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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
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Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
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Surveillance
42
Tennessee
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Tetro
64
Throw Down Your Heart
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Tokyo Sonata
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Tokyo!
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Tony Manero
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Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
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U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Matador, The
Miramax Films
FILM:
MPAA RATING:
Starring
Pierce Brosnan,
Greg Kinnear,
Hope Davis,
Philip Baker Hall,
Adam Scott,
and
Dylan Baker
An offbeat comedy about a chance meeting between two middle-aged men (a hitman and a salesman).
| GENRE(S): |
Comedy
|
Drama
|
Suspense/Thriller
|
| WRITTEN BY: |
Richard Shepard
|
| DIRECTED BY: |
Richard Shepard
|
| RELEASE DATE: |
DVD: July 4, 2006
Theatrical: December 23, 2005
|
| RUNNING TIME: |
96 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
Premiere
Staff (not credited)
It's a role that essentially demystifies Brosnan's star persona, and in it he is simply sensational, funnier and more persuasively neurotic than even a devoted fan might expect.

88
USA Today
Claudia Puig
Pierce Brosnan is the anti-Bond in The Matador. And though he's anything but suave, sophisticated or debonair, he's a joy to behold.

88
Chicago Sun-Times
Roger Ebert
Brosnan redefines "hit man" in the best performance of his career, and Kinnear plays with, and against, his image as a regular kinda guy.

88
Charlotte Observer
Lawrence Toppman
A wicked comedy with just the mildest amount of pathos to season the blend.

80
Empire
Ian Nathan
We've never seen Pierce Brosnan so liberated - he’s a man reborn, and for what The Matador may lack in rounded plotting, it makes up for in funny, spiky, idiosyncratic glee.

80
Los Angeles Times
Kevin Thomas
In The Matador, a delightfully sly diversion, Pierce Brosnan breaks the mold and turns in what might be considered the performance of his career, the kind of witty, relaxed star portrayal that recalls those of Cary Grant and other Golden Era legends.

75
New York Daily News
Jack Mathews
It is no small compliment to Pierce Brosnan to say that his performance in
writer-director Richard Shephard's goofy black comedy The Matador could
only be rivaled by Christopher Walken.

75
TV Guide
Ken Fox
Clad in dull khakis and a polo shirt, the always reliable Kinnear is his (Brosnon's) perfect foil, while Davis' neat turn as a suburban wife with a penchant for guns and the men who use them turns what might have been a cliched supporting role into something worth watching.

75
Entertainment Weekly
Lisa Schwarzbaum
The cinematography is consistently hipster handsome, the script is bracing in its lewdness, and Brosnan adds no unnecessary weight to Noble's meaninglessness.

75
ReelViews
James Berardinelli
There's nothing edgy or groundbreaking about The Matador, but it's funny, touching, and ultimately endearing.

75
Rolling Stone
Peter Travers
Writer-director Richard Shepard gives Brosnan his meatiest role ever, and he digs in with relish.

75
Philadelphia Inquirer
Carrie Rickey
Brazenly enjoyable, The Matador is a picaresque cocktail with a Tarantino twist. It is The Odd Couple with a buzz on.

75
Chicago Tribune
Allison Benedikt
Works remarkably well as a stylish and unconventional buddy flick--cruising along with wit and wisdom.

75
Seattle Post-Intelligencer
William Arnold
Brosnan pulls out all the stops in his quest to be the last word in crude boorishness, only slightly relieved by the midlife soul-searching. Whether the public will buy him in this extreme role is another question. But it's a fearless, and fairly skilled, comic performance.

70
Wall Street Journal
Joe Morgenstern
The Matador has its dull patches, one of which is relieved by Hope Davis's endearing presence as Danny's wife. But what fun it is to watch Julian losing it, and Pierce Brosnan nailing it. He's worth the price of admission and then some.
70
The Hollywood Reporter
Kirk Honeycutt
The Matador gets a 151-proof tequila shot of sharp comedy from the droll byplay between Pierce Brosnan and Greg Kinnear.

70
Variety
Joe Leydon
Deftly maneuvering through audacious mood swings and tonal shifts, The Matador emerges as a quirky yet commercial commingling of black comedy, seriocomic psychodrama, heart-tugging sudser and buddy-movie farce.

70
The Onion (A.V. Club)
Nathan Rabin
The Matador is brilliantly cast right down to the secondary supporting roles, played by the formidable likes of Dylan Baker and Philip Baker Hall, but it's the leads who really deliver.

70
Salon.com
Andrew O'Hehir
Undeniably clever.

70
Chicago Reader
Martin Rubin
If he'd (Shepard) gone a few notches darker and deeper he might have had a formidable post-cold war thriller. Still, there's much to enjoy in Brosnan's enthusiastic scruffing up of his Bond/Steele image and in Shepard's energetic, if lightweight, direction.

70
LA Weekly
Chuck Wilson
Maybe Brosnan is so shockingly good in this film because Kinnear gives him the sounding board and safety net that the actor never had in his sadly solitary spy-flick duties.

67
Austin Chronicle
Marc Savlov
The Matador is anything but predictable, and therein lies its sublime and fascinating charm.

63
The Globe and Mail (Toronto)
Rick Groen
Never as good as you'd hoped or as bad as you'd feared, The Matador is one of those of up-and-down experiences -- here a sharp pica of wit, there a welcome veronica of absurdity, but, now and then, just a bit too much bull in the ring.

63
Boston Globe
Wesley Morris
Shepard's Matador demonstrates what an Almodovar picture would feel like without his gonzo sensibility. It's Almodovar for heterosexuals.

60
The New Yorker
David Denby
The Matador teeters between comedy and moral inquiry but doesn't quite make it either way. The movie features a startling performance, however, by Pierce Brosnan.

60
Washington Post
Desson Thomson
At first blush, there's something vicariously liberating about Brosnan strutting through a lobby dressed only in Speedos and cowboy boots. But it also feels false. The actor seems to be theatrically slumming before his return to suave form.

60
Dallas Observer
Bill Gallo
Instead of slick heroism, the saving grace of The Matador (which was obviously made on something less than a blockbuster budget) lies in the comic interplay between Brosnan's ignoble Mr. Noble and the hapless square he picks to serve his purposes.

60
Film Threat
Daniel Wible
The Matador has that shiny sheen that quickly fades, yet is still fun while it lasts.

60
Village Voice
Michael Atkinson
Taking the medium slopes and never venturing into extremities, Shepard gets all of his laughs if not the ironic heart-tugs, and his cast is perfectly in tune. (Davis in comedic-observant mode is funnier than most American actresses in fifth gear.)

58
Baltimore Sun
Michael Sragow
In the end, the movie proves to be, like Brosnan's character, a tarted-up cliche: a whoremonger with a heart of gold.

50
Portland Oregonian
M. E. Russell
It's a shame The Matador isn't a better movie, because this semi-dark comedy contains one great, cackling, self-loathing performance by Pierce Brosnan.

50
San Francisco Chronicle
Mick LaSalle
Strives for an airy, merry amorality, but it never quite achieves liftoff, though at times it comes close.

50
Miami Herald
Peter Debruge
As long as the movie's set in Mexico City, The Matador is a slick and entertaining black comedy, but the instant Danny heads back to Denver, it comes flying apart at the seams.

50
The New York Times
Stephen Holden
Because The Matador sustains a tone of screwball insouciance and keeps its trump card hidden up its sleeve, it must be counted as a well-made comic thriller. That doesn't mean it has any depth, credibility or artistic value beyond its capacity to divert.

42
Christian Science Monitor
Peter Rainer
The film rapidly devolves into a lame buddy picture, part thriller, mostly goof.

25
New York Post
Kyle Smith
If we send Sally Struthers money, will she be able to stop this kind of suffering from taking place in Beverly Hills?


The average user rating for this movie is 7.3 (out of 10) based on 47 User Votes
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