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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
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Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
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Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
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Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
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Surveillance
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Tennessee
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Tetro
64
Throw Down Your Heart
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Tokyo Sonata
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Tokyo!
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Tony Manero
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Treeless Mountain
88
Tulpan
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Two Lovers
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Tyson
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U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Omen, The
Twentieth Century Fox Film Corporation
FILM:
MPAA RATING: R for disturbing violent content, graphic images and some language
Starring
Liev Schreiber,
Julia Stiles,
Mia Farrow,
David Thewlis,
Michael Gambon,
and
Pete Postlethwaite
Director John Moore's remake of Richard Donner's 1976 horror classic.
| GENRE(S): |
Horror
|
Suspense/Thriller
|
| WRITTEN BY: |
David Seltzer
|
| DIRECTED BY: |
John Moore
|
| RELEASE DATE: |
DVD: October 17, 2006
Theatrical: June 6, 2006
|
| RUNNING TIME: |
110 minutes, Color |
| ORIGIN: |
USA |
Also known as "The Omen 666"

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
Chicago Sun-Times
Roger Ebert
A faithful remake of the 1976 film, and that's a relief; it depends on characters and situations and doesn't go berserk with visuals.

75
New York Post
Kyle Smith
Director John Moore has added some creepy visuals and assembled an unusually strong cast for a horror flick.

70
Washington Post
Stephen Hunter
The remake is directed by another slickster, the Irishman John Moore, who is no deep thinker (as his "Behind Enemy Lines" confirmed) but, like Donner, he's an able hack -- smooth, stylish, clever, soulless and a hoot. And so's his damned movie. And it is damned.

63
Charlotte Observer
Lawrence Toppman
The casting is weaker this time. Watching Peck crumble under fear and doubt was like seeing a skyscraper implode; Schreiber's more of a whipped puppy for most of the film.

63
Philadelphia Inquirer
Carrie Rickey
The Omen remake is creepily efficient. Unlike one of the newfangled horrorfests, it doesn't drown you in brackish atmosphere and surround-sound you with techno music.

63
TV Guide
Maitland McDonagh
There are no surprises for anyone who's seen the earlier version, and younger horror fans may find the modest body count and restrained gore unsatisfying.

60
Film Threat
Pete Vonder Haar
Seriously, that kid is creepy as hell.

60
Los Angeles Times
Carina Chocano
Despite slick camera work by Jonathan Sela and intense, naturalistic performances by Liev Schreiber and Julia Stiles, The Omen retains the aura of ceremonious kitsch of the first movie, favoring a well-lighted, upscale Goth aesthetic punctuated with flashes of well-timed, cymbal-crashing shockers and giggly camp.

60
Empire
Adam Smith
Competently made, and enjoyably played. But you do really end up wondering what the point was. Cinematic déjà vu is the most likely response.

60
Variety
Brian Lowry
Will a movie that scared the bejezus out of moviegoers 30 years ago pack the necessary wallop and carnage to satisfy fans of blood-soaked modern horror? The answer is a qualified yes.

58
Baltimore Sun
Chris Kaltenbach
Besides offering the giddy pleasure of seeing Mia Farrow play a demonic nanny, there's not much to the film that a repeat viewing of its earlier incarnation couldn't provide.

50
USA Today
Claudia Puig
The devil has a new spawn, but this one is not nearly as creepy as its progenitor.

50
New York Daily News
Jack Mathews
Rent the original. It tells exactly the same story, with a better cast and with special effects that are as good or better.

50
Newsweek
Devin Gordon
At least in the new Omen, the filmmakers have the sense to keep evil Damien's dialogue to a minimum. His villainy is all in the dimples. But is it too familiar to be scary anymore?

50
San Francisco Chronicle
Peter Hartlaub
The remake is a solidly crafted movie with a lot of good scares, but it also raises the question: Why even bother with an update?

50
Village Voice
Jordan Harper
If the movie didn't take itself so seriously, it could have been a great popcorn muncher. As is, it'll still work fine for those willing to forgive its trespasses.

50
Christian Science Monitor
Peter Rainer
This is one of those movies that profits from very low expectations. If you go in expecting something dreadful, be assured: It's only near dreadful.

50
Miami Herald
Peter Debruge
In a move reminiscent of Gus Van Sant's "Psycho," some shots are lifted directly from the original and much of the screenplay is identical.

50
Portland Oregonian
M. E. Russell
Transplanting so much of the original story to a 21st-century setting only amplifies how badly the story has aged.

50
Chicago Reader
J.R. Jones
This new version is an almost scene-for-scene remake, which is good news in the first half and bad news in the torpid second.

42
Entertainment Weekly
Owen Gleiberman
There's one moment that achieves the camp shiver of the original, when Damien's nanny hangs herself at his birthday party (''Damien, it's all for you!'').

42
The Onion (A.V. Club)
Nathan Rabin
Pretty much everyone in the cast is wildly overqualified, including Pete Postlethwaite and David Thewlis in key supporting roles.

42
Seattle Post-Intelligencer
William Arnold
New director John Moore just doesn't have original director Richard Donner's filmmaking flair, so the same scenes done the same way on phony-looking Prague locations without the benefit of Jerry Goldsmith's Oscar-winning score just seem terminally slow and flat.

40
Dallas Observer
Jordan Harper
There's a fascinating movie buried inside this story, but it's not the one the filmmakers decided to make. This Omen is simply too big for its britches.

40
New York Magazine
David Edelstein
Yet another remake no one needs is The Omen.

40
The Hollywood Reporter
Frank Scheck
The release date is the most original thing about it.

40
LA Weekly
Scott Foundas
The actors sleepwalk through their roles (save for Rosemary herself, Mia Farrow, chewing the scenery with termitelike gusto as the boy's satanic protector), while Moore, who previously directed "Behind Enemy Lines" and the "Flight of the Phoenix" remake, seems completely at a loss without any planes to crash.

40
Austin Chronicle
Marc Savlov
Utterly pointless remake.

38
Chicago Tribune
Michael Phillips
Schreiber and Stiles are good actors, and they're actually acting, if not to any actual avail. In the silliest recasting, a comically exaggerated Mia Farrow takes over for steely Billie Whitelaw in the evil nanny role.

38
ReelViews
James Berardinelli
Fans of the original will end up doing shot-by-shot comparisons. On every level, The Omen isn't just bad filmmaking, it's bad storytelling.

30
The New York Times
Stephen Holden
Terminally glum and waterlogged.

25
Boston Globe
Wesley Morris
It's a terrible sign for a movie when the sole reason for its existence is a satanic opening date.

25
The Globe and Mail (Toronto)
Liam Lacey
Compared to Al Gore's new global-warming documentary, "An Inconvenient Truth," The Omen makes the Apocalypse look comforting and child-friendly.

25
Rolling Stone
Peter Travers
Not since Gus Van Sant inexplicably directed a shot-by-shot remake of Hitchcock's "Psycho" has a thriller been copied with so little point or impact.


The average user rating for this movie is 5.6 (out of 10) based on 60 User Votes
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