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Matchstick Men
Warner Bros.


6.9

based on 38 reviews
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How did we calculate this?

based on 45 votes
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FILM:

MPAA RATING: PG-13 for thematic elements, violence, some sexual content and language

Starring Nicolas Cage, Sam Rockwell, Alison Lohman, Bruce McGill, and Bruce Altman

A phobia-plagued grifter (Cage) discovers he has a teenage daughter (Lohman) who wants to get to know himand his business.

GENRE(S):	Comedy \| Crime \| Drama
WRITTEN BY:	Nicholas Griffin Ted Griffin Eric Garcia (book)
DIRECTED BY:	Ridley Scott
RELEASE DATE:	DVD: February 24, 2004 Video: February 24, 2004 Theatrical: September 12, 2003
RUNNING TIME:	116 minutes, Color
ORIGIN:	USA

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Chicago Sun-Times Roger Ebert

Lohman in particular is effective; I learn to my astonishment that she's 24, but here she plays a 15-year-old with all the tentative love and sudden vulnerability that the role requires, when your dad is a whacko confidence man.

Premiere Glenn Kenny

It’s a 21st-century version of "The Sting" for these so far rather unkind and ungentle times.

ReelViews James Berardinelli

The dialogue -- especially that between Roy and Frank -- crackles with wit and intelligence (a rarity in films these days).

The Onion (A.V. Club) Keith Phipps

A combination of criminal smoothness and overloaded neuroses, Cage pulls off the lead role better than any actor imaginable.

Washington Post Michael O'Sullivan

Enormously entertaining.

Washington Post Stephen Hunter

Let it swindle you; it's part of the fun. In fact, it's all of the fun.

Austin Chronicle Kimberley Jones

You can easily lose five minutes making sense of it - and another 10 poking holes in it - but what of it? The preceding 100 minutes pass so pleasurably, the few false moves barely register - maybe the biggest con of all, but consider me happily snowed.

San Francisco Chronicle Edward Guthmann

A clever look at con artists and their games of deception.

New York Daily News Jami Bernard

The direction is still slick, but Matchstick Men gets most of its thrills from the unknowable in human interaction. This could be the biggest "scam" Scott himself has pulled off.

Chicago Tribune Michael Wilmington

This movie is a model of technique, beautifully crafted, often brilliantly acted by Cage and the others, but it's a bit hollow at the center.

Rolling Stone Peter Travers

Credible? Not really. But Cage and Rockwell play off each other with devilish finesse. And Lohman (White Oleander) is on fire -- she's a comer.

Seattle Post-Intelligencer Paul West

The picture juggles three story threads. It's an excellent character study, a surprisingly effective father-daughter drama and a caper movie littered with surprises.

USA Today Claudia Puig

Well-acted and intriguing exploration of dishonesty in its varied forms, leavened with a dry comic touch.

Philadelphia Inquirer Carrie Rickey

Overall, Matchstick Men, which is based on the novel by Eric Garcia, is more memorable for Lohman's naturalistic acting and Scott's mannerist direction than it is for its O. Henry surprise.

Christian Science Monitor David Sterritt

A well-made entry in the fashionable caper-movie genre, which has gathered steam lately with "Ocean's Eleven" and others.

Dallas Observer Robert Wilonsky

That's where the movie falters: It tries to give Garcia's book a heart and conscience it didn't need and never demanded.

Film Threat Brad Slager

This is the work of professionals acknowledging a good story and knowing better than to get in the way.

Chicago Reader Jonathan Rosenbaum

The portraiture is so carefully done that I regret in some ways the tricky plot--which is also carefully done, but seems at times to belong to a different movie.

Entertainment Weekly Lisa Schwarzbaum

Actually, there's one other way to approach Matchstick Men, and that's to forget all about neuroses and con artistry and admire the movie instead for the unsettlingly beautiful directorial study in geographical mood that it is.

Miami Herald Rene Rodriguez

The best moments in Matchstick Men belong to Cage and Lohman, who, in "Paper Moon" fashion, prove that the family that cons together, laughs together.

Village Voice J. Hoberman

Single-dad sitcom is not Sir Ridley's forte but, anachronistically evoking the ring-a-ding-ding ambience of "Auto Focus" and "Catch Me If You Can," his mise-en-scène is as impeccable as Roy's pad.

Variety Todd McCarthy

Odd mixture of ultra-sleek visuals, psychological probing, "Paper Moon"-like father-daughter swindling, self-improvement efforts and abrupt tough-guy stuff keeps the picture percolating, even if it seems too artificial to genuinely convince on an emotional or dramatic level.

Newsweek David Ansen

Scott's finesse can't entirely disguise the mechanical nature of Nicholas and Ted Griffin's script, which has one too many twists for its own good. Fun while it lasts, but it's a bit of a con job itself.

The New York Times Dana Stevens

Both entertaining and empty: an emotional shell game that leaves you feeling cheated even though, on the surface at least, everyone is a winner.

TV Guide Maitland McDonagh

The soundtrack, which relies heavily on melancholy Sinatra standards like "The Good Life," "This Town" and "Summer Wind," casts perfectly modulated warning shadows over the film's light, bright look.

Wall Street Journal Joe Morgenstern

Cleverly conceived, skillfully made and performed with unflagging verve, it's a change of pace (slower) and scale (smaller) for Mr. Scott, the director of such pounding epics as "Gladiator" and "Black Hawk Down." Yet this intimate, intricate con about a couple of petty con men selling water filtration systems is also remote and forgettable in the end, a lapidary icicle.

Portland Oregonian Shawn Levy

Despite a cast of solid actors and a director with one of the most exquisite visual sensibilities in the business, the film is too often flat when we want it to dazzle us.

Boston Globe Renee Graham

Rockwell is a hoot as Frankie, but during the stretches when he's not on screen, the air goes out of the film.

The New Yorker Anthony Lane

The good news is that Matchstick Men is saved. Not by the plot, which entails a con so long that you can spot it coming a mile off, but by the presence of Alison Lohman. [22 September 2003, p. 202]

Baltimore Sun Michael Sragow

Instead of exploding, it implodes.

The Globe and Mail (Toronto) Rick Groen

A movie about con artists that turns out to be a con job, and guess who's getting played for a sucker?

New York Post Lou Lumenick

Anyone who regularly watches caper flicks will likely quickly figure out what's wrong with this picture, though the twist ending is likely to be a surprise for the less jaded.

New York Magazine Peter Rainer

The movie is moderately enjoyable, but it also makes you feel conned: It offers up a disturbing protagonist and then substitutes cuteness for character.

Los Angeles Times Manohla Dargis

Everything in Matchstick Men moves and looks right, from John Mathieson's cinematography to Tom Foden's production design, so it's puzzling that the film fizzles rather than fizzes.

Salon.com Stephanie Zacharek

Matchstick Men isn't even remotely intricate; it's not even particularly interesting.

The Hollywood Reporter Kirk Honeycutt

The movie so successfully raises the emotional and psychological stakes in the first half that not all audiences may like the film's reversion to con-artist form in the second. The con itself is preposterous and full of holes when we think back after the movie.

LA Weekly Scott Foundas

Its characters are as flimsy and expendable as the title suggests, while only the most gullible of viewers (i.e., those who've never seen a David Mamet picture) will likely be duped by the painfully et cetera who's-conning-whom antics or the mounds of forced sentimentality under which they're ill-disguised.

Slate David Edelstein

My real problem with Matchstick Men is that it didn't con me well enough: I saw every trick up its sleeve in the first 20 minutes. If everything had been what it seemed--now, that would have been a stunning twist.

The average user rating for this movie is 6.9 (out of 10) based on 45 User Votes
Note: User votes are NOT included in the Metascore calculation.

Jake gave it a9:
Cage is great in this film. He plays the part extremly well. It is a very humorous movie with a great story. Rockwell and Lohman were great for the roles that they played. They gelled very well with Cage.

DaraHMude gave it an8:
its a great movie i think. i like the scene where cage and angela hangout together... the ending makes the movie even more unforgettable. i wish it would not end up like that because their relationship was very beautiful.

matt a. gave it a4:
Predictable tripe for the most part. I could see the ending "twist" coming a mile away. Also, honestly do you really think that Cage would have reacted that way at the end? That calmly towards a person that totally manipulated hiim and stole all his money? Even if he is happy and content at that point, he wouldn't be that nice about it. Anyway, Lohman and Rockwell are pretty good and that helps the film from being a total waste of time.

marshman88 gave it a9:
It was really good. i'd definately watch it again. Grade: 9.1

[Anonymous] gave it an8:
This one was quite quite an interesting trip. It looks as if the "daughter" is about to enjoy the fruits of conning others, which would've been OK, but instead, it goes for a greater twist.

G.M. D.K. gave it an8:
With amazing performances and a retro style with the camera,this films is what you may ask for when you have a hunger for a movie.

raVen gave it a 7:
(7.5) -Better con than "Confidence," with a superior twist. But I agree with Pat that the twist, when it comes, will make you hate the movie a little bit before finally relenting that it was nothing personal, just good filmmaking. (Think Usual Suspects) The problem is that it spends 90% of its running time making us FEEL that it's personal. That what happens to Cage MATTERS to us. It does, in fact, do such a good job of making us care, that when the payoff comes, it feels like a deeper cut than it should for a happy ending. The tag line "you didn't take it, I gave it to you" thus sounds more than a little hollow, just as it would have to any of Cage's many victims. A paper thin - but substantive - difference between good and great. Quite worthwhile nevertheless.

Matchstick Men Warner Bros.

Matchstick Men
Warner Bros.