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78
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72
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71
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71
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65
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64
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64
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64
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63
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62
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61
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60
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58
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57
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57
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54
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54
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53
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53
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51
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49
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49
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47
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47
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46
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45
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43
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42
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39
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37
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36
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36
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36
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36
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35
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35
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34
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34
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31
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27
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26
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24
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24
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23
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15
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15
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xx
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xx
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xx
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85
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84
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82
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81
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80
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80
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80
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80
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79
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78
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78
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77
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75
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75
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74
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74
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73
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73
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73
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72
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72
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72
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72
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71
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71
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71
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70
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67
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67
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67
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66
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66
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66
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65
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65
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64
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64
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64
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64
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63
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63
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63
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63
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63
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62
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62
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62
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62
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61
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61
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61
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61
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59
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58
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57
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57
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57
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57
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56
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56
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55
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55
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55
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55
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55
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55
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54
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54
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52
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49
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47
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46
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40
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39
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33
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31
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16
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xx
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xx
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Stars indicate the most critically-acclaimed movies.
|
No Man's Land
Metro-Goldwyn-Mayer Distributing Corporation
 |
|
MPAA RATING: R for violence and language
Starring
Branko Djuric,
Rene Bitorajac,
Filip Sovagovic,
Georges Siatidis,
Serge-Henri Valcke,
and
Sacha Kremer
Ciki and Nino, a Bosnian and a Serb, are soldiers stranded in No Man's Land -- a trench between enemy lines during the Bosnian war. They have no one to trust, no way to escape without getting shot, and a fellow soldier is lying on the trench floor with a spring-loaded bomb set to explode beneath him if he moves. The absurdity of their situation would be comical if it didn't have such dire consequences. (United Artists / MGM)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Danis Tanovic
|
| DIRECTED BY: |
Danis Tanovic
|
| RELEASE DATE: |
DVD: April 9, 2002
Video: April 9, 2002
Theatrical: December 7, 2001
|
| RUNNING TIME: |
97 minutes, Color |
| ORIGIN: |
Bosnia-Herzegovina / Slovenia / Italy / France / UK / Belgium |
| LANGUAGE(S): |
Bosnian (with English subtitles) |
Picked up an Oscar (2002) and a Golden Globe (2001) for Best Foreign Language Film. Also awarded for Best Screenplay, 2001 Cannes Film Festival.

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Baltimore Sun
Michael Sragow
No Man's Land is a 98-minute wonder: this story of three men in a trench renews the meaning of the word "trenchant."

100
Chicago Tribune
Michael Wilmington
In the remarkable, ferociously intelligent new film No Man's Land, Bosnian writer-director Danis Tanovic gives us a movie portrait of the Bosnian War, a conflict that has devastated his country, friends and neighbors -- and found in it both shocking humor and searing, relentless tragedy.

100
New York Post
Lou Lumenick
An absorbing, deeply affecting, well-acted --and remarkably evenhanded -- antiwar statement. It's also incredibly suspenseful and very blackly funny.

100
New Times (L.A.)
Jean Oppenheimer
Tanovic describes it as "a very serious film with a sense of humor." It is an apt description for a very remarkable film, one of the best of the year.

100
Portland Oregonian
Shawn Levy
Almost more valuable as a piece of foreign policy than as the highly accomplished work of cinema it is.

100
San Francisco Chronicle
Mick LaSalle
The film is exciting in two big ways: its simplicity of story (Tanovic does not get bogged down trying to give us an epic history) and the breadth of Tanovic's vision.

100
Los Angeles Times
Kenneth Turan
A savage comedy about the war in the former Yugoslavia that artfully mixes comic absurdism with a passion for what's right and a concern for the individuality of all concerned.

90
LA Weekly
Steven Mikulan
Tanovic steers his story away from feel-good brotherhood clichés and toward the darker reaches of human nature. The principal cast is excellent.

90
Wall Street Journal
Joe Morgenstern
A deeply serious and seriously hilarious fable of the lunacy of war.
90
Time
Richard Schickel
All the actors in No Man's Land are wonderfully alive, fractious and unpredictable. Their performances also help break down the schematics and turn this into an emotionally potent, powerfully thoughtful and finally tragic experience.
90
Rolling Stone
Peter Travers
Fierce, funny and finally devastating, Tanovic's superb film offers a timely look at the roots of civil war and acts of terrorism on both sides that can be exploited by political and media hypocrites alike.

88
Charlotte Observer
Lawrence Toppman
Begins and ends quietly, like stirrings of thunder from a distant storm. In between comes a tragedy that rolls over us like a compact hurricane.

88
Chicago Sun-Times
Roger Ebert
It's a bleakly funny parable that could be titled "Between Enemy Lines."

88
Miami Herald
Rene Rodriguez
A searing, heartbreaking metaphor for the futility of war.

88
Philadelphia Inquirer
Carrie Rickey
Like this diabolically designed weapon of war, Tanovic's film is coil-sprung to explode on the unsuspecting.

83
Entertainment Weekly
Lisa Schwarzbaum
It's a merciless and mirthlessly funny antiwar weapon from a filmmaker who has seen battle firsthand and has lived to make art from memories of hell.

80
Variety
Deborah Young
As a tyro auteur, Tanovich has a heavy-handed way of delineating characters and situations that makes this well-meaning film awfully familiar at times.

80
TV Guide
Ken Fox
Ends on a cruel, cynical note that would surely make Billy Wilder snort with approval.

80
Film Threat
Michael Dequina
While the audience has its laughs along the way, the violent tension of war often threatens to erupt, and slowly, subtly gathering force is the film's emotional weight, which is potently felt by the film's indelible (if not exactly unexpected) concluding image.

75
New York Daily News
Jami Bernard
Writer-director Danis Tanovic, a Bosnian who spent years documenting his homeland's turmoil, makes a bold feature-film debut with this funny, sobering message movie.

75
Boston Globe
Jay Carr
From beginning to end, it bristles with ironies in classic Eastern European absurdist style.
75
USA Today
Mike Clark
Land has a lot of funny moments, which are no less serious for being so, especially when the script turns politically prickly.

75
Christian Science Monitor
David Sterritt
Some of the film's points are made a bit too heavily, but the subject is as timely as it is timeless, and many of the performances strike a pitch-perfect balance between parody and passion.

70
The New York Times
Stephen Holden
One of the movie's dark running jokes is that everyone seems to speak a different language and has trouble communicating. The continual struggle of people to make themselves understood becomes a metaphor for the war itself.

70
Chicago Reader
Patrick Z. McGavin
while the war-as-insanity metaphor clearly fits the cruel, heartbreaking story, its force is undercut by a succession of character types -- ambitious television journalists, outmatched UN peacekeepers, overbearing politicians.

70
Washington Post
Stephen Hunter
You want a happy ending? You want sunshine, sentimentality, a sense of justice and honor and duty? Me too. But you won't find it here.

70
Village Voice
J. Hoberman
A mordant battlefield allegory with an absurdist edge.

67
Seattle Post-Intelligencer
William Arnold
Undeniably riveting.

60
Washington Post
Desson Thomson
A well-mounted, macabre seriocomedy with passing punchlines. And for about half the movie, it's compelling stuff.


The average user rating for this movie is 8.5 (out of 10) based on 26 User Votes
Note: User votes are NOT included in the Metascore calculation.
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