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Stars indicate the most critically-acclaimed movies.

64
Appaloosa
69
Ashes of Time Redux
68
August Evening
54
Battle in Seattle
76
Betrayal - Nerakhoon, The
xx
Black Balloon, The
55
Boy in the Striped Pajamas, The
50
Breakfast with Scot
63
Changeling
47
Choke
84
Christmas Tale, A
41
Cthulhu
81
Dear Zachary: A Letter to a Son About His Father
xx
Dostana
62
Duchess, The
46
Dukes, The
63
Eden
xx
Extreme Movie
69
Fear(s) of the Dark
26
Filth and Wisdom
28
Fireproof
71
Frost/Nixon
82
Frozen River
43
Gardens of the Night
73
Girl Cut in Two, A
54
Good Dick
30
Guitar, The
84
Happy-Go-Lucky
31
Hounddog
26
House of the Sleeping Beauties
47
How About You
68
Hunger
72
I Served the King of England
70
I.O.U.S. A
40
Igor
78
I've Loved You So Long
63
JCVD
27
Lake City
82
Let the Right One In
xx
Let Them Chirp Awhile
xx
Local Color
89
Man on Wire
84
Momma's Man
51
Morning Light
34
My Name Is Bruce
xx
Nobel Son
40
Other End of the Line, The
34
Otto; or Up with Dead People
75
Pool, The
77
Pray the Devil Back to Hell
82
Rachel Getting Married
56
Religulous
32
Repo! The Genetic Opera
53
RocknRolla
57
Sixty Six
85
Slumdog Millionaire
57
Special
79
Stranded: I Have Come from a Plane That Crashed on the Mountains
67
Synecdoche, New York
82
Tell No One
83
Trouble the Water
43
Tru Loved
83
U2 3D
59
We Are Wizards
55
What Just Happened?
89
Man on Wire
85
Slumdog Millionaire
84
Momma's Man
84
Christmas Tale, A
84
Happy-Go-Lucky
83
Trouble the Water
83
U2 3D
82
Tell No One
82
Rachel Getting Married
82
Frozen River
82
Let the Right One In
81
Dear Zachary: A Letter to a Son About His Father
79
Stranded: I Have Come from a Plane That Crashed on the Mountains
78
I've Loved You So Long
77
Pray the Devil Back to Hell
76
Betrayal - Nerakhoon, The
75
Pool, The
73
Girl Cut in Two, A
72
I Served the King of England
71
Frost/Nixon
70
I.O.U.S. A
69
Ashes of Time Redux
69
Fear(s) of the Dark
68
August Evening
68
Hunger
67
Synecdoche, New York
64
Appaloosa
63
JCVD
63
Eden
63
Changeling
62
Duchess, The
59
We Are Wizards
57
Special
57
Sixty Six
56
Religulous
55
Boy in the Striped Pajamas, The
55
What Just Happened?
54
Battle in Seattle
54
Good Dick
53
RocknRolla
51
Morning Light
50
Breakfast with Scot
47
How About You
47
Choke
46
Dukes, The
43
Tru Loved
43
Gardens of the Night
41
Cthulhu
40
Igor
40
Other End of the Line, The
34
My Name Is Bruce
34
Otto; or Up with Dead People
32
Repo! The Genetic Opera
31
Hounddog
30
Guitar, The
28
Fireproof
27
Lake City
26
House of the Sleeping Beauties
26
Filth and Wisdom
xx
Dostana
xx
Black Balloon, The
xx
Let Them Chirp Awhile
xx
Local Color
xx
Nobel Son
xx
Extreme Movie
Stars indicate the most critically-acclaimed movies.
|
Matrix Revolutions, The
Warner Bros.
FILM:
GAMES:
MPAA RATING: R for sci-fi violence and brief sexual content
Starring
Keanu Reeves,
Laurence Fishburne,
Carrie-Anne Moss,
Jada Pinkett Smith,
Hugo Weaving,
Monica Bellucci,
Nona M. Gaye,
and
Harry J. Lennix
The final film in the Matrix trilogy.
| GENRE(S): |
Action
|
Sci-fi
|
Suspense/Thriller
|
| WRITTEN BY: |
Andy Wachowski (also characters)
Larry Wachowski (also characters)
|
| DIRECTED BY: |
Andy Wachowski
Larry Wachowski
|
| RELEASE DATE: |
DVD: April 6, 2004
Video: April 6, 2004
Theatrical: November 5, 2003
|
| RUNNING TIME: |
129 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
91
Seattle Post-Intelligencer
William Arnold
No, it doesn't exactly re-create the magic that made the original such an instant classic, but it's faster and more involving than "Reloaded" and it rounds off the premise and themes of the trilogy in a surprisingly satisfying way.

80
Time
Richard Corliss
The trilogy ascends and soars with the two combatants and ends not with a whimper but with a blast of light. Thus the fabulous original film has found an honorable way to sign off. For those who didn't bother to join the early crowds, The Matrix Revolutions is a definite might see.

75
Boston Globe
Ty Burr
Revolutions, the final installment in the trilogy, parcels things more neatly. You get 45 minutes of the Wachowskis' patented theosophical bong water, followed by an hour of the most muscular, hard-core special-effects rama-lama yet to hit the screen. Only then does Jesus show up.

75
Chicago Sun-Times
Roger Ebert
To the degree that I was able to put aside my questions, forget logic, disregard continuity problems and immerse myself in the moment, The Matrix Revolutions is a terrific action achievement. Andy and Larry Wachowski have concluded their trilogy with all barrels blazing.

70
Film Threat
Daniel Schweiger
A voyage that's worth taking in spite of itself to find out how the damn thing wraps up, but you can't help but feel resentful by the end of it.

70
Newsweek
David Ansen
Though theyre full of undeniably spectacular moments, great production values and unusual ambition, a simple thing has gotten lost in these sequels: theyre not much fun.

70
Village Voice
J. Hoberman
No less than the rankest demagogue, The Matrix Revolutions insists on the primacy of faith over knowledge. Once it locks and loads, however, the triumphant visuals short-circuit anything resembling abstract thought.

67
Austin Chronicle
Marc Savlov
Its an impressive closing to the cycle, and, frankly, one that arrives not a moment too soon.

63
ReelViews
James Berardinelli
Represents a disappointing way for the science fiction trilogy to bow out. Overlong and underwhelming, The Matrix Revolutions reinforces the thinking that its a rare movie series in which the final chapter is the strongest.

63
Premiere
Glenn Kenny
On the plus side, there are these super-scary mechanical octopus-type things with a billion eyes and metal tentacles that fly in great awful swarms and look like the non-organic versions of the flying-brain-and-spinal-cord monsters that made the otherwise laughable '60s sci-fi flick "Fiend Without aFace" so cool.

60
TV Guide
Maitland McDonagh
It neither works as a stand-alone film nor captures the thrilling sense of somber, pulpy mystery that made "The Matrix" so compelling. Nevertheless, It brings the saga to a satisfying close, and relies less on the clumps of pop-mystical cyber gobbledy-gook that gummed up the gears of "Reloaded" and more on the powerful emotional bonds that bind Neo, Trinity, Morpheus, Niobe, Link and Zee.

60
The New Yorker
David Denby
At its best, the picture is violently exciting; at its worst, banal and monotonous. Yet the relative absence of mighty significances did not prevent the Matricians sitting all around me--mostly men aged about thirty--from remaining utterly still, as if at a High Mass, throughout the movie. [10 November 2003, p. 128]
60
The Hollywood Reporter
Michael Rechtshaffen
Ending with neither a bang nor a whimper, the finale falls somewhere in between. It's an improvement over its concurrently shot, babbling predecessor, but it ultimately fails to capture any of that jaw-dropping sense of exhilaration that made the original such a must-see event.

60
Dallas Observer
Gregory Weinkauf
The result is visually slick, almost shockingly simpleminded, kinda redundant and only adequately satisfying. Alas, for their dramatic wrap-up the Wachowskis' storytelling now feels less intriguing than merely dutiful.

60
Film Threat
Clint Morris
Everything about the sequel feels bloated.

60
Chicago Reader
J.R. Jones
Shot at the same time as "The Matrix Reloaded," this last installment is the shortest of the bunch at 129 minutes, but I still succumbed to special-effects hypnosis in the last hour.

60
Empire
Alan Morrison
The Year Of The Matrix will be remembered as an indulgence for fans, while the original movie will be affectionately held as a separate entity by a bigger crowd, much as the original "Star Wars" trilogy hasn't really been tainted by divisions over Episodes I and II.

58
Entertainment Weekly
Lisa Schwarzbaum
Among its better tricks, Matrix Revolutions finally gets the love-story subplot of Neo and Trinity in the right proportion.

50
Portland Oregonian
Shawn Levy
Now The Matrix Revolutions is here, and a verdict is justified. The death penalty seems a little strong, but can we lock this franchise up and forget where we put the key?

50
Salon.com
Andrew O'Hehir
Isn't a terrible movie, but it is a tremendous disappointment.

50
Christian Science Monitor
David Sterritt
Written and directed by the clever Wachowski brothers, this is a sequel that only a die-hard fan could love. But those fans will love it very, very much.

50
LA Weekly
Scott Foundas
Nearly wall-to-wall climax -- an unwieldy, two-plus-hours third act of a movie, guided by the principle (incubated by "Reloaded" and fully grown here) that too much is never too much.

50
Baltimore Sun
Michael Sragow
The Matrix Revolutions blends feather-brained, starry-eyed camp and rock-'em-sock-'em spectacle -- so it's at least more entertaining than the second Matrix film, which hung in the air like a noxious cloud.

50
Miami Herald
Rene Rodriguez
It's a testament to the personalities of the actors, as well as the foundation laid by the original film, that we retain an emotional connection to the main players in Revolutions.

50
Philadelphia Inquirer
Steven Rea
There are, to be sure, some impressive special effects here, and whoever Warner Bros. hires to make the new Superman movie should take notes.

50
Variety
Todd McCarthy
You can virtually see the mystique peeling away while beholding the turgid melodrama, patchy plotting, windy dialogue and, yes, spectacular combat effects of this grand finale.

50
The Globe and Mail (Toronto)
Liam Lacey
Mostly feels as hackneyed as the first film felt fresh. It's a loud, puffed-up exercise in computer-generated heroics and battles that follows a pattern.

50
New York Daily News
Jack Mathews
Unless you're seriously into the post-"Matrix" culture, which includes books, games, animation and interactive Web sites, or you believe the Wachowskis have a philosophy worth wading through, the two-part sequel adds nothing indispensable to the first story.

50
Rolling Stone
Peter Travers
At the risk of understatement, The Matrix Revolutions sucks.

50
Chicago Tribune
Mark Caro
Sets out to answer all sorts of cosmic questions, though the one most frequently asked is more mundane: Is it better than "Reloaded"? The answer is a matter of degree.

50
Los Angeles Times
Manohla Dargis
How did something that started out so cool get so dorky?

40
The New York Times
Dana Stevens
There is very little that is tantalizing or suspenseful. The feeling of revelation is gone, and many of the teasing implications of "Reloaded" have been abandoned.

40
Slate
David Edelstein
Revolutions isn't as stupefying as "Reloaded"--and, of course, our expectations have been drastically lowered. But it's an abysmal anticlimax all the same.

40
New York Magazine
Peter Rainer
This final installment jettisons most of the Zen mumbo-jumbo from the first two movies in favor of lots of very loud explosions. Since I didnt take the mumbo-jumbo seriously to begin with, my letdown was minor, but aficionados may feel like theyve been played for suckers.

40
The Onion (A.V. Club)
Keith Phipps
Once the dust clears, it's hard to think of a film saga that's wound down with such a profound anticlimax. It's a whimper in bang's clothing.

38
Charlotte Observer
Lawrence Toppman
Without a philosophical payoff, without characters whose relationships resonate in our hearts, without explanations for situations that beg for explanations, what are we left with? To quote another great writer of battle scenes: "a tale full of sound and fury, told by an idiot, signifying -- nothing."

38
USA Today
Mike Clark
This come-down of a series capper is so arch and pompous amid its clanks and collisions that you can only snicker at the verbal wind that obscures the din of marauding machinery.

38
New York Post
Lou Lumenick
This (hopefully) final chapter's interminable first hour...showcases some of the clunkiest dialogue and wooden acting since the most recent "Star Wars" movies.

30
Washington Post
Stephen Hunter
The film is a soggy mess, essentially a loud, wild 100-minute battle movie bookended by an incomprehensible beginning and a laughable ending.

30
Washington Post
Desson Thomson
The Wachowski brothers have rendered their chronicles into banality, as if trying to imitate the qualitative tailspin of the "Star Wars" series.

25
San Francisco Chronicle
Carla Meyer
Dismal final installment.

20
Wall Street Journal
Joe Morgenstern
Smith is only a rogue computer program, but this morbidly dispiriting movie makes him sound like a prophet.

The average user rating for this movie is 5.3 (out of 10) based on 275 User Votes
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