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Notorious Bettie Page, The
Generally favorable reviews
Based on 38 critic reviews
How did we calculate this?
Based on 8 votes
Read user comments
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Movie Info
Genre(s): Drama
Written by:
Mary Harron
Guinevere Turner
Directed by: Mary Harron
Release Date:
Theatrical: April 14, 2006
DVD: September 26, 2006
Running Time: 100 minutes, B/W / Color
Origin: USA
Summary
RATING: R for nudity, sexual content and some language
Starring Gretchen Mol, Chris Bauer, Lili Taylor, Jared Harris, Jonathan M. Woodward, Sarah Paulson, David Strathairn, and Cara Seymour
A provocative exploration of sexuality, religion and pop culture, The Notorious Bettie Page takes us into the 1950s and the fascinating world of famous pin-up girl, Bettie Page. (Picturehouse)
Also On Metacritic
FILM: American Psycho I Shot Andy Warhol
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Chicago Sun-Times Roger Ebert
Gretchen Mol is finally the key to the mysterious appeal of the film, to its sweetness and sadness.
Read Full Review >Entertainment Weekly Owen Gleiberman
The movie, in a sense, is just like Bettie's photos: all glorious surface. The Notorious Bettie Page captures, with seductive finesse, how Bettie Page happened, yet what it leaves us with is the tantalizing enigma of a girl who couldn't truly be ''bad'' because she made sex divinely delicious.
Read Full Review >Salon.com Stephanie Zacharek
A picture that's fully open to some pretty rough truths. But it's also a joyful, heartfelt movie, one that speaks to the openness and vitality we see in Bettie's pictures.
Read Full Review >Dallas Observer Jim Ridley
Neither a mock-heroic cockeyed success story like "Ed Wood" nor a "Walk the Line"-style hagiography, Mary Harron's facile but hugely entertaining black-and-white biopic seems most interested in its subject--a studious southern girl who became the world's most celebrated fetish pinup--as an object.
Read Full Review >Chicago Tribune Allison Benedikt
It's a joy to see so many cheerful and contented characters on screen, especially on a screen that looks this good.
Read Full Review >Rolling Stone Peter Travers
Harron needed just the right actress to play Bettie. And she lucked out big time. Gretchen Mol (The Shape of Things) is hot stuff in every sense of the term. She delivers the first performance by an actress this year that deserves serious Oscar consideration.
Read Full Review >Baltimore Sun Michael Sragow
This movie will be remembered not for the notorious Bettie Page but for its showcase of the burgeoning Gretchen Mol.
Read Full Review >ReelViews James Berardinelli
The film takes a little time to explore the political landscape of the time, and features an Oscar-worthy lead performance.
Read Full Review >New York Daily News Jack Mathews
The playfulness evident in the hundreds of bondage photos that made a pious young Tennessee model semi-famous in the 1950s and an 82-year-old legend today is also the driving force of Mary Harron's superb The Notorious Bettie Page.
Read Full Review >The Onion (A.V. Club) Keith Phipps
Mol nails it, in a performance that should earn her a comeback on a Heath Ledger-like scale.
Read Full Review >San Francisco Chronicle Mick LaSalle
Floats on the charm and the labors of its lead actress, Gretchen Mol, who single-handedly makes the picture worth seeing.
Read Full Review >The New York Times Manohla Dargis
Principally a work of gorgeous surfaces, shot mostly in silvery black-and-white film by the cinematographer Mott Hupfel, with an occasional splash of saturated color.
Read Full Review >New York Magazine David Edelstein
Its tone is semi-parodic, with lurid black-and-white cinematography and brassy, tongue-in-cheek music. But Harron stops well short of camp.
Read Full Review >The New Yorker David Denby
A lightweight retelling of Page's life, a sketch, really, which doesn't probe very deeply into Page's bizarre mixture of exhibitionism and piety. But some scenes that might have been borderline exploitation, or just corny…turn out to be ineffably beautiful.
Read Full Review >The New Republic Stanley Kauffmann
Harron's work here is unclear in its theme or purpose. Was she showing how a woman managed to find a woman's way to success in a man's world? Was Harron interested in Page's delusion about what she was doing? Or did she want to scoff implicitly at the customers who made Page's career possible? We are left wondering.
Read Full Review >Slate Troy Patterson
Harron, working from a script she wrote with Guinevere Turner, doesn't solve the inherent problems of that narrative, but she evades them quite elegantly. She's made a poem instead of a biopic, an ode to intuition, iconography, seamed stockings, and star power.
Read Full Review >Time Richard Schickel
This cheeky movie does not impose heavy-duty meaning on Page's life and times. It just lets us draw our own ambiguous conclusions about what she did. It is the better, the more enticing, for so doing.
Read Full Review >Washington Post Stephen Hunter
Director Mary Harron may have more courage than talent -- and she's got a lot of talent. It's too bad Bettie's story isn't more dramatic.
Read Full Review >Chicago Reader Jonathan Rosenbaum
The notion that Page, like Marilyn Monroe, was too ditzy to know what she was doing is more a mythological construct than an observation.
Read Full Review >Austin Chronicle Marc Savlov
It's less cheesecake than angel-food: frothy, light, and delicious, sure, but two hours later you're ready for something slightly more substantive.
Read Full Review >Seattle Post-Intelligencer Paula Nechak
Who was Bettie Page? You won't find out in Mary Harron's chirpily cheery chronicle.
Read Full Review >Christian Science Monitor Peter Rainer
Gretchen Mol is unrelentingly charming in the role and she almost - almost - makes you believe that someone as unclouded as this could actually exist. This film would go well on a double bill with "The Stepford Wives."
Read Full Review >The Globe and Mail (Toronto) Liam Lacey
Anyone expecting another dark satiric film in the same vein of Harron's earlier movies will be disappointed. Perhaps as befits a bondage-themed picture, The Notorious Bettie Page is very restrained, even a little starchy.
Read Full Review >TV Guide Maitland McDonagh
An oddly lifeless affair, though Gretchen Mol's sunny performance almost hauls it out of its doldrums.
Read Full Review >USA Today Claudia Puig
Because we are left with so many questions, the film emerges as emotionally lacking and flat when it should be moving, or at least enlightening.
Read Full Review >Miami Herald Rene Rodriguez
The script, which Harron co-wrote with Guinevere Turner, presents a disappointingly superficial portrait of Page as a person.
Read Full Review >Boston Globe Ty Burr
It's a handsome, often funny piece of work with a nearly fatal inability to settle on a tone.
Read Full Review >Philadelphia Inquirer Carrie Rickey
In the odd, and oddly compelling, biopic The Notorious Bettie Page, Gretchen Mol is a delight as the saucy brunette.
Read Full Review >Empire Olly Richards
A small, strangely sweet tale well told. But this is all about Mol, who puts in a performance that gives her a very early lead on next year's Oscar race.
Read Full Review >Film Threat Matthew Sorrento
Without much help from a weak script, and barely in need of some carefully tuned cinematography, Mol fuels so much of the film that a handful of lackluster elements seem to work.
Read Full Review >The Hollywood Reporter Michael Rechtshaffen
While Gretchen Mol delivers a delightfully exuberant lead performance, the film itself seldom goes beyond skin deep.
Read Full Review >Portland Oregonian Shawn Levy
A feature film has to be more than just an interesting theme; it needs something that constitutes drama -- conflict, journey, adventure, what have you. The Notorious Bettie Page is a perfect example of a film that has a subject but no story.
Read Full Review >Variety Todd McCarthy
A superficial look at the '50s sex icon, picture feels like it was researched via press clippings rather than attempting a fresh rethinking of its era and provocative subject.
Read Full Review >Village Voice J. Hoberman
Not for nothing is this movie opening on Good Friday. It can be as boring as church. There's no snake in Bettie's Eden and no narrative to Harron's movie. It's more of an altar piece: Our Lady of the Garter Belt, the Fastidious Bettie Page.
Read Full Review >Los Angeles Times Kenneth Turan
Harron has said she was determined to be nonjudgmental about Page, to do justice to the woman's "mystery and ambiguity." In practice, however, that attitude plays as coldness, and Page, for all her remarkable zest, comes off as a not terribly interesting person we're given no incentive to become involved with.
Read Full Review >LA Weekly Ella Taylor
While it's true that most of us make our way through life without a plan, the studied arbitrariness of Page's accommodating ramble from Hicksville to Smutsville doesn't make for thrilling cinema.
Read Full Review >Wall Street Journal Joe Morgenstern
In spite of the film's surface allure -- no, not the leather, the period evocation -- and a fine performance by Gretchen Mol in the title role, Bettie is in bondage to a shallow, black-and-white script.
New York Post Lou Lumenick
Disappointingly skin-deep and almost shockingly wholesome, Mary Harron's The Notorious Bettie Page lives up to neither its title nor its advertising slogan, "the pin-up sensation that shocked the nation."
Read Full Review >What Our Users Said
The average user rating for this movie is 7.6 (out of 10) based on 8 User Votes
Note: User votes are NOT included in the Metascore calculation.
Hal B. gave it an8:
An unexpected delight. A quirky little black & white film that transports us back into the 30s, 40s and 50s. This is essentially a character study of one of the more fascinating individuals to come out of the 20th century, and it serves as an indictment of our still-repressed culture. Mol's performance is not to be missed. Can you say "Wow!"?
Chad S. gave it an8:
Bettie Page(Gretchen Mol) was every man's fantasy, and that's where the filmmaker keeps her, on the pages of a magazine and in scratchy 8mm film. We never see her having sex with anybody. That's a very nice touch, and "The Notorious Bettie Page" is a very nice film. No movie since Wim Wenders' "Wings of Desire" uses both black and white and color photography so judiciously. Black and white does New York justice, as color does the same for a Miami holiday. "The Notorious Bettie Page" is essentially a film about pornography, albeit the period this film captures is an industry still in its infancy, still largely underground. In a bravura sequence, a home movie of the "pornographers" and their models begins innocently enough with fun and games(badminton and croquet); then out comes the rope, and a woman is tied to a tree(more fun and games; bondage), as Peggy Lee sings about "a good day" over the soundtrack. It's interesting to juxtapose this moment with the testimony of a man, later in the film, who blames Bettie's peoplec(the Klaws, Chris Bauer and Lili Taylor) for the unexpected termination of a life. Did Bettie really sin? Is pornography, or even the existence of the female form, harmful? The latter, a question as old as Christianity itself when pertaining to "art". After her career, the pin-up queen is saved, but "you gotta sin to be saved". Bettie professes guilt over career in "modeling", band yet at the moment of their creation, she doesn't look at all guilty, in neither the nude nor the bondage sessions. I can't tell if this aspect of the filmmaker's storytelling is a little muddled, or that the intent is to keep Page on the enigmatic side, with fond remembrance. Mol is awesome.
Dave M. gave it a10:
The tone of the movie is flawless. Fun to watch. It makes you wish that life could be that simple.
Chad Shiira gave it an8:
Bettie Page (Gretchen Mol) was every man's fantasy, and that's where the filmmaker keeps her, on the pages of a magazine and in scratchy 8mm film. We never see her having sex with anybody. That's a very nice touch, and "The Notorious Bettie Page" is a very nice film. No movie since Wim Wenders' "Wings of Desire" uses both black and white and color photography so judiciously. Black and white does New York justice, as color does the same for a Miami holiday. "The Notorious Bettie Page" is essentially a film about pornography, albeit the period this film captures is an industry still in its infancy, still largely underground. In a bravura sequence, a home movie of the "pornographers" and their models begins innocently enough with fun and games(badminton and croquet); then out comes the rope, and a woman is tied to a tree(more fun and games; bondage), as Peggy Lee sings about "a good day" over the soundtrack. It's interesting to juxtapose this moment with the testimony of a man, later in the film, who blames Bettie's people(the Klaws, Chris Bauer and Lili Taylor) for the unexpected termination of a life. Did Bettie really sin? Is pornography, or even the existence of the female form, harmful? The latter, a question as old as Christianity itself when pertaining to "art". After her career, the pin-up queen is saved, but "you gotta sin to be saved". Bettie professes guilt over career in "modeling", band yet at the moment of their creation, she doesn't look at all guilty, in neither the nude nor the bondage sessions. I can't tell if this aspect of the filmmaker's storytelling is a little muddled, or that the intent is to keep Page on the enigmatic side, with fond remembrance. Mol is awesome.
Christopher J. gave it a9:
Gretchen Mol proves here that she is, or soon will be, a superstar.
Marcus G. gave it a4:
Boring, superificial, and disappointingly lacking.
