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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Melinda and Melinda
Fox Searchlight Pictures
FILM:
MPAA RATING: PG-13 for adult situations involving sexuality, and some substance material
Starring
Chiwetel Ejiofor,
Will Ferrell,
Jonny Lee Miller,
Radha Mitchell,
Amanda Peet,
Chloë Sevigny,
and
Wallace Shawn
This film combines romantic comedy and drama in a way that Woody Allen, unique among filmmakers, likes to contrast. (Fox Searchlight)
| GENRE(S): |
Comedy
|
| WRITTEN BY: |
Woody Allen
|
| DIRECTED BY: |
Woody Allen
|
| RELEASE DATE: |
DVD: October 25, 2005
Theatrical: March 18, 2005
|
| RUNNING TIME: |
100 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
USA Today
Mike Clark
Smart, satisfying and compact but so modest in scale that only true-blue fans will sense - immediately - that it's Woody Allen's best outing in many years.

88
Chicago Sun-Times
Roger Ebert
In its complexity and wit, this is one of his (Allen's) best recent films.

88
Chicago Tribune
Michael Wilmington
Allen gives us at least half a classic comedy - more than we usually get at the movies these days - while having some elegant fun with an idea that has intrigued poets and smart alecks through the ages: the interchangeability of comedy and tragedy.

80
Empire
Emma Cochrane
It has great performances, snappy one-liners and a likeably tricksy structure, all wrapped up in an affirmative antidote to life’s daunting complexities. Welcome back, Woody.

80
Wall Street Journal
Joe Morgenstern
Full of entertaining vignettes that eventually make a happy mockery, as they're meant to do, of the tragedy vs. comedy dialectic.
80
The Hollywood Reporter
Sheri Linden
Woody's back on solid ground with his first memorable pic of the new millennium.

80
Variety
Deborah Young
Radha Mitchell stirs memories of complex Allen heroines from Annie Hall on down, even if the action is dispersed via a larger ensemble cast which he currently favors.

75
Rolling Stone
Peter Travers
With Melinda and Melinda he's (Allen) not just going through the motions. He's saying the game isn't over before you laugh till it hurts.

75
Christian Science Monitor
David Sterritt
This is closer to an Allen comeback than anything else he's made recently. Maybe he'll achieve it with his next movie, "Match Point," due this year.

75
Premiere
Glenn Kenny
Though Melinda is no masterpiece, it’s also an Allen film that requires almost zero special pleading.

75
San Francisco Chronicle
Mick LaSalle
More accomplished, adventurous and original. Instead of Allen's usual investigation into the nature of existence, this new film looks at the way stories are created, particularly comedies.

70
The New York Times
Dana Stevens
As he (Allen) interweaves two versions of the Melinda story, one meant to be bathed in pathos, the other sprinkled with whimsy, it becomes apparent that his notions of comedy and tragedy do not quite correspond either to scholarly dogma or to everyday usage.

70
The New Yorker
David Denby
It's emotionally more alive than anything Allen has done since "Sweet and Lowdown," in 1999. I was absorbed in it, and I liked parts of it. And I wish to God it were better.

67
Entertainment Weekly
Owen Gleiberman
The best reason to see Melinda and Melinda is Radha Mitchell, who has her grabbiest role (or two of them) since she broke through with "High Art."

67
Seattle Post-Intelligencer
Paula Nechak
tTere are two things going for Melinda and Melinda: Woody's not in it and Radha Mitchell is.

67
Portland Oregonian
Shawn Levy
It's breezy enough, though, as a romantic comedy. And the stakes at risk in it are more grown-up and weighty than those in most Hollywood fare. Like Allen himself, you could do worse.

63
Charlotte Observer
Lawrence Toppman
Whatever you think of Melinda and Melinda, you have to admire Woody Allen for this: After years of criticism that he didn't use people of color in films, he's written two interracial romances.

63
Philadelphia Inquirer
Steven Rea
The dialogue rings tinny in the ear, as if enunciated in the phony arc of a stage light.

63
ReelViews
James Berardinelli
Has a fascinating premise; it's the execution that's sloppy.

63
The Globe and Mail (Toronto)
Liam Lacey
Allen's best effort since 1999's "Sweet and Lowdown," but that's not saying a lot.

63
New York Daily News
Jack Mathews
But Allen can still write a good joke and there are some here. Not enough to say he has returned to form, but enough to remind you of what that form was.

60
Time
Richard Corliss
Allen has assembled an attractive cast and given most of them clichés to inhabit. He has also stinted on inventiveness.

60
Village Voice
J. Hoberman
Neither comedy nor tragedy, the movie is closest to genteel soap opera.

60
Washington Post
Desson Thomson
A medium-boil good time, mostly for its humor.

50
Dallas Observer
Melissa Levine
It's merely all right--very high-concept and on its way to interesting, but never there.

50
Miami Herald
Rene Rodriguez
Beautifully shot by the great Vilmos Zsigmond, the movie is watchable, sporadically amusing and ultimately frustrating, because Allen is capable of so much more, but doesn't appear interested -- or willing -- to push himself any longer.

50
LA Weekly
Brendan Bernhard
From its austere opening credits to its screechy women, this 35th film by Woody Allen looks and sounds like a dozen other Allen movies.

50
New York Magazine
Ken Tucker
When are we going to get a generation of actors who will finally decline to succumb to The Woody Mystique, and refuse to accept a proffered role without first deciding whether the entire damn project is worthwhile?

50
Boston Globe
Wesley Morris
Doesn't entirely work.

50
New York Post
Kyle Smith
Not since Edward Norton kicked his own butt in Fight Club has the screen witnessed such a brutal self-drubbing.

50
TV Guide
Maitland McDonagh
It's all very well to say that laughter and tears are just a heartbeat apart, but both variations on Melinda's story bear the unmistakable mark of Allen's morose sensibilities.

40
Slate
David Edelstein
The Australian actress Radha Mitchell is the only reason to see the movie: She has an extraordinary open face and a way of mixing dreaminess with sudden bursts of lacerating emotion that recalls Jessica Lange.

40
Salon.com
Stephanie Zacharek
Even these actors -- who, in other pictures, are often wonderful in distinctive ways -- don't seem like themselves: It's as if they've been pulverized and pressed into convenient actor shapes.

40
Los Angeles Times
Carina Chocano
Allen's view of what's "deeply real" feels ever more deeply bogus as the movie progresses, his trademark wit having calcified into pastiche and unintended self-parody.

40
The New Republic
Stanley Kauffmann
The grave story is leaden, the comic story isn't funny, and the comparison--the rivalry--between the two modes is never crystallized.

38
Baltimore Sun
Michael Sragow
It's disconcerting to see Ferrell, a master of macho psychosis, adopt the stop-and-go dithering of Woody Allen-style neurosis.

30
Chicago Reader
Jonathan Rosenbaum
This is mainly a narrative brain-teaser like "Memento" or "The Jacket"; merely keeping up with the game requires so much energy that the thinness of the material becomes fully apparent only toward the end.

30
Washington Post
Stephen Hunter
Give Woody Allen credit for ambition. Failing at one movie wasn't enough. Nearly anyone can do that; it happens all the time. He's chosen to fail at two simultaneously.

30
The Onion (A.V. Club)
Nathan Rabin
A second-rate comedy and a third-rate drama, Melinda And Melinda gives viewers two unsatisfying movies in one. The only genuine tragedy here involves a once-brilliant comedy writer plunging further into a seemingly permanent artistic freefall.

20
Austin Chronicle
Kimberley Jones
These days, Allen's pictures are more like snuff films, in which the viewer must suffer both gifted actors committing screen hara-kiri and a once-brilliant filmmaker soldiering on with his long, bullheaded decline.


The average user rating for this movie is 5.9 (out of 10) based on 30 User Votes
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