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Stars indicate the most critically-acclaimed movies.

67
$9.99
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66
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48
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Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Moolaadé
New Yorker Films
FILM:
MPAA RATING: Not Rated
Starring
Fatoumata Coulibaly,
Maimouna Hélène Diarra,
Salimata Traoré,
Aminata Dao,
Dominique Zeïda,
and
Mah Compaoré
A rousing polemic directed against the still common African practice of female circumcision. (New Yorker Films)
| GENRE(S): |
Drama
|
Foreign
|
| WRITTEN BY: |
Ousmane Sembene
|
| DIRECTED BY: |
Ousmane Sembene
|
| RELEASE DATE: |
Theatrical: October 15, 2004
|
| RUNNING TIME: |
124 minutes, Color |
| ORIGIN: |
Senegal / France |
| LANGUAGE(S): |
Jula / French (with English subtitles) |
Un Certain Regard Award and Prize of the Ecumenical Jury - Special Mention, 2004 Cannes Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
The New York Times
Dana Stevens
To skip Moolaade would be to miss an opportunity to experience the embracing, affirming, world-changing potential of humanist cinema at its finest.

100
Entertainment Weekly
Lisa Schwarzbaum
The result: This great work of art has the potential to change the world.

100
Christian Science Monitor
David Sterritt
This sometimes harrowing, often delightful drama stands with his (Sembène) most compassionate, colorful, and artfully filmed works.

100
Chicago Tribune
Michael Wilmington
A beautiful picture with a great heart, a classic-to-be with a common touch.

100
Washington Post
Desson Thomson
Moolaade, in short, is a movie to rock the soul.

100
Chicago Reader
Jonathan Rosenbaum
This is a masterwork by Ousmane Sembene, the 81-year-old father of African cinema and one of Senegal's greatest novelists.

100
Chicago Sun-Times
Roger Ebert
This was for me the best film at Cannes 2004, a story vibrating with urgency and life. It makes a powerful statement and at the same time contains humor, charm and astonishing visual beauty.

100
Boston Globe
Ty Burr
It's worth stressing how deeply pleasurable Moolaad is to watch.

100
Dallas Observer
Melissa Levine
It's not easy to pull off a good morality tale. That's why Moolaad, the new film from 81-year-old Senegalese writer-director Ousmane Sembene, feels like such an exceptional success. Its moral center is painfully clear, but so is its humanity.

100
Seattle Post-Intelligencer
Sean Axmaker
As empowering and triumphant a film as you'll see this or any year.

100
The Globe and Mail (Toronto)
Liam Lacey
Once in a rare while a film comes along that is boldly original, communicates an important idea in an elegantly simple fashion and happens to be highly entertaining. Such is the case with Moolaadé.

90
LA Weekly
Scott Foundas
Quite possibly the most buoyant, exuberant film ever made on such an unpleasant topic.

90
Los Angeles Times
Kevin Thomas
There's such a rich sense of the fullness of life in Moolaadé that it sustains those passages that are truly and necessarily harrowing.

90
The New Republic
Stanley Kauffmann
Sembène's love of his people and his commitment to the richness that underlies the poverty of their condition have always made his films gems of truth, as they do once again here.

90
Variety
Scott Foundas
This richly textured parable feels every inch the work of a master.

90
Village Voice
J. Hoberman
This has to be the most richly entertaining movie anyone has ever made on the subject of female genital mutilation.

88
ReelViews
James Berardinelli
Fatoumata Coulibaly's peformance is striking. She plays her character with a mixture of determination and compassion.

88
New York Daily News
Jami Bernard
It's a deceptively simple tale that tackles, serenely and with surprising humor, issues of gender, power, custom and change.

83
Portland Oregonian
Shawn Levy
Brilliantly colored and passionately acted, Moolaade teems with incidents, personalities and drama and is never less than vivid.

80
Empire
David Parkinson
Poetic, provocative and unstoppably powerful. But, depressingly, it probably won't change a thing.

80
TV Guide
Ken Fox
A marvelously entertaining, deeply moving treatment of a highly controversial practice: female genital mutilation.

75
New York Post
V.A. Musetto
A rousing indictment of a barbaric practice.

75
San Francisco Chronicle
Jonathan Curiel
Not always pleasant to watch.

70
The Onion (A.V. Club)
Keith Phipps
Though Moolaadé doesn't shy away from the task of educating its viewers about the brutality of "purification," it works equally well as a tribute to righteous defiance wherever it surfaces.

60
The Hollywood Reporter
Kirk Honeycutt
As drama the film mostly serves to illustrate the two sides of this crucial social debate in Africa.

40
Film Threat
Phil Hall
Achieves the impossible in taking a genuine socio-political tragedy and turning it into an anvil drama which will fray the patience of the most sympathetic audiences.


The average user rating for this movie is 7.9 (out of 10) based on 10 User Votes
Note: User votes are NOT included in the Metascore calculation.
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