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Stars indicate the most critically-acclaimed movies.

67
$9.99
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66
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Song of Sparrows, The
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Under Our Skin
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Unmistaken Child
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Valentino: The Last Emperor
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What Goes Up
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Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
My Kid Could Paint That
Sony Pictures Classics
 |
|
FILM:
MPAA RATING: PG-13 for language
Starring
Amir Bar-Lev,
Anthony Brunelli,
Elizabeth Cohen,
Michael Kimmelman,
Laura Olmstead,
Mark Olmstead,
and
Marla Olmstead
In the span of only a few months, 4-year-old Marla Olmstead rocketed from total obscurity into
international renown – and sold over $300,000 dollars worth of paintings. She was compared to
Kandinsky and Pollock, and called “a budding Picasso.” But not all of the attention was positive. From the beginning, many faulted her parents for exposing Marla to the glare of the media and accused the couple of exploiting their daughter for financial gain. Others felt her work was, in fact, comparable to the great Abstract Expressionists – but saw this as emblematic of the meaninglessness of Modern Art. And then, five months into Marla’s new life as a celebrity and just short of her fifth birthday, a bombshell dropped. CBS’ 60 Minutes aired an exposé suggesting strongly that the paintings were painted by her father, himself an amateur painter. As quickly as the public built Marla up, they tore her down. The Olmsteads were barraged with hate mail, ostracized around town, sales of the paintings dried up, and Marla’s art dealer considered moving out of Binghamton. Embattled, the Olmsteads turned to the filmmaker to clear their name. Torn between his own responsibility as a journalist and the family’s desire to see their integrity restored, the director finds himself drawn deeper and deeper into a situation that can’t possibly end well for him and them, and could easily end badly for both. (Sony Classics)
| GENRE(S): |
Documentary
|
| DIRECTED BY: |
Amir Bar-Lev
|
| RELEASE DATE: |
DVD: March 4, 2008
Theatrical: October 5, 2007
|
| RUNNING TIME: |
82 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Tribune
Michael Phillips
It is a wonder, marked by a sense of wondrous skepticism that has nothing to do with cynicism.

100
Seattle Post-Intelligencer
Sean Axmaker
It's a dissection of how the media found and fed and nurtured the story in their insatiable need for content to fill their news hours and talk shows, how it just as quickly turned on them and transformed the story from celebration to vilification, and how the public turned right along with them.

100
Christian Science Monitor
Peter Rainer
Amir Bar-Lev's documentary is fascinating on all kinds of levels: as a movie about the nature of art, the lure and pitfalls of celebrity, and the complicated conundrums of parenting.

91
Entertainment Weekly
Lisa Schwarzbaum
Amir Bar-Lev's engrossing film is as much about the stubborn ambiguities of art, truth, meaning, and relationships as it is about the authenticity of the Olmstead oeuvre.

91
The Onion (A.V. Club)
Noel Murray
When others can't see what parents see, there's an inescapable ache. As much as anything, My Kid Could Paint That is about that ache.

90
Film Threat
Sally Foster
Aside from being a captivating and highly interesting film, Bar-Lev's My Kid Could Paint That is also something extremely rare – a piece of honest journalism.

88
TV Guide
Maitland McDonagh
Bar-Lev also explores the freakish popular appeal of child prodigies, the family dynamics that come into play when a child's celebrity and earning capacity overshadows the adults', and the remarkably conflicted and contradictory admissions drawn from Brunelli about Marla's work.

88
Philadelphia Inquirer
Steven Rea
Features entertainingly brainy musings from New York Times art critic Michael Kimmelman, and comments from child psychologists, friends and Marla collectors.

83
Portland Oregonian
Shawn Levy
The result is a true conundrum: You can't say for sure if a scam is in play or if a genuine genius is being smeared. And the brilliance of the film is that it doesn't let you feel secure in choosing either side.

80
Dallas Observer
Robert Wilonsky
My Kid Could Paint That's about art—and it IS art, among the best documentaries ever made about that elusive process of manufacturing something out of nothing. But it's also a must-see for every single parent who believes their children are special, when all they want to be is your children.

80
Chicago Reader
J.R. Jones
The mystery has never been resolved, but to his credit Bar-Lev acknowledges that he himself has become part of the story, torn between sympathy and suspicion.

80
Empire
Will Lawrence
A highly engaging documentary that recounts a remarkable tale. Young Marla is clearly talented, but so too is her father…

75
Miami Herald
Connie Ogle
Documentary gold, and you will have formed an opinion on the controversy by the time you leave the theater. You may not know art, but you'll know what you like.

75
Baltimore Sun
Michael Sragow
Because Bar-Lev fails to go the extra mile either as a filmmaker or a friend, My Kid Could Paint That is at best "documentary silver."

75
San Francisco Chronicle
Kenneth Baker
No one emerges unpunished.

75
The Globe and Mail (Toronto)
Liam Lacey
The winner of this year's audience award for best documentary at Sundance has it all: heartless media, art fraud and a four-year-old painting prodigy.

75
Chicago Sun-Times
Roger Ebert
In the last analysis, I guess it all reduces to taste and instinct. Some paintings are good, says me, or says you, and some are bad. Some paintings could be painted by a child, some couldn't be.

75
New York Daily News
Elizabeth Weitzman
Everyone involved, from Marla's defensive parents to the cynical journalists who promoted and then turned on her, seems to have some sort of agenda.

70
Variety
Dennis Harvey
The popular human-interest story of a child prodigy becomes an engrossing meditation on truth, media exploitation and the value of art in My Kid Could Paint That.

70
Village Voice
Nathan Lee
What began as a human-interest story for filmmaker Amir Bar-Lev led down stranger paths than the Duchampian conundrums of modern art.

63
New York Post
Kyle Smith
Struggles to maintain a sober, evenhanded tone about an utterly ridiculous story.

60
The Hollywood Reporter
James Greenberg
The film and the controversy should generate interest at the boxoffice, but it's more a story about media manipulation and parental responsibility than art.

50
The New York Times
A.O. Scott
Mr. Bar-Lev has made an excellent documentary, but it would have been better if he had not made it at all.

50
Los Angeles Times
Kenneth Turan
The longer it goes, the more frustrating it becomes, as Bar Lev declines to come down on one side or the other.

40
Austin Chronicle
Marjorie Baumgarten
My conclusion is that exploitation of a child for the sake of one's career is a shameful act.


The average user rating for this movie is 8.1 (out of 10) based on 7 User Votes
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