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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Man Push Cart
Films Philos
FILM:
MPAA RATING: Not Rated
Starring
Ahmad Razvi,
Leticia Dolera,
Charles Daniel Sandoval,
Ali Reza,
Farooq 'Duke' Muhammad,
Panicker Upendran,
Arun Lal,
and
Razia Mujahid
Man Push Cart tells the story of Ahmad (Razvi) a former Pakistani rock singer who ekes out a living selling coffee and donuts to morning commuters from his push cart in Midtown Manhattan. (Noruz Films)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Ramin Bahrani
|
| DIRECTED BY: |
Ramin Bahrani
|
| RELEASE DATE: |
Theatrical: September 8, 2006
|
| RUNNING TIME: |
86 minutes, Color |
| ORIGIN: |
USA |
| LANGUAGE(S): |
English / Urdu |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Sun-Times
Roger Ebert
Bahrani, as director, not only stays out of the way of the simplicity of his story, but relies on it; less is more, and with restraint he finds a grimy eloquence.

80
The New York Times
Stephen Holden
Filmed in less than three weeks, Man Push Cart is an exemplary work of independent filmmaking carried out on a shoestring. Mr. Razvi’s convincing performance is a muted portrait of desolation bordering on despair.

80
Los Angeles Times
Kevin Thomas
Man Push Cart, largely the work of newcomers and near-newcomers, is a remarkably disciplined, subtle film that avoids striking a "triumph of the human spirit" note or any other cliché.

78
Austin Chronicle
Marc Savlov
A slow-burn stunner, where nothing much of consequence happens, except life itself.

75
Entertainment Weekly
Owen Gleiberman
This modern slice of neorealism has been made with a skill, and humanity, that suggests Bahrani may have a "Bicycle Thief" in him yet.

75
New York Post
Lou Lumenick
A fascinating, sad, sometimes quite poetic window into a grueling way of life most of us know little about.

75
The Onion (A.V. Club)
Nathan Rabin
Quietly heartbreaking.

75
Chicago Tribune
Michael Wilmington
A realistic drama about life's uncertainties.

75
TV Guide
Ken Fox
Razvi, once a pushcart vendor himself, is particularly good; he brings a visceral poignancy to a character who comes to represent every desperate soul who ever tried to make it in the land of plenty.

70
Slate
Dana Stevens
If one of the things movies are supposed to do is make you look anew at the world around you, you may never see your doughnut vendor in the same way again.

70
Chicago Reader
Jonathan Rosenbaum
This is somewhat fuzzy as narrative, but it's a potent mood piece, and its portait of urban loneliness has some of the intensity of "Taxi Driver" without the violence.

50
Variety
Jay Weissberg
An example of spare, slice-of-life indie cinema at its most unpretentious, Man Push Cart adeptly and subtly layers facts about the protag's history and character into his story.

50
Village Voice
Michael Atkinson
Man Push Cart is a diminutive film, finally--vying for a neorealist vibe, it lacks the Italian history makers' narrative urgency, and the sociopolitical conflict at the heart of the immigration "issue" is hardly engaged.

50
San Francisco Chronicle
Peter Hartlaub
The makers of Man Push Cart seem so dedicated to making a film that defies Hollywood conventions that the finished product lacks enough entertainment value to justify price of admission.


The average user rating for this movie is 7.1 (out of 10) based on 7 User Votes
Note: User votes are NOT included in the Metascore calculation.
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