey
The film is an attack on religious hypocrisy, mixing melodrama and black humour in a volatile blend.

75
San Francisco Chronicle
Mick LaSalle
A powerful document of cruelty and sadism.

75
ReelViews
James Berardinelli
A disturbing and compelling motion picture that depicts the forces that try to suppress the human spirit, and the strength of these girls in overcoming it.

75
Rolling Stone
Peter Travers
Mullan errs by making all the sisters dragon ladies. Still, the film gets to you; it's a powerhouse.

70
TV Guide
Ken Fox
Generations of healthy spirits were twisted and deformed by the good Sisters of Mercy, all in the name of salvation.

70
Village Voice
J. Hoberman
This shocker is often shameless, not least in the climactic confrontation with Sister Bridget, but it's impossible not to be moved by the ending -- if only because the torture is finally over.

70
The New Yorker
Anthony Lane
Nobody does shrewishness better than McEwan. [8 August 2003, p. 84]
70
The Onion (A.V. Club)
Scott Tobias
The film might have been more powerful, not to mention fair, if the nuns believed they were doing right; only on movie night, when McEwan sees herself in Ingrid Bergman in "The Bells Of St. Mary's," does Mullan grant her so much as the delusion of rectitude.

70
Film Threat
Mark Sells
Though it has a tendency to leave characters undeveloped and storylines empty, the overall portrait is significant.

70
Dallas Observer
Bill Gallo
The horrors therein are vivid, even if the movie is a bit plodding.


The average user rating for this movie is 9.4 (out of 10) based on 24 User Votes
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