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O Brother, Where Art Thou?
Buena Vista Pictures

O Brother, Where Art Thou? reviews
Critic Score
Metascore: 69 Metascore out of 100
User Score  
8.5 out of 10
based on 30 reviews
Read critic reviews
How did we calculate this?
based on 72 votes
Read user comments
Rate this movie

MPAA RATING: PG-13 for some violence and language

Starring George Clooney, John Turturro, Tim Blake Nelson, Charles Durning, John Goodman, Michael Badalucco, and Holly Hunter

A trio of escaped prisoners (Clooney, Nelson, Turturro) embarks on the adventure of a lifetime as they set out to pursue their freedom and the promise of sharing in the division of a fortune in buried treasure. (Touchstone Pictures)


GENRE(S): Musical  
WRITTEN BY: Ethan Coen
Joel Coen
Homer (poem The Odyssey)
 
DIRECTED BY: Joel Coen  
RELEASE DATE: DVD: June 12, 2001 
Video: June 12, 2001 
Theatrical: December 22, 2000 
RUNNING TIME: 106 minutes, Color 
ORIGIN: USA 

Received two 2001 Oscar nominations: Best Adapted Screenplay and Best Cinematography. George Clooney also picked up a Golden Globe for his starring role.

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Rolling Stone Peter Travers
It's a wild, whacked-out wonder. Coenheads rejoice.
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100
Chicago Tribune Michael Wilmington
A wildly original movie with astonishingly varied moods and influences.
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90
Washington Post Stephen Hunter
It's a new new thing, classic myth from both literature and the movies, commingled, set to great folk music, and untrammeled by any sense of predictability, urgency, realism or believability but hypnotic, graceful and seductive.
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90
The New York Times Dana Stevens
It is, all in all, a rambunctious and inspired ride in which the Coen brothers' voracious fascination with the arcana of American popular culture and their whiz-kid inventiveness reach new heights of whimsy.
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90
Dallas Observer Robert Wilonsky
Clooney has become a movie star, and the Coens have given him his very own "It Happened One Night." The man, and the movie, are downright bona fide.
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90
Salon.com Charles Taylor
From moment to moment, O Brother, Where Art Thou? is a pleasure. But when the Coens are really cooking, when the acting and the conception and the music all come together, it's something more -- Dogpatch rapture.
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88
Philadelphia Inquirer Steven Rea
Devilishly delightful.
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80
New York Magazine Peter Rainer
This time around, though, the Coens' usual arch deliberateness isn't quite as deliberate, and there's an appealing shagginess to some of the episodes and performances.... This is the Coen brothers' most emotionally felt movie, and that's not meant as faint praise.
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80
Variety Todd McCarthy
A charming, if lightweight, Coen brothers escapade flecked by plenty of visual and performance grace notes.
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80
Time Richard Corliss
Toss in enough gorgeous bluegrass music to make the movie's CD a must-have, and you have prime, picaresque entertainment.
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80
Film.com Robert Horton
All I can say is this particular excursion into screwball madness is often heavenly, and frankly leaves critical explication somewhat unnecessary. Go see it and laugh.
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80
Washington Post Desson Thomson
As a Coen brothers fan I hate to say this, but the movie's a collection of great bits and pieces rather than a complete work.
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80
Film.com Sean Means
The risk pays off for Clooney and the Coens, as O Brother, Where Art Thou? is a nicely off-kilter exploration of American gumption.
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80
Los Angeles Times Kenneth Turan
Enlivening things to an unprecedented extent, the songs turn O Brother into perhaps the warmest production in the Coens' repertoire.
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78
Austin Chronicle Marc Savlov
A remarkable film. From its performances on down to director of photography Roger Deakins' sun-baked, dirty-ochre cinematography, the film is all of a piece.
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75
San Francisco Chronicle Edward Guthmann
Joyously unhinged and outrageously inventive.
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75
Boston Globe Jay Carr
A clever and satisfyingly abundant entertainment.
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75
New York Post Jonathan Foreman
The film is worth seeing for George Clooney's performance. More than ever he seems like a Clark Gable for our time.
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64
Mr. Showbiz Michael Atkinson
For all its originality, O Brother doesn't seem to have a point, or enough spark to distract us from the lack thereof.
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63
Chicago Sun-Times Roger Ebert
O Brother contains sequences that are wonderful in themselves--lovely short films--but the movie never really shapes itself into a whole.
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63
Baltimore Sun Chris Kaltenbach
While it displays its share of quirky charm, off-kilter characters and outlandish situations, this is really the first film where you can feel the Coens straining to keep up with themselves.
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63
New York Daily News Jack Mathews
Not quite as funny as it wants to be. Mostly, it's just silly. But as always, the Coens are entertaining themselves first.and their quirky individuality has served them and their fans well so far.
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63
USA Today Mike Clark
Of all unlikely possibilities, the team has finally made a movie that, for them, is on the tepid side.
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60
Village Voice J. Hoberman
The art direction is impeccable, but this is a pop-up book that I was impatient to slam.
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60
TV Guide Maitland McDonagh
Often clever but fundamentally shallow, this shaggy-dog story is greatly enriched by its extraordinary bluegrass soundtrack, supervised by T Bone Burnett and performed by a phenomenal collection of artists.
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50
Christian Science Monitor David Sterritt
For all its ambitions, though, the Coens' odyssey is a scattershot affair with too many tricks and twists for its own good.
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50
Miami Herald Rene Rodriguez
Remains naggingly hollow, a cerebral exercise in whimsy that isn't nearly clever or funny enough to seem like more than grand self-indulgence.
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20
Chicago Reader Jonathan Rosenbaum
After making their two best features to date, "Fargo" and "The Big Lebowski," the Coen brothers have surely come up with their worst.
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12
Charlotte Observer Lawrence Toppman
Whenever the music subsides and the characters speak the Coens' lines, the film turns back into mush.
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0
Entertainment Weekly Owen Gleiberman
Why would filmmakers with this much talent work this hard to thumb their noses at everything they put on screen?
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What Our Users Said

Vote Now!The average user rating for this movie is 8.5 (out of 10) based on 72 User Votes
Note: User votes are NOT included in the Metascore calculation.

christopher gave it a1:
"O Brother" is less a nostalgic screwball comedy than a highly contrived satire which emphasises the cruelty and absurdity of human existence. One may find the wanton slaughter of cows, superficially sexualized Sirens, satanic black side kick, mocked/idealized villains, commercial contemporary take on folk music, incidental ties to Greek tragedy, and general aimlessness (tied together with a cute little literal string) to be light-hearted fun, but to see it as repugnant is an equally appropriate reaction. This is a story of selfishness and stupidity signifying nothing. The characters live in a beautiful world and have zero appreciation for it. This is exemplified by the slick, soulless direction and obvious, ugly digitized cinematography. "O Brother" can be called nihilistic and smug with perfect reason because, for all it creativity and polish, it is an intentionally aloft meditation on negativity and cynicism. At least "Days of Heaven" seems to have some sense of appreciation for atmosphere and environment even as it utilizes Depression era elements. Nihilism can be overtly expressed or implied, and "O Brother" wears it less like a badge than like a favorite pair of dirty socks kept in some high drawer, right next to a baby skull paper weight for a pornographic magazine. Sometimes laughter is a sign of sickness. JAFO (just another ****ing opinion) for what it is worth. Cheers.

damon s gave it a9:
This movie was amazing and it was one of my favorite of all time. My favorite scene was the one on the KKK. I liked it because they were trashing the KKK. When they cut the cord for the burning cross that was just hilarious.

Quinn Q gave it a6:
It was an alright movie. The best part was the old governor guy dancing that made me chuckle, and the criminal crying about his nickname. Oh and the part where that Big Dan guy hit Delmarr and Evertt on the head with a huge branch.

Jared C gave it a10:
The writing, directing, and producing team of Joel Coen and Ethan Coen created this picaresque comedy (inspired in part by Homer's The Odyssey) set in the Deep South during the Depression. Suave and fancy-talking Everett Ulysses McGill (George Clooney), dim-witted Delmar (Tim Blake Nelson), and easily-excitable Pete (John Turturro) are serving time together on a prison chain gang. Everett knows where $1.2 million is hidden that's theirs for the taking, and the three manage to escape; however, a stranger soon warns them that they'll find treasure, but not the sort they're looking for. As Everett and his partners hit the road, they happen upon a gluttonous bible salesman, Big Dan Teague (John Goodman); meet up with Baby Face Nelson (Michael Badalucco) as he robs a bank; encounter three Sirens doing their washing; run into Everett's estranged wife Penny (Holly Hunter), who has told everyone her husband was killed in a train wreck; find themselves in the middle of a heated campaign between political boss Pappy O'Daniel (Charles Durning), and reformist candidate Homer Stokes (Wayne Duvall); and even find time to make a hit record as The Soggy Bottom Boys. Noted songwriter T-Bone Burnett helped compile the songs (combining vintage country blues tunes with originals in the same style), while Carter Burwell composed the background score. Incidentally, the title O Brother, Where Art Thou? is a reference to the classic Preston Sturges comedy Sullivan's Travels, in which a director plans to make a serious "message picture" with that name. O Brother, Where Art Thou? is the number one motion picture of the year, and has all the hip and jazz to almost reach the standards of The Good, The Bad, and the Ugly.

Big Red gave it a10:
This is one of my favorite movies of all time. The wacky characters, the plot twists, the dialogue, the music, the look and feel of it all. Each scene is a joy to watch. Every actor and actress manages to create personalities that are just plain fun to watch. Any critic that rates “Clerks 2” and “You, Me and Dupree” better than “O Brother, Where Art Thou?” should be fired. Don’t rent this movie; buy it because you’ll want to watch it more than once or twice.

Jared B. gave it a10:
This is one of the greatest comedy films I have ever seen. The acting is simply brilliant. This is due, in part, to some very clever writing. Kudos go out to George Clooney, Tim Blake Nelson, and John Turturro for their portrayals of the southern version of the Three Stooges. The music was awesome.

Max M. gave it a10:
This is a great movie! It's not just the comedy thats great, its the astounding broad appeal of the movie that was actually captured in this film. Everyone that I know of, regardless of age, can manage to love this movie. Also, the entire films, in the artistic view of being able to portray the time period (the backdrops, the people of the time, etc. etc..), is unrivaled! Also, the dialogue of this movie is amazing - from the intellectual and witty Everett with company of the constantly dumbfounded and comedic Delmar to the always-stubborn and hard-headed Pete. Truly amazing. "I don't mean to be tellin' tales out of school, but there's a man in there that'll pay ya 15 bucks to sing into his can." The innocence in this character... Perfect.

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