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Majestic, The
Warner Bros.

Majestic, The reviews
Critic Score
Metascore: 27 Metascore out of 100
User Score  
7.3 out of 10
based on 30 reviews
Read critic reviews
How did we calculate this?
based on 20 votes
Read user comments
Rate this movie

MPAA RATING: PG for language and mild thematic elements

Starring Jim Carrey, Martin Landau, Laurie Holden, Allen Garfield, Bruce Campbell, Amanda Detmer, and Daniel von Bargen

Set against the backdrop of the 1950's Hollywood blacklist, a young, ambitious screenwriter (Carrey) loses his job and his identity, only to find new courage, love and the power of conviction in the heart of a small town's life. (Warner Brothers)


GENRE(S): Romance  
WRITTEN BY: Michael Sloane  
DIRECTED BY: Frank Darabont  
RELEASE DATE: DVD: June 18, 2002 
Video: June 18, 2002 
Theatrical: December 21, 2001 
RUNNING TIME: 115 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

88
Chicago Sun-Times Roger Ebert
It tells a full story with three acts, it introduces characters we get to know and care about, and it has something it passionately wants to say.
Read Full Review
83
Seattle Post-Intelligencer William Arnold
Marks a surprising maturity, restraint and confidence to Carrey's acting. Even more than "The Truman Show," he plays it perfectly straight here, and his natural charisma carries the movie with just the right dose of Jimmy Stewart charm.
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80
Film Threat Heather Wadowski
For those who appreciate movies that capture almost every emotion -- from laughter to tears, suspense to tranquillity -- The Majestic was made for you.
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75
San Francisco Chronicle Bob Graham
Channels the spirit of Frank Capra in this serio-sentimental fable about a man who loses his memory but finds his soul.
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63
Chicago Tribune Michael Wilmington
A real sentimental journey -- and luckily they've got both the right director (Darabont) and the right actor to squeeze our heartstrings.
58
Entertainment Weekly Lisa Schwarzbaum
Maybe this well-loved Luke is who his neighbors want him to be, a good fellow who, with his father, reopens the old movie house in town -- the Majestic -- thus allowing his neighbors to dream in the dark again.
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50
Boston Globe Jay Carr
A sweet, visually handsome sermon, but it's too dramatically bland to convert even the converted.
50
USA Today Claudia Puig
A pale imitation that challenges credulity and tries too hard to win our hearts with schmaltz.
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50
Philadelphia Inquirer Carrie Rickey
If only I liked The Majestic half as much as I liked Carrey in it.
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50
Charlotte Observer Lawrence Toppman
Darabont and Sloane stumble consistently and fall into the abyss.
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50
TV Guide Maitland McDonagh
That Carrey, who's a bit old for the part, always seems one facial muscle away from a smirk doesn't help matters.
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50
New York Daily News Jack Mathews
Has sentimental goo oozing from its opening frame, and the gunk gets so thick so fast, it's a wonder the projector doesn't freeze before the molasses-strapped finale.
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40
Time Richard Corliss
The story has to carry way too much weight, as war remorse battles McCarthyism. The Majestic's makers don't get what made Capra movies invigorating.
38
New York Post Lou Lumenick
Might have been more successful if Darabont and his pal had attempted a Preston Sturges-like farce. Instead, it's played totally without any kind of edge - a fantasy that makes "The Lord of the Rings" look realistic by comparison.
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30
The New York Times A.O. Scott
The most indolent waste of screen time since Andy Warhol's marathon shot of the Empire State Building.
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30
Washington Post Desson Thomson
It's too manufactured and deliberate to be persuasive.
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25
Baltimore Sun Michael Sragow
The indisputably gifted Jim Carrey shows the side of him that just wants to be loved - the Riddler on Ritalin, the Mask unmasked. And it turns out to be stultifying.
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25
Christian Science Monitor David Sterritt
The film tries to revive the sort of good-hearted optimism associated with Frank Capra classics of the 1940s era, but pictures like "It's a Wonderful Life" and "Mr. Smith Goes to Washington" were never so simplistic, syrupy, or tedious to sit through.
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25
Miami Herald Rene Rodriguez
Winds up suffocating you with its aura of bogus, store-bought nostalgia.
20
Village Voice J. Hoberman
A mishmash of life-insurance commercials and Ronald Reagan campaign spots, this sexless orgy of self-congratulation is designed to make you feel good about Hollywood, America, and Jim Carrey -- not to mention the nation's motion picture exhibitors, who are praised at one point as the antithesis of Soviet Communism.
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20
Variety Todd McCarthy
A thick slice of bogus inspirational cheese that only makes itself look bad by recycling so many golden movie memories.
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20
Newsweek David Ansen
I staggered out of this shameless, interminable movie feeling as if I'd been force-fed a ton of mealy, artificially sweetened baby food.
20
Los Angeles Times Kenneth Turan
The Majestic isn't. Rather it's "The Film That Wasn't There," a derivative, self-satisfied fable that couldn't be more treacly and simple-minded if it tried. And it tries, oh, how it tries.
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20
The New Yorker David Denby
Carrey, unable to pretzel himself in this role, has to do a normal job of characterization, but he never fills in the blank spaces in Peter Appleton. [28 Jan 2002, p. 90]
20
Chicago Reader Jonathan Rosenbaum
When nostalgia, hypocrisy, and indifference to history converge in the kind of shameless Capracorn manufactured here, one can either be stupefied by the filmmakers' cynicism or fall for the package hook, line, and sinker.
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10
Salon.com Charles Taylor
One of those movies that makes you feel as if the national IQ was dropping while you're watching it. It's the return of all the homiletic clichés about an America that never existed.
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10
New Times (L.A.) Andy Klein
Indeed, the best that can be said about The Majestic is that it may boost Capra's reputation by virtue of comparison. Apparently, it's not so easy to weave that kind of magic.
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10
Wall Street Journal Joe Morgenstern
The worst would-be-big-and-Capraesque-but-actually-bloated-and-bloviating-beyond-belief movie of the year.
10
Washington Post Stephen Hunter
It can't fake sincerity. It tries ever so hard, but it doesn't have a single believable second. Every word in it is a lie.
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10
LA Weekly Manohla Dargis
May just be the most boring movie ever made; certainly it's the most boring movie I've suffered through to the bitter end.
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What Our Users Said

Vote Now!The average user rating for this movie is 7.3 (out of 10) based on 20 User Votes
Note: User votes are NOT included in the Metascore calculation.

Jalex D. gave it a10:
The people who put this movie down don't appreciate Jim Carrey as a great serious actor and/or aren't open-minded enough to appreciate the characters and setting. This is a great film. A classic. I would recommend it to anyone.

Poor K. gave it an8:
This movie definitely falls in the 'Feel Good' category - and as such is a delight to watch multiple times. Sure, it is predictable. But how many movies you watch leave you guessing till the end? And do you always want to? Sometimes it's the journey which is more important. Jim Carrey's performance is likely to change the minds of those who have decided they dislike him for his outrageous physical comedy and excesses. In this movie, he shows he can also play toned-down understated roles too.

[Anonymous] gave it a 10:
Jim Carrey shows us the meaning of growing as an actor. Forgiveness finally meets this character but actually he really did not know what he was doing. Amnesia can make a man a hero.

[Anonymous] gave it a 10:
WOW! Really nicely done. Time and setting of this movie could have not been any better. Very authentic. Good job, Jim Carrey!

Rob M. gave it a 10:
Boo on all the critics. This is an extremely heart touching story and a good way to bond folks at the heart. Hurray for this clean movie.

Dude Rockstar gave it a 0:
Too long. Too cliched. Too predictable. Did I mention, "Too long?" There were so many ways the plot could have been resolved. I turned to my wife at one point and said, "Maybe it would be cool if the REAL Luke was on the train at the end and everyone mistook HIM for Peter Appleton." My wife laughed and said, "It would have been funny if Luke's dying dad had said, 'Luke, I'm NOT your father!'" Uh, this movie was just plain misguided.

The Dawn Of Gilbert Mulroneycakes gave it a 6:
Not actually as bad as it's been painted, and certainly not deserving of a place in the all-time low scores list, but it is far too - as your actual Matt A pointed out - in love with itself. The whole Really Big ethos of Darabont's looked dangerously like collapsing under its own weight in Green Mile, and it finally does so here. Enjoyable enough; but it does make unnecessarily hard work of a simple premise.

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