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Stars indicate the most critically-acclaimed movies.

67
$9.99
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Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Mouth to Mouth
Artistic License
MPAA RATING: Not Rated
Starring
Ellen Page,
Beatrice Brown,
August Diehl,
Diana Greenwood,
PatrĂcia Guerreiro, Jefferson Guzman,
Maxwell McCabe Lokos,
Eric Thal,
and
Natasha Wightman
Sherry is searching for a place to belong where she can still be herself. She thinks she has found this in SPARK - Street People Armed with Radical Knowledge. She takes off in SPARK's camper van as they cross Europe recruiting a membership of the down and out. (Artistic License)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Alison Murray
|
| DIRECTED BY: |
Alison Murray
|
| RELEASE DATE: |
Theatrical: May 19, 2006
|
| RUNNING TIME: |
97 minutes, Color |
| ORIGIN: |
UK / Germany |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
70
LA Weekly
Ella Taylor
A rough but boldly imaginative first feature by British-Canadian writer-director Alison Murray.

67
Entertainment Weekly
Scott Brown
Writer-director Alison Murray picks at a hard, true hurt in this zombie melodrama of defloration, but nothing beyond that hurt really comes into focus.

63
TV Guide
Maitland McDonagh
Canadian-born choreographer Alison Murray draws on her own experiences as a 15-year-old runaway living in squats and on the streets, in her feature-filmmaking debut, which is a clear-eyed look at the pleasures and price of abandoning conventional mores for experimental lifestyles.

50
New York Post
Lou Lumenick
Filmmaker Alison Murray drew on her own experiences, but Mouth to Mouth would have benefited from more focus and fewer dance sequences.

50
New York Daily News
Elizabeth Weitzman
Like the homeless kids at its center, Alison Murray's feature debut is passionate, angry and suffering from a serious lack of discipline.

50
Variety
Dennis Harvey
Emerges an uneven, occasionally vivid, ultimately unsatisfactory treatment of themes that should've packed more punch.

50
Village Voice
Luke Y. Thompson
Murray's story has the no-holds-barred look and feel of a '70s movie, but her digressions into modern dance are a tad unwelcome.

40
Los Angeles Times
Mark Olsen
As the film progresses, however, Murray becomes less and less sure of where things are heading or what it is she is trying to get at, such that the last few reels feel perfunctory and unengaged.

30
The Hollywood Reporter
Frank Scheck
A grim little drama about a young woman's experiences with a left-wing cult, Alison Murray's debut feature suffers from disjointed storytelling and myriad other problems, including a bizarre reliance on modern dance sequences to interrupt the action.

30
The New York Times
Stephen Holden
The upbeat ending can't erase the lingering aura of being trapped in an insane asylum with the Manson family.


The average user rating for this movie is 9.5 (out of 10) based on 11 User Votes
Note: User votes are NOT included in the Metascore calculation.
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