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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Michael
New Line Cinema
FILM:
MPAA RATING: PG
Starring
John Travolta,
Andie MacDowell,
William Hurt,
Bob Hoskins,
Robert Pastorelli,
Jean Stapleton,
Teri Garr,
and
Wallace Langham
John Travolta plays an angel who's no saint in this divinely romantic comedy. (Warner Bros. Entertainment)
| GENRE(S): |
Comedy
|
Drama
|
Fantasy
|
Romance
|
| WRITTEN BY: |
Nora Ephron
Delia Ephron
Peter Dexter (also story)
Jim Quinlan (also story)
|
| DIRECTED BY: |
Nora Ephron
|
| RELEASE DATE: |
DVD: August 26, 1997
Video: June 5, 2001
Theatrical: December 25, 1996
|
| RUNNING TIME: |
105 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
90
Los Angeles Times
Kevin Thomas
Director Nora Ephron and her co-writers, sister Delia plus Pete Dexter and Jim Quinlan (the latter two wrote the original story), bring a smart contemporary sensibility to the hokum, hilarity and heart-tugging that have made for many a classic Hollywood entertainment.

88
TV Guide
Staff(not credited)
For a movie about all sorts of warm and gooey things -- faith, surrender to wonder, and the possibility of love in a hard, cold world -- it's got a bracingly astringent edge.

75
Chicago Sun-Times
Roger Ebert
Michael doesn't set up big drama or punch up big moments. It ambles.

70
Chicago Reader
Jonathan Rosenbaum
Before this turns to total mush, it's a quirky, fitfully effective fantasy periodically enlivened by the cast.

63
ReelViews
James Berardinelli
It's a little too low-key to be an effective romance and a little too soft to be anything more ambitious. Ultimately, it's neither offensive nor horrible; it's just another unspectacular, uninspired entry on Nora Ephron's erratic resume.

60
The New York Times
Stephen Holden
The movie is so busy applying cute touches to everything and everybody that it forgets to devote enough attention to the souls Michael has come down to save.

50
The Globe and Mail (Toronto)
Rick Groen
But wouldn't it be heavenly if a like proportion of Tinseltown producers believed in an existing need for a good script. Because this one ain't good; in fact, it's hellishly mediocre, the kind that aims for holiday charm and settles for workaday torpor.

50
San Francisco Examiner
Barbara Shulgasser
The best movie she ever directed was "This Is My Life," a biting comedy she also wrote that was soundly defeated by both critics and audiences. I think she's lost her nerve and her edge ever since.

50
Christian Science Monitor
David Sterritt
Nora Ephron's comedy tries to be sweet, hip, innocent, and sophisticated all at the same time, and it doesn't take long for these contradictory goals to cancel one another out.

40
Empire
Caroline Westbrook
The script is clichéd and uninspired, the tone veering uneasily between unamusing comedy and over-sincere drama, all theological issues are weakly circumvented and the characters hardly relate to each other, let alone to any of their onscreen activities.

38
USA Today
Susan Wloszczyna
Director/co-writer/co-producer Nora Ephron is best known for the magical Sleepless in Seattle. Michael is mirthless in the Midwest. [24 Dec 1996 Pg.03.D]
33
Entertainment Weekly
Owen Gleiberman
The director, Nora Ephron, displays her peerless gift for making everything seem snappy and mushy at the same time, and Travolta's performance has a slovenly, I-can-do-anything-and-you'll-still-love-me obnoxiousness.

30
The New Republic
Stanley Kauffmann
The banality of the plot and the writing make the presence in the cast of the celebrated William Hurt, Andie MacDowell and Bob Hoskins all the more disheartening. [03 Mar 1997 Pg.30]
30
Variety
Emanuel Levy
John Travolta's charismatic screen presence is the only element that propels Michael over its rough narrative spots and scattered direction.

25
San Francisco Chronicle
Mick LaSalle
Nora Ephron directed it and had a hand in the screenplay, but without Travolta this film would have no reason for being.

20
Austin Chronicle
Marjorie Baumgarten
This kind of angel stuff is classic Hollywood fare, especially at Christmastime. Thus, it's all the more wonder that director Nora Ephron has missed and mishandled so many of her cues.

20
The Onion (A.V. Club)
Keith Phipps
John Travolta should realize that people appreciate him, maybe more than ever, but that he should start making movies people won't feel ashamed for having seen if he wants to avoid co-starring with a talking lemur in the future.

20
Washington Post
Desson Thomson
After the disastrous "Mixed Nuts," her last holiday season folly, Ephron appears to have hunkered down for a career of pandering mediocrity.


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