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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Monster-in-Law
New Line Cinema
FILM:
MPAA RATING: PG-13 for sex references and language
Starring
Jennifer Lopez,
Jane Fonda,
Michael Vartan,
Wanda Sykes,
Adam Scott,
Annie Parisse,
Monet Mazur, Will Arnett,
and
Elaine Stritch
After years of looking for Mr. Right, Charlotte 'Charlie' Cantilini (Lopez) finally finds the man of her dreams (Vartan) only to discover that his mother (Fonda) is the woman of her nightmares. (New Line Cinema)
| GENRE(S): |
Comedy
|
Romance
|
| WRITTEN BY: |
Anya Kochoff
|
| DIRECTED BY: |
Robert Luketic
|
| RELEASE DATE: |
DVD: August 30, 2005
Theatrical: May 13, 2005
|
| RUNNING TIME: |
102 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
Rolling Stone
Peter Travers
It's a hoot to watch Fonda cut loose and mix it up with J. Lo, even when the laughs turn mean-spirited.

75
San Francisco Chronicle
Mick LaSalle
A generational spectacle that's fun to witness.

67
Portland Oregonian
Shawn Levy
Isn't a particularly good movie if what interests you is the art of film -- cinematography, editing, screenwriting, staging, little things like that. But if you're chiefly interested in turning off the upstairs lights and relaxing with a few laughs, you could do a lot worse.

63
New York Post
Lou Lumenick
Fonda is a hoot and a half.

50
Premiere
Peter Debruge
Imagine what someone like Danny DeVito might have done with the material, taking it in that darker "War of the Roses" direction instead of languishing in this sunny, not-nearly-sinister-enough "Legally Blonde" territory.

50
Boston Globe
Wesley Morris
By Hollywood standards, a movie carried with such gusto by a 67-year-old woman has to be considered a miracle. And I'm not sorry to say I enjoyed watching her do it.

50
Village Voice
Jessica Winter
"Legally Blonde" director Robert Luketic bumbles along with typically clumsy blocking and framing, and the misogyny inherent in the three-ring spectacle of bitch slaps, barbiturate covert ops, and wedding plan hysteria does rankle.

50
Chicago Tribune
Michael Wilmington
It would take the dark wit of a Billy Wilder or a Coen brother--or at least a Neil Simon--to put across this kind of material.

50
Charlotte Observer
Lawrence Toppman
The movie briefly suggests Viola is an incestuous psychotic.

50
LA Weekly
Ella Taylor
This is a gay men's movie whose primary function is to doll Fonda up like a drag queen and let her rip.

42
Entertainment Weekly
Lisa Schwarzbaum
As for Monster-in-Law, it's tripe on a plate.

40
Empire
Angie Errigo
A note to Fonda: even thin, fabulous 67-year-olds shouldn't wear strapless gowns. It's scary.

40
Los Angeles Times
Carina Chocano
All I could think about while watching Jennifer Lopez prance through Monster-in-Law was how cool and poised she was in "Out of Sight."

40
Salon.com
Stephanie Zacharek
Fonda and Sykes are made for each other, and their incessant bickering and arguing are about the only things that give Monster-in-Law any life.

40
Washington Post
Michael O'Sullivan
Ultimately one flat-footed beast.

38
USA Today
Claudia Puig
Doesn't make the movie worth watching -- even if you're monstrously bored.

38
New York Daily News
Jack Mathews
Fonda's performance is a perfect storm of histrionics, and she leaves nothing and no one standing.

38
The Globe and Mail (Toronto)
Rick Groen
Add them up and the sum has a certain mathematical inevitability: Really annoying characters, really annoying movie.

38
Miami Herald
Rene Rodriguez
A fairly tedious, stupid picture.

38
Philadelphia Inquirer
Carrie Rickey
Monster-in-Law, where Bridezilla meets Godzilla, is a comedy so anemic, so toxic, that even Dracula wouldn't bite.

38
ReelViews
James Berardinelli
Monster-in-Law is appalling misfire of a comedy - a motion picture that takes a situation ripe for the blackest vein of satire and reduces it to a puerile and edgeless pile of goo

30
Variety
Todd McCarthy
Shrill, undermotivated, feature-length catfight.

30
Dallas Observer
Bill Gallo
Billed as a comedy, this low-wattage sitcom is both ill-tempered and mean-spirited.

30
Washington Post
Stephen Hunter
So tame and limp, it may actually give mothers-in-law a good name.

30
Chicago Reader
Jonathan Rosenbaum
To boost this movie's rating to "worth seeing" would make me feel like a publicist or simply a dope.

30
Slate
David Edelstein
A depressing comeback for Jane Fonda, but it's still nice to see her in movies again, and in something that isn't dripping with self-actualizing virtue like her last projects.

30
Austin Chronicle
Marc Savlov
How much better this would have been had someone like Brian De Palma stepped behind the camera.

30
TV Guide
Maitland McDonagh
This vapid, mean-spirited comedy is Lopez's show, and though she is utterly unconvincing as a paragon of down-to-earth virtues, the last laugh was hers from the outset.

25
Chicago Sun-Times
Roger Ebert
Monster-in-Law fails the Gene Siskel Test: "Is this film more interesting than a documentary of the same actors having lunch?"

25
Baltimore Sun
Michael Sragow
Jane Fonda coming back to the screen after a decade-and-a-half absence in Monster-in-Law is like Brando returning from the dead to star in a Police Academy movie.

25
Seattle Post-Intelligencer
William Arnold
It's incorrigibly unfunny.

25
Christian Science Monitor
David Sterritt
The comedy is shamelessly stupid and flagrantly vulgar by turns.

20
The New York Times
Stephen Holden
A shrunken, cowardly movie in deep denial of its true nature, which is far uglier than it is ever willing to admit.

20
The Hollywood Reporter
Kirk Honeycutt
A deeply dispiriting movie, not just because it is grindingly bad but because Jane Fonda actually chose this for her comeback after a 15-year absence from the screen. But it's worse than that. Fonda, one of the best actors of her generation, is downright awful in a role she could have -- and probably should have -- sleepwalked through.

20
The New Yorker
David Denby
The self-confident fatuity and condescension of the movie is offensive.

20
The New Republic
Stanley Kauffmann
Fonda believed in acting. She doesn't seem to believe in it anymore. Her performance in this film is a collection of reactions, vocal whoops, and pouncings that we have seen often before in lesser actors.

20
Wall Street Journal
Joe Morgenstern
The movie itself is grotesque, and may drive you nuts as it makes you laugh, mostly at the stupidity of the thing.
0
The Onion (A.V. Club)
Nathan Rabin
It's not hard to imagine the militant Jane Fonda of 1972 angrily denouncing Monster-In-Law as insulting Hollywood claptrap trafficking in regressive, reactionary, blatantly sexist gender codes. And she'd be right.


The average user rating for this movie is 4.9 (out of 10) based on 42 User Votes
Note: User votes are NOT included in the Metascore calculation.
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