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23
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80
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61
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xx
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30
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34
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60
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32
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27
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41
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39
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46
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73
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78
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55
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66
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69
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58
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47
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66
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34
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33
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54
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67
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51
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42
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28
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63
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86
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35
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48
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30
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53
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24
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83
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33
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45
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55
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47
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96
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35
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28
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88
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71
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67
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28
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73
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Stars indicate the most critically-acclaimed movies.
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56
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72
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49
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80
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28
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50
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25
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50
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58
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72
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89
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52
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66
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81
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xx
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63
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73
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xx
How to Seduce Difficult Women
74
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94
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29
I Hope They Serve Beer in Hell
16
If One Thing Matters: A Film About Wolfgang Tillmans
75
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83
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61
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42
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70
It Might Get Loud
46
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19
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xx
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41
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41
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66
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34
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80
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83
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xx
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59
More Than a Game
67
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34
Motherhood
62
My One and Only
xx
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48
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73
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66
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47
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34
Other Man, The
xx
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54
Paper Heart
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68
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68
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44
Peter and Vandy
35
Play the Game
77
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xx
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65
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76
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69
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79
Serious Man, A
40
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61
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77
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xx
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46
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39
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89
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50
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55
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65
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61
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83
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66
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66
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70
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67
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69
We Live in Public
64
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64
Where is Where?
xx
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74
Woman in Berlin, A
69
World's Greatest Dad
70
Yes Men Fix the World
69
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xx
You, the Living
Stars indicate the most critically-acclaimed movies.
Metropolis
EMAILPRINTSony Pictures Entertainment

Generally favorable reviews
Based on 16 critic reviews
How did we calculate this?
Based on 10 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Sci-fi
Written by:
Katsuhiro Ôtomo
Osamu Tezuka (1949 manga)
Directed by: Tarô Rin
Release Date:
Theatrical: January 25, 2002
DVD: April 23, 2002
Running Time: 107 minutes, Color
Origin: Japan
Summary
RATING: PG-13 for violence and images of destruction
Starring Jamieson Price, Toshio Furukawa, Dave Mallow, and Scott Weinger
This Japanese anime, set in the future, depicts a grand city-state populated by humans and robots, the cohabitants of a strictly segmented society. (Sony)
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Chicago Sun-Times Roger Ebert
A wild elaboration. If you have never seen a Japanese anime, start here. If you love them, Metropolis proves you are right.
Read Full Review >Austin Chronicle Marc Savlov
By the time the explosive finale arrives (with a wistful Ray Charles crooning over shots of cataclysmic destruction, no less), you'll be hard pressed to name a recent film with this much action, pathos, and smarts.
Read Full Review >New York Daily News Elizabeth Weitzman
The story is compelling, but Metropolis is such a visual masterpiece, it's easy to get lost within its seemingly endless layers of graphic complexity.
Read Full Review >The Globe and Mail (Toronto) Liam Lacey
May not have the most sophisticated narrative, but it is one of the most spectacular and masterly demonstrations of animation in screen history.
Read Full Review >Boston Globe Jonathan Perry
Poetic, surreal, and curiously powerful.
Seattle Post-Intelligencer Sean Axmaker
This is no Disney fable and the apocalyptic vision isn't for everyone, but science-fiction fans and adventurous filmgoers will find this ingenious explosion of retro-cyberpunk a compelling dystopian vision with a gleam of hope.
Read Full Review >Film Threat Ron Wells
They should have produced this in 3D for IMAX as Metropolis is the kind of work destined to blow the minds of stoners everywhere.
Read Full Review >New Times (L.A.) Luke Y. Thompson
Roll with any stylistic difficulties you might initially have, and prepare to be awed.
Read Full Review >LA Weekly David Chute
This muscular anime melodrama is so visually splendid that on that level alone it qualifies as a breakthrough.
Read Full Review >The Onion (A.V. Club) Tasha Robinson
Technologically, the film is impressive, and it readily overwhelms the senses with frenetic computer-generated activity, an apocalyptic grand finale, and a bombastic jazz score. But unlike its classic predecessor, it doesn't leave much in its wake but ringing ears and unanswered questions.
Read Full Review >Chicago Tribune Michael Wilmington
Here is a film of staggering technical and visual virtuosity, filled with utterly amazing images, that's also entertaining and engaging for children and adults on several levels.
Read Full Review >The New York Times Dana Stevens
A hallucinatory tour de force of color, perspective and scale, virtually encapsulates the history of Japanese animation.
Read Full Review >TV Guide Maitland McDonagh
The look is utterly faithful to Tezuka's aesthetic -- he loved classic Disney animation, especially "Bambi" (1942) -- but it's hard to empathize with the angst of a character who looks like a Super Mario Brother.
Read Full Review >New York Post Staff (Not credited)
The dialogue is dubbed into English by generic actors, whose phony, emotionless rendition undermines what's on the screen.
Read Full Review >What Our Users Said
The average user rating for this movie is 8.4 (out of 10) based on 10 User Votes
Note: User votes are NOT included in the Metascore calculation.
[Anonymous] gave it an8:
Nice visuals, and the political theme is well excecuted, but it's hard to tell which party supports what. The characters don't have much substance, but they are used well. Adding substnace to them would've made this film even better.
Colin B. gave it a 10:
This film is awesome. I feel sorry for people who can't see this because they can't look past the surface.
Conrad G. gave it a 10:
The story might not be the best one, but the grafics and excruciating detail of this movie make up for its poor story. this movie deserves IMAX theater, and after seeing it you will have a whole new opinion on japanese anime.
Yoon C. gave it a 3:
Impressive as graphics for a video game. Unwatchable otherwise.
John A. gave it a 10:
Best animated movie of the year.
Zach V. gave it an 8:
An underrated masterpiece, even though the Osama Tezuka version is far superior to it. This might be the best mix of cel and computer animation of all animated films. The plot really is nothing new, but the characters (Japanese subbed version) have a lot of heart. However, the film is hurt a little by the sometimes slow pacing and familar story.
Jack D. gave it an 8:
Breathtaking animation and an awesome climax, but it doesn't always work.
