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23
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34
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60
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46
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78
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66
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69
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58
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47
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66
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34
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33
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54
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67
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42
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28
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63
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86
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30
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24
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83
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33
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45
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55
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96
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35
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28
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88
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71
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67
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28
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Zombieland
Stars indicate the most critically-acclaimed movies.
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96
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72
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86
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70
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57
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45
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xx
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74
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49
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80
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28
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50
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25
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50
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58
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72
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89
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52
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64
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81
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xx
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63
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73
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xx
How to Seduce Difficult Women
74
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94
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29
I Hope They Serve Beer in Hell
16
If One Thing Matters: A Film About Wolfgang Tillmans
75
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83
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61
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42
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70
It Might Get Loud
46
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19
Labor Day
xx
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41
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41
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66
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34
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80
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83
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xx
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59
More Than a Game
67
Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, The
34
Motherhood
62
My One and Only
xx
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48
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73
Night and Day
66
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47
Ong Bak 2: The Beginning
34
Other Man, The
xx
Painter Sam Francis, The
54
Paper Heart
xx
Paradise
68
Paranormal Activity
68
Paris
44
Peter and Vandy
35
Play the Game
77
Precious: Based on the Novel by Sapphire
xx
Pretty Ugly People
65
Providence Effect, The
76
Rembrandt's J'accuse
69
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79
Serious Man, A
40
Shrink
61
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77
Skin Too Few: The Days of Nick Drake, A
xx
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46
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39
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89
Still Walking![]()
50
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55
Storm
65
Tetro
70
That Evening Sun
72
Thirst
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61
Trucker
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83
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66
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66
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70
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67
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69
We Live in Public
64
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64
Where is Where?
xx
White on Rice
74
Woman in Berlin, A
69
World's Greatest Dad
70
Yes Men Fix the World
69
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xx
You, the Living
Stars indicate the most critically-acclaimed movies.
Night Listener. The

Mixed or average reviews
Based on 31 critic reviews
How did we calculate this?
Based on 21 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama | Mystery | Suspense/Thriller
Written by:
Armistead Maupin (also novel)
Terry Anderson
Patrick Stettner
Directed by: Patrick Stettner
Release Date:
Theatrical: August 4, 2006
DVD: January 9, 2007
Running Time: 91 minutes, Color
Origin: USA
Summary
RATING: R for language and some disquieting sexual content
Starring Robin Williams, Toni Collette, Sandra Oh, Rory Culkin, John Cullum, Joe Morton, and Bobby Cannavale
This "thriller of the heart" is largely inspired by an extraordinary, unsettling true-life chain of events. (Miramax)
Also On Metacritic
FILM: The Business of Strangers
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
USA Today Claudia Puig
This unconventional psychological drama weaves a fascinating tale, and Collette and Williams give two of the summer's best performances.
Read Full Review >Empire David Hughes
A topical study of writers' deceptions, which also explores issues of identity and the blurred lines between fantasy and reality, The Night Listener is intriguing, thought-provoking and harrowing by turns, with fine central and supporting performances and a richly satisfying feel.
Read Full Review >Portland Oregonian M. E. Russell
A movie adapted from a novel inspired by a person who probably never existed.
Read Full Review >ReelViews James Berardinelli
The Night Listener is by no means an example of perfect filmmaking, but it is the kind of movie that stays with you.
Read Full Review >Chicago Tribune Michael Phillips
The pacing and staging of the later scenes could use a little more electricity and momentum, and a little less restraint. Yet The Night Listener keeps you watching. And listening.
Read Full Review >The Onion (A.V. Club) Keith Phipps
Williams delivers a solid, twinkle-free (though closed-off) performance, but the film as a whole can't decide what it wants to be.
Read Full Review >The Hollywood Reporter Kirk Honeycutt
Plays like an Alfred Hitchcock thriller but is nevertheless a movie of ideas. It bristles with intriguing thoughts about the realm of fiction, how one loves, issues of identity and questions concerning how one transfers a real-life incident into big-screen fiction. This is a film that can crawl inside your skin.
Read Full Review >Village Voice Jim Ridley
Even when the script overstates the obvious, Stettner mines every nuance of unease from the head games between Williams and the unnerving Collette, who embodies the moment passive aggression stops being passive.
Read Full Review >Austin Chronicle Marc Savlov
It's unlike anything else out now, and Williams, to his credit and our immense relief, has for the moment foresworn his usual giddiness in favor of a muted, hunched acting style that befits both the character of Noone and the overall tone of the film.
Read Full Review >Philadelphia Inquirer Steven Rea
The fundamental problem with The Night Listener is the manner in which the boy, Pete, is depicted. Rory Culkin gets the tricky job of bringing the role to life, and he does it well, but it's still a trick. Or is it?
Read Full Review >TV Guide Ken Fox
Where the hero of Maupin's novel learns some valuable lessons about love and faith, the film strikes a darker, even angry tone that's far more understandable and, in the end, far more convincing.
Read Full Review >Baltimore Sun Chris Kaltenbach
As a narrative, it has serious problems -- holes so gaping that they're all but unavoidable.
Read Full Review >Seattle Post-Intelligencer William Arnold
There's also a terrific performance from Collette, who, in only a handful of scenes, wonderfully communicates the unusual resourcefulness of a demented woman who has spent her life assuming a succession of physical handicaps as a survival technique.
Read Full Review >Salon.com Stephanie Zacharek
The experience of watching The Night Listener didn't make me feel "real" at all, only stuffed.
Read Full Review >Chicago Reader Jonathan Rosenbaum
The movie's suggestiveness gives way to a certain thinness and lassitude.
Read Full Review >The New York Times Dana Stevens
The film has its creepy, suspenseful moments -- but it shrinks a rich, strange story to the dimensions of an anecdote.
Read Full Review >New York Daily News Jack Mathews
Casting Williams in this thriller, adapted from Armistead Maupin's novel, was a bigger mistake than the actor's performance.
Read Full Review >Entertainment Weekly Gregory Kirschling
Is The Night Listener a wintry drama with a few schlocky jolts, or an underdone psychological thriller straining for some dramatic heft on the side? Hard to tell, but either way, the movie doesn't cohere.
Read Full Review >LA Weekly Ella Taylor
As a performer, Robin Williams has a wonderfully volatile range; as an actor, he commutes uneasily between over-sincere and over-sinister. Both modes are on full monochromatic display in this stolid noir thriller.
Read Full Review >Variety David Rooney
Aiming for unsettling atmosphere over character definition, the dawdling mystery thriller manages to flatten two protagonists that had far more depth in the novel.
Read Full Review >Boston Globe Wesley Morris
What makes the film such a guilty pleasure is how Williams's righteous self-pity is perfectly matched to Collette's nuttiness and despair.
Read Full Review >Charlotte Observer Lawrence Toppman
On their accounts (Williams/Collette), The Night Listener is compelling viewing-but on their accounts only.
Read Full Review >San Francisco Chronicle Mick LaSalle
A movie with lots of heart but no heartbeat.
Read Full Review >The Globe and Mail (Toronto) Stephen Cole
It should be a better, more authentic movie, considering that screenwriters Maupin and his ex-partner, Terry Anderson, are retelling parts of their own story here.
Read Full Review >Premiere Ethan Alter
Somehow the movie ends up feeling like a museum piece or, worse still, a work of fiction.
Read Full Review >Christian Science Monitor Peter Rainer
Something happens to Robin Williams in serious roles. He becomes so drab that it's almost as if he's trying to efface himself from the screen.
Read Full Review >Washington Post Desson Thomson
Aiming to blur the distinctions between truth and illusion, it simply blurs its own effectiveness by relying on predictable and not particularly convincing mystery-thriller formula.
Read Full Review >Film Threat Don R. Lewis
By the time the credits rolled I was bored rather than stunned by the revelations within the movie and I just want these type of reversal/twist movies to get better, or go away.
Read Full Review >New York Post Lou Lumenick
This Sundance dud is a turgid gay soap opera with a limp twist, showcasing Robin Williams at his maudlin worst.
Read Full Review >Wall Street Journal Joe Morgenstern
Depressed and depressing drama.
What Our Users Said
The average user rating for this movie is 4.4 (out of 10) based on 21 User Votes
Note: User votes are NOT included in the Metascore calculation.
Blake J. gave it a6:
Short enough to swallow. Toni Collette proves that she can act, and she does a fine job. Notice how I didn't say anything about any of the other actors, thats because there is nothing to say.
Jen K. gave it a4:
This was ok, but was very mundane and boring. I'm glad I got it at a redbox...1.08 is about all it's worth.
Cables gave it a6:
Not a bad movie. Very well acted. Unfortunately, it ends without any satisfaction. It's too short and not developed well enough.
Cary M. gave it a0:
This is one of the worst movies Robin Williams ever played in not only does this movie indulge in the gay lifes of two males. But there was no plot to this movie.
Kristian M. gave it a7:
I quite enjoyed this film because it is possibly something that could happen in the future. It doesn't rely on crappy computer effects or loud explosions and action scenes with a mega budget to tell it's story. No it is not a groundbreaking film you will watching in years ahead but enjoyable to watch anyway.
Vicki W. gave it a3:
I love Robin Williams' films, but this was extrememly dissappointed. I was expecting to enjoy the power of the old Hitchcock movies, but no way! It was over almost before it started! The ending was sorry and left me thinking, is that all there is? Take my advice, don't bother!
Dave D. gave it a5:
nothing more than average and not so impressive.
