Movies
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
Best / Worst of the Decade
Wide Releases
Now In Theaters
49
2012
41
Alvin and the Chipmunks: The Squeakquel
84
Avatar![]()
69
Bad Lieutenant: Port of Call New Orleans
53
Blind Side
53
Book of Eli, The
55
Christmas Carol, A
57
Daybreakers
43
Dear John
27
Did You Hear About the Morgans?
55
Edge of Darkness
45
Extraordinary Measures
83
Fantastic Mr. Fox![]()
42
From Paris with Love
65
Imaginarium of Doctor Parnassus, The
74
Invictus
57
It's Complicated
34
Law Abiding Citizen
33
Leap Year
33
Legion
42
Lovely Bones, The
54
Men Who Stare At Goats, The
34
Ninja Assassin
19
Old Dogs
xx
Percy Jackson & The Olympians: The Lightning Thief
39
Planet 51
79
Precious: Based on the Novel by Sapphire
73
Princess & the Frog, The
64
Road, The
57
Sherlock Holmes
27
Spy Next Door, The
36
Tooth Fairy
44
Twilight Saga: New Moon, The
83
Up in the Air![]()
xx
Valentine's Day
25
When in Rome
71
Where the Wild Things Are
xx
WolfMan, The
63
Youth in Revolt
Stars indicate the most critically-acclaimed movies.
Limited Releases
Now In Theaters
46
44 Inch Chest
83
Ajami![]()
73
Amreeka
xx
Barefoot to Timbuktu
19
Bitch Slap
24
Boondock Saints II: All Saints Day, The
76
Broken Embraces
64
Cloud 9
65
Coco Before Chanel
84
Cove, The![]()
84
Crazy Heart![]()
21
Crazy on the Outside
48
Creation
xx
Daddy Long Legs
81
Damned United, The![]()
68
Departures
62
District 13: Ultimatum
85
Education, An![]()
71
Eyes Wide Open
24
Falling Awake
81
Fish Tank![]()
56
For My Father
xx
From Mexico with Love
43
Frozen
68
Girl on the Train, The
52
Killing Kasztner
74
Last Station, The
43
Little Traitor, The
51
Loss of a Teardrop Diamond, The
73
Me and Orson Welles
76
Messenger, The
57
Missing Person, The
67
Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, The
xx
My Name is Khan
49
Nine
63
North Face
xx
October Country
67
Off and Running
52
Paranoids, The
49
Pop Star on Ice
49
Private Lives of Pippa Lee, The
xx
Promised Lands (Re-release)
69
Red Riding Trilogy, The
29
Saint John of Las Vegas
69
September Issue, The
36
Serious Moonlight
63
Shinjuku Incident, The
77
Single Man, A
xx
Still Bill
76
Terribly Happy
74
That Evening Sun
19
To Save a Life
68
Town Called Panic, A
59
Until the Light Takes Us
xx
Videocracy
65
Waiting for Armageddon
82
White Ribbon![]()
43
Women in Trouble
xx
Word is Out
64
Young Victoria, The
Stars indicate the most critically-acclaimed movies.
Munich
EMAILPRINTUniversal Pictures / DreamWorks Distribution LLC

Generally favorable reviews
Based on 39 critic reviews
How did we calculate this?
Based on 199 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama | Suspense/Thriller
Written by:
Tony Kushner
George Jonas (book Vengeance)
Directed by: Steven Spielberg
Release Date:
Theatrical: December 23, 2005
DVD: May 9, 2006
Running Time: 164 minutes, Color
Origin: USA
Summary
RATING: R for strong graphic violence, some sexual content, nudity and language
Starring Eric Bana, Daniel Craig, Geoffrey Rush, CiarĂ¡n Hinds, Hanns Zischler, and Mathieu Kassovitz
Steven Spielberg directs an international cast in Munich, a gripping suspense thriller set in the aftermath of the massacre of 11 Israeli athletes at the 1972 Munch Olympics. This dramatic exploration inspired by true events follows a secret Israeli squad assigned to track down and kill the 11 Palestinians suspected to have planned the Munich attack -- and the personal toll this mission of revenge takes on the team and the man who led it. (Universal Pictures)
Also On Metacritic
FILM: A.I. Artificial Intelligence Amistad Catch Me If You Can E.T. the Extra-Terrestrial Empire of the Sun Indiana Jones and the Kingdom of the Crystal Skull Indiana Jones and the Last Crusade Jaws Jurassic Park Minority Report Raiders of the Lost Ark Saving Private Ryan Schindler's List The Color Purple The Lost World: Jurassic Park The Terminal War of the Worlds
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Newsweek David Ansen
A superbly taut and well-made thriller that jumps from Geneva to Rome, from Paris to Beirut, from Athens to Brooklyn, each lethal assignment staged with a mastery Hitchcock might envy.
Read Full Review >Entertainment Weekly Owen Gleiberman
Munich, Steven Spielberg's spectacularly gripping and unsettling new movie, is a grave and haunted film, yet its power lies in its willingness to be a work of brutal excitement.
Read Full Review >New York Post Lou Lumenick
Masterful, atypically political - and flawlessly acted.
Read Full Review >ReelViews James Berardinelli
A film of uncommon depth, intelligence, and sensitivity.
Read Full Review >Premiere Glenn Kenny
This lengthy, nuance-filled story about how eye-for-an-eye stuff differs from theory to practice is one of the most considered, thoughtful, and involving movies of its kind.
Read Full Review >Slate David Edelstein
Munich is the most potent, the most vital, the best movie of the year.
Read Full Review >Chicago Sun-Times Roger Ebert
As a thriller, Munich is efficient, absorbing, effective. As an ethical argument, it is haunting.
Read Full Review >Empire Ian Nathan
This is Spielberg operating at his peak - an exceptionally made, provocative and vital film for our times.
Read Full Review >Seattle Post-Intelligencer William Arnold
Some will find the surprise pleasant, others unpleasant. Whatever it is, it's the least commercial, most somberly heartfelt movie ever made by the cinema's most commercially successful filmmaker.
Read Full Review >The Onion (A.V. Club) Scott Tobias
Breaking from the Spielberg oeuvre, Munich isn't a particularly hopeful movie, but it's a fair and morally dignified one.
Read Full Review >Los Angeles Times Kenneth Turan
Munich's even-handed cry for peace is not an act of equivocation but one of bravery. What Munich has to say, and its ability to say it to the widest possible audience, couldn't be more needed than it is right now.
Read Full Review >The Hollywood Reporter Kirk Honeycutt
A mesmerizing, richly nuanced inquiry into Israel's revenge of the Munich massacre of its athletes.
Read Full Review >Austin Chronicle Marc Savlov
For those who only recall Bana from his bland showing as Ang Lee's super-thyroidial meltdown monster, his performance here is a revelation.
Read Full Review >Boston Globe Ty Burr
The director can work wonders within his celluloid universe, but when the time comes to hand us back to reality, he stumbles. With this movie, that hurts.
Read Full Review >Philadelphia Inquirer Steven Rea
If Munich raises disturbing issues about Jewish-Arab relations, past and present - and how can it not? - it is also an absolutely riveting tale of the hunt and the hunted.
Read Full Review >USA Today Mike Clark
This is a smart and often tense work whose ultimate merit isn't completely calculable now.
Read Full Review >TV Guide Maitland McDonagh
The thorny heart of Steven Spielberg's sober, fact-based political thriller about Israeli retaliation for the murder of 11 Olympic athletes by Palestinian terrorists is the knowledge that vengeance is a self-perpetuating murder machine that drags successive generations into a mire of tit-for-tat bloodshed.
Read Full Review >The New York Times Manohla Dargis
More than anything, Munich is a slammin' entertainment filled with dazzling set pieces and geometric camerawork.
Read Full Review >Charlotte Observer Lawrence Toppman
Would you feel anxiety or remorse if you pulled the trigger on Osama bin Laden, however satisfying or even necessary it might be? Munich argues that finding him in our rifle sights would leave any of us a different person.
Read Full Review >Portland Oregonian Shawn Levy
With its protracted storytelling, its fuzzy philosophizing and its less-than-compelling leading man, it's far less gripping than the subject matter deserves.
Read Full Review >Christian Science Monitor Peter Rainer
As a piece of filmmaking, Munich is rarely less than gripping. As a political essay, as a brief against despair, it is far less convincing.
Read Full Review >San Francisco Chronicle Mick LaSalle
An unlovable movie. It's morally ambiguous, which means there's no real rooting interest. It's episodic, with the same kinds of episodes repeated over and over, so there's little sense of forward motion. It feels philosophically and politically confused, so there's no message to take from it.
Read Full Review >LA Weekly Ella Taylor
Munich is at best a muddled prayer for peace whose weakness stems not from its politics but from the misconception of its main character. Avner is not just a fictional character, but an absurdly improbable expression of Spielbergian schmaltz.
Read Full Review >Salon.com Stephanie Zacharek
Munich is both astonishing and frustrating. It's not easy to tell how much of the tone comes directly from Spielberg and how much comes from Kushner, who was called in to polish the script after Roth completed it.
Read Full Review >Film Threat Pete Vonder Haar
Even if it wasn't exactly historically accurate (the film is only "inspired by true events," after all), innocents are killed in the crossfire all the time when these kinds of missions are undertaken, and it's a cop-out for Spielberg to pretend otherwise.
Read Full Review >Wall Street Journal Joe Morgenstern
Munich is a Spielberg film for better and worse, a vivid, sometimes simplistic thriller in which action speaks louder than ideas.
Miami Herald Rene Rodriguez
It's a brutal, merciless, somber picture, utterly devoid of the heart-tugging sentimentality that always creeps into even his best films.
Read Full Review >New York Daily News Jack Mathews
The failure of a movie that is so good in so many ways leaves me to wonder if Spielberg is up to this kind of complex, multi-tasking story.
Read Full Review >Chicago Tribune Allison Benedikt
It's when Spielberg stops trying to think so hard that Munich works best. Though some of the assassination scenes feel a little too choreographed, more "West Side Story" than "Bourne Identity."
Read Full Review >Washington Post Stephen Hunter
It seems almost disrespectful to weave in a provocative re-creation of the killings -- somehow a massacre of unarmed innocents that shocked the world should be more than just fodder for ginning up the tension at the end of a commercial movie.
Read Full Review >Variety Todd McCarthy
Beautifully made pic will spur newsy media coverage and possible consternation on both sides of the Israeli-Palestinian divide, but members of the general public will be glancing at their watches rather than having epiphanies about world peace.
Read Full Review >The New Yorker Anthony Lane
If he had told the story straight, without such hedging, and at half the length, it would have borne far more conviction.
Read Full Review >The New Republic Stanley Kauffmann
I cannot remember a moment in this new film that compares, simply in directorial originality, to the work in "Schindler's List."
Read Full Review >The Globe and Mail (Toronto) Rick Groen
Bouncing about from one flawed movie to another, Steven Spielberg has lost his way of late, and Munich finds him more disoriented than ever.
Read Full Review >Village Voice J. Hoberman
The film is sluggish and repetitive, yet it exerts a certain clinical fascination.
Read Full Review >Chicago Reader Jonathan Rosenbaum
Munich may have value as an act of expiation but not as entertainment or art.
Read Full Review >Baltimore Sun Michael Sragow
Munich is so broad-stroke it cuts itself at every turn. It's also a thoroughly lifeless movie.
Read Full Review >Dallas Observer Robert Wilonsky
It's too turgid and redundant to have any real impact. As a thriller, it barely thrills; as a lecture, it has nothing new to say.
Read Full Review >What Our Users Said
The average user rating for this movie is 7.0 (out of 10) based on 199 User Votes
Note: User votes are NOT included in the Metascore calculation.
Colm B gave it a4:
Too long, shot in constant darkness and not something I'd recommend.
Sats S. gave it an8:
I really liked the movie, now i have a projects to do on the film techniques used in this movie, can anybody help me out?
T. M. gave it a4:
I recall that this film was nominated for best picture in the 2006 Oscar season. It was only nominated only because Spielberg can do no wrong in Hollywood, because this film is NOT best picture material at all. Repetitive, manipulative, overlong, hard to follow, muddled, unpleasant, sickening, and just not good at all. BTW, Lance (the person who loved the death scene of the female assassin), you are a real sicko. That was probably the most tasteless scene in a movie full of tasteless scenes. Did you revel in the image of her descrated body after the older guy pulled off the cover Eric Bana's character had draped over her? You have truly become desensitized by movies like this, if that's the case. Spielberg has lost it with this one.
Sean P. gave it a10:
I'm very surprised this film didn't even make it to the 80s, especially with all the 100s it got from critics. But just consider this: it's very rare for Beraldinelli, Ebert, EW, and Empire to ALL give the same film a perfect score (it's hard for Beraldinelli and Empire to give a 100, period). Just this fact alone managed to make me ignore the rest of the critics who brought the film down to 74, and I watched it in the theaters anyway (something i usually only reserve for 75+ films). And yes, I agreed with all those 100s. It's one of Spielberg's best films, and that's saying a lot. You just need to be patient with it, not like, say, Jurassic Park.
Brabara M. gave it a9:
Thought provoking. Attempts to show that there is more than one side to the Palestinian-Israeli conflict. For every Israeli explanation for the current violence there is an equally convincing Palestiniian explanation. What's fascinating is that the explanations are the same.
Lance gave it a5:
Not bad...not great. It was a little hard to follow at times. I did like the fact that Steven wanted to show the depth of the problem. Often the definition of terrorist depends upon the point of view of the name-caller. <***SPOILER***> The best death scene by far had to of been that of the female, Dutch assassin. How many times do you (a) see a female assassin and (b) see her get what's coming to her. Very cool.
Tregenza gave it a4:
This is not a film about Munich, its a film about Sept 11 and how should a civalised society response to terrorist attacks. Unforunently it spends too much time on school boy moralising over the rights or wrongs of assinations and yet misses a key moral point of the whole Munich story. The Isreali assasins killed an innocent man after mistaking him for a terrorist.
