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Miracle at St. Anna
Touchstone Pictures (Disney)

Miracle at St. Anna reviews
Critic Score
Metascore: 37 Metascore out of 100
User Score  
5.5 out of 10
based on 31 reviews
Read critic reviews
How did we calculate this?
based on 48 votes
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Rate this movie

MPAA RATING: R for strong war violence, language and some sexual content/nudity

Starring Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller, Pierfrancesco Favino, and Valentina Cervi

Miracle at St. Anna chronicles the story of four black American soldiers who are members of the US Army as part of the all-black 92nd “Buffalo Soldier” Division stationed in Tuscany, Italy during World War II. They experience the tragedy and triumph of the war as they find themselves trapped behind enemy lines and separated from their unit after one of them risks his life to save an Italian boy. (Touchstone Pictures)


GENRE(S): Action  |  Crime  |  Drama  |  Suspense/Thriller  |  War  
WRITTEN BY: James McBride (& novel)  
DIRECTED BY: Spike Lee  
RELEASE DATE: DVD: February 10, 2009 
Theatrical: September 26, 2008 
RUNNING TIME: 160 minutes, Color 
ORIGIN: USA | Italy 
LANGUAGE(S): English | German | Italian 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

75
Chicago Sun-Times Roger Ebert
Contains scenes of brilliance, interrupted by scenes that meander. There is too much, too many characters, too many subplots. But there is so much here that is powerful that it should be seen no matter its imperfections.
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75
Philadelphia Inquirer Carrie Rickey
Man, oh, man, much of the dialogue is so heavy, and heavy-handed, that you can see fine actors such as Derek Luke and Michael Ealy buckle under the weight. Clearly, Lee fell in love with McBride's words and couldn't bear to cut them, even when the visuals made those words redundant.
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75
Baltimore Sun Michael Sragow
For all his excesses and wrong turns, Lee has made a grown-up movie with an adult sense of loss and an adult sense of hope. He may be addicted to broad flourishes, but he has the big emotions to back them up.
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70
Film Threat Stina Chyn
So think of it this way: Miracle at St. Anna is a Spike Lee joint that possesses a European texture in the vein of Guillermo Del Toro and Jean Pierre-Jeunet. Imaginative, thought-provoking, and intense.
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63
ReelViews James Berardinelli
Miracle at St. Anna is overlong and poorly focused. It tends to meander, the military context is not well established, and too much time is spent on interaction with underdeveloped secondary characters.
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55
NPR Bob Mondello
Even in a film that clocks in at a quasi-epic 2 hours and 40 minutes, that's just too much narrative. And matters aren't helped by the fact that Lee, who has never staged battle sequences before, hasn't quite got the rhythms or camera angles right.
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50
Chicago Tribune Michael Phillips
Half the time I wasn't sure what Lee was going for in terms of tone, or style, or focus. It was a tricky assignment to begin with, because McBride's novel, and his screenplay, is part socio-historical corrective, part magical-realist folklore, part wartime procedural.
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50
The New York Times A.O. Scott
It is in the fragile bonds that form between the black soldiers and the Italian villagers that Miracle at St. Anna breaks free of its own grandiosity and tells a grounded, moving, human story. Not a miracle by any means, but an earthy inquiry into death, duty, friendship and honor. What we’ve always wanted from war movies.
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50
USA Today Claudia Puig
Aspires to be epic, but mostly it's just unfocused, sprawling and badly in need of editing.
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50
New York Daily News Elizabeth Weitzman
Of course the experiences and sacrifices of black troops, which were so often overlooked, should be represented and honored. But because Lee underestimates our desire to do so, the movie that follows doesn't do them justice.
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50
Portland Oregonian Marc Mohan
Lee is not an action director, and the movie often feels like it was made in the 1940s rather than set then.
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50
New York Post Lou Lumenick
Lee's framing device - which ends with a head-scratching fantasy - doesn't work. At. All.
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50
The Globe and Mail (Toronto) Liam Lacey
Throughout, Terence Blanchard's score swells and sweeps, reminding us, at every moment, what we're supposed to feel. If only we knew what we were supposed to think of this trite mess.
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50
Salon.com Stephanie Zacharek
A picture that's dramatically compelling in some places and plodding and didactic in others.
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50
Rolling Stone Peter Travers
The film collapses because Lee can't sew these vignettes into a seamless tapestry. He's more interested in getting even than he is in getting it right.
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50
TV Guide Ken Fox
This is first Lee's first attempt at a war epic, but it feels like it's his very first film: What should have been an eloquent answer to the likes of John Wayne and Clint Eastwood -- with whom Lee justly took to task over the total absence of any black soldiers in "The Flags Of Our Fathers" -- is instead a patchy war-time drama.
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50
Boston Globe Wesley Morris
Miracle at St. Anna is not work of outrage or joy. It's something distressingly new for the filmmaker: a work of obligation. It feels like a movie Lee made in order to say he did it.
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50
Seattle Post-Intelligencer Sean Axmaker
It's all too much and too little: a history lesson in institutional racism that falls into character cliches, a human drama that gets lost in melodramatic detours, a war movie put together by a fan rather than a filmmaker.
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42
Christian Science Monitor Peter Rainer
Clocking in at 160 minutes, this interminable movie comes across like a rough cut. Perhaps Lee believed its length would give it gravitas. The opposite is true.
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42
The Onion (A.V. Club) Staff (Not credited)
Miracle plays like "School Daze" transplanted to the European front, with the token militant, the token uplift-the-race type, and the token buffoon all marching inexorably toward Checkpoint Irony.
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42
Entertainment Weekly Owen Gleiberman
Miracle isn't powerful, it's muddled and diffuse.
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30
The Hollywood Reporter Kirk Honeycutt
Odd too, for a film that wants to correct impression anyone had as to the abilities of black U.S. soldier in combat, are the ethnic cliches about Italians and Germans, to say nothing of rednecks.
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30
New York Magazine David Edelstein
When Lee isn't doing cinematic somersaults or mining for injustice, he doesn't seem to know where to put the camera. The logistics of the plot make no sense, and he has nothing to sell but the theme of our common humanity--in which, on the evidence, I don't think he believes.
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30
Los Angeles Times Kenneth Turan
Pedestrian and awkward, this film is a disappointment not only in comparison with Lee's earlier epic, the underrated " Malcolm X," but also in comparison with another film with similar aims, Rachid Bouchareb's "Days of Glory."
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30
Chicago Reader J.R. Jones
Overblown and unconvincing, the director's bright, poppy style clashing with the grim subject matter.
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30
Washington Post Ann Hornaday
The movie winds up a casualty of schmaltzy, patronizing sentiment on the one hand and overweening ambition on the other.
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25
San Francisco Chronicle Mick LaSalle
The first and most honest thing to say about Miracle at St. Anna is that it's an awful mess.
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20
Variety Todd McCarthy
This is a sloppy stew in which the ingredients of battle action, murder mystery, little-kid sentiment and history lesson don't mix well.
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20
Austin Chronicle Marjorie Baumgarten
And for all Lee's ballyhoo about racial stereotyping, one might expect him to adopt a less hackneyed approach to his portrayals of Italians and women.
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20
Village Voice Scott Foundas
You may begin to wonder if Lee really initiated this project or if it only fell into his hands after Roberto Benigni proved unavailable.
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10
Wall Street Journal Joe Morgenstern
Given the importance of that subject, the real mystery of Mr. Lee's movie is why it's so diffuse, dispirited, emotionally distanced and dramatically inert.
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What Our Users Said

Vote Now!The average user rating for this movie is 5.5 (out of 10) based on 48 User Votes
Note: User votes are NOT included in the Metascore calculation.

Q gave it a3:
Good start to the movie but after the shocking begining, the rest of the movie is a bore fest. First and for most, horrible acting! I can't emphasize that enough, the bad acting was so distracting and I thought the sets in Italy looked fake. This movie totally lost me and it was painful to sit through. Way too much melodrama for me. Come on Spike, pick it up!

Nestor A. gave it a10:
It is sad that some movies are rated poorly simply because people do not understand the idea. I agree that the movie doesn't mix well and it needed more action rather than boring scenes but in the end you might fully grasp the point this movie is trying to make. I would give this movie an 8 honestly, but due to the awful and ignorant reviews from certain inept people out there I will give it a 10 as my score.

Chris C. gave it an8:
Subplots, subplots, and subplots...that all wrap up nicely at the long-awaited conclusion of the movie, with no questions left unanswered. While the introduction and actuation of these subplots can be choppy and questionably placed at times, each contains a healthy serving of action, emotion, humor, and character. Most definitely a work of fiction only loosely based on real events, length, choppiness, and some amateur filming decisions somewhat hamper what actually turns out to be one hell of a story. And it's this story that kept me interested throughout...and it's quite a trip.

Mike A. gave it a7:
Apparently critics only sat through the first 40 minutes of the film because after that, Spike Lee had an awesome movie that has been under appreciated. At least he attempted to do something meaningful...how does this have the same score as Friday the 13th? Obviously critics have no taste, except Ebert (I'm willing to overlook your positive review of The Happening :P)

Jay H. gave it a6:
Ambitious but overlong and unfocused. It certainly is a well crafted film, but I was just never drawn deeply into the movie. Fine performances. Excellent cinematography.

CutMaster Fresh gave it a10:
Great plot. Spike has finally grown up. I enjoyed every aspect of this film. Spike has stepped outside of the box with this one. Great job Spike. "Fight the Power"!

Lemuel C. gave it a9:
Great Movie! I am a war movie fan but wasn't exactly excited to see a movie that was as long as this one, to my surprise I was fully engrossed throughout the entire movie. I thought it was one of spike's best movie's to date despite the naysayers and spike bashers. Great movie!

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