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Stars indicate the most critically-acclaimed movies.

67
$9.99
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91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
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62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
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56
Girl from Monaco, The
56
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55
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54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Mother of Tears, The
Myriad Pictures and The Weinstein Company
 |
|
FILM:
MPAA RATING: Not Rated
Starring
Asia Argento,
Daria Nicolodi,
Coralina Cataldi-Tassoni,
Moran Atias,
Cristian Solimeno,
Adam James,
Philippe LeRoy, Valeria Cavalli,
and
Udo Kier
Mother of Tears is the finale to the saga that began with the international blockbuster Suspiria and continued with the classic INFERNO from Italian horror maestro Dario Argento. In the heart of modern Rome, an urn is found and brought to a young archaeologist, Sarah Mandy. But what Sarah doesn’t know is that the urn belongs to the world’s most powerful witch, the Mother of Tears. She unwittingly unleashes a demonic power intent on destroying the city and everything in its path. When the Mother’s minions and henchman brutally murder Sarah’s co-worker and come after her, she takes refuge with an old priest and discovers her legacy – that her own mother was murdered years before by the Mother of Tears, and that only Sarah has the power to end the destruction. She must find and stop the Mother, before it is too late. (Myriad Productions)
| GENRE(S): |
Drama
|
Fantasy
|
Horror
|
Suspense/Thriller
|
| WRITTEN BY: |
Simona Simonetti, Adam Gierasch
Walter Fasano
Jace Anderson
Dario Argento
|
| DIRECTED BY: |
Dario Argento
|
| RELEASE DATE: |
DVD: September 23, 2008
Theatrical: June 6, 2008
|
| RUNNING TIME: |
98 minutes, Color |
| ORIGIN: |
Italy | USA |
Alternative Title: La Terza Madre

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
90
The Hollywood Reporter
Richard James Havis
Witty to the point of hilarity, blood-soaked and thoroughly politically incorrect, Mother of Tears: The Third Mother follows 1970s cult classics "Suspiria" and "Inferno" to complete Argento's "Mother" trilogy.

90
The New York Times
Nathan Lee
The Mother of Tears is silly, awkward, vulgar, outlandish, hysterical, inventive, revolting, flamboyant, titillating, ridiculous, mischievous, uproarious, cheap, priceless, tasteless and sublime.

80
Variety
Dennis Harvey
This hectic pileup of supernatural nonsense is a treasure trove of seemingly unintentional hilarity. Although lacking helmer's usual aesthetic panache, this "Mother" is a cheesy, breathless future camp classic.

80
New York Magazine
David Edelstein
The first two thirds are gangbusters, with marauding bands of tarted-up young witches who look only slightly less scary than Lindsay Lohan and her pals on an average night.

80
Salon.com
Stephanie Zacharek
So unapologetically loopy and lush and ridiculous that I found it irresistible.

75
Philadelphia Inquirer
Steven Rea
A gloriously tacky horror movie with an inclination toward the occult, The Mother of Tears hails from the Italian schlockmeister Dario Argento, who photographs his Euro movie star daughter, Asia Argento, with something more than paternal pride.

75
Boston Globe
Wesley Morris
Argento set a standard a lot of moviemakers are desperate to surpass. It's not simply that he's crazy about gore and supernatural hokum. It's that he understands that storytelling is both an art and a craft. His filmmaking carries you along on the illusion of effortlessness; amusement, suspense, a certain elegance follow.

70
Los Angeles Times
Kevin Thomas
Although The Mother of Tears teeters on the preposterous and awkward, it is diverting and reveals that the filmmaker's signature bravura flourishes and use of sinister settings are still intact.

67
Entertainment Weekly
Owen Gleiberman
As a lissome art restorer, Asia Argento (the director's daughter) comes off as the sanest human on screen, which is pretty scary.

63
Chicago Tribune
Michael Phillips
Mother of Tears can't rival the David Lynchian otherworldliness of "Suspiria," but at least you know you're in the hands of a director.

50
Chicago Reader
J.R. Jones
Argento is admired for his voluptuous use of color and his operatic bloodletting; this is lovely to look at, if you can stand to.

42
The Onion (A.V. Club)
Scott Tobias
Compared to a recent Argento dud like "The Stendhal Syndrome," Mother Of Tears at least has some of the go-for-broke gothic spirit of his earlier work. He's just lost the ability to shape it into something artful.

38
TV Guide
Maitland McDonagh
A crude, artless bogey tale.

30
Village Voice
Jim Ridley
A once-great director's near-worst work passes through its funhouse plumbing and emerges from the crapper as intentional mischief: self-sabotage explained away as mad genius.

25
New York Post
V.A. Musetto
There is, of course, a maximum of blood and gore. Sometimes the director's ideas work; often they don't.

20
Washington Post
Ann Hornaday
This lurid celebration of shock, schlock and the shamelessly perverse finds the 67-year-old grandfather of torture porn scraping the bottom of his admittedly limited creative barrel.

20
New York Daily News
Joe Neumaier
At 67, maestro Argento's taste still runs toward bloody entrails and eye-gougings, but Asia's sexy sour-lemon smile is underused in his movies.

0
San Francisco Chronicle
Mick LaSalle
Aside from being vile and repellent, it's mainly dull - old-fashioned in its shock tactics and culminating in a ho-hum climax.


The average user rating for this movie is 8.0 (out of 10) based on 7 User Votes
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