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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Party Monster
Strand Releasing
FILM:
MPAA RATING: Not Rated
Starring
Macaulay Culkin,
Seth Green,
Chloƫ Sevigny,
Natasha Lyonne,
Justin Hagan,
Wilson Cruz,
Wilmer Valderrama, Dylan McDermott,
and
Marilyn Manson
Based on the book "Disco Bloodbath" and the 1998 documentary "Party Monster," this film focuses on the relationship between two Midwestern kids who move to New York to re-invent themselves in the late 1980's.
| GENRE(S): |
Suspense/Thriller
|
| WRITTEN BY: |
Fenton Bailey
Randy Barbato
James St. James (book Disco Bloodbath)
|
| DIRECTED BY: |
Fenton Bailey
Randy Barbato
|
| RELEASE DATE: |
DVD:
Video: February 10, 2004
Theatrical: September 5, 2003
|
| RUNNING TIME: |
98 minutes, Color |
| ORIGIN: |
USA / Netherlands |
Nominated, Grand Jury Prize (Dramatic), 2003 Sundance Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
80
Los Angeles Times
Kevin Thomas
For all its decadence, it moves effectively from outrageous camp humor to stark pathos and in the process manages to be oddly touching. As for Culkin, he succeeds as an adult actor in completely unexpected ways.

75
Entertainment Weekly
Owen Gleiberman
As stagy and awkward as some of the Warhol/Morrissey films of the early '70s.

75
Chicago Sun-Times
Roger Ebert
Culkin plays Alig as clueless to the end, living so firmly in his fantasy world that nothing can penetrate his chirpy persona. Whether this is accurate--whether indeed any of the facts in the film are accurate--is not for me to say, but it works.

70
TV Guide
Maitland McDonagh
Culkin's Alig has the face of a debauched cherub, but the former child star never quite captures the charisma everyone swears was an essential component in Alig's success. Green's St. James steals the picture out from under him (poetic justice of a sort), and the supporting cast is nothing short of amazing.

70
Dallas Observer
David Ehrenstein
Emotionally distressing yet compulsively watchable,

60
Film Threat
D.W. Smith
Overall, I have to recommend the film for its alternate take on the whole "Leaving Las Vegas," "Basketball Diaries," "Less Than Zero" drug-induced tragedy genre.

58
Seattle Post-Intelligencer
Sean Axmaker
Taking on the sneeringly blase Alig may be a cagey career move for Culkin, but it's a disappointingly thin performance.

50
The Globe and Mail (Toronto)
Liam Lacey
Alig's superficiality seems to have been his only talent. His banality is a problem that the film can't overcome.

50
Portland Oregonian
Kim Morgan
So what is the picture saying? With its uneven tone, flat direction (on bad-looking digital video) and varied performances, very little.

50
The New York Times
Dana Stevens
His (Culkin's) performance is earnest and brave, but also mannered when it should be un-self-conscious, and awkward when grace is called for.

50
Christian Science Monitor
David Sterritt
The plot is sordid and predictable -- indiscriminate nightclubbing leads to escalating drugs, promiscuity, and violence. Things perk up cinematically in the last few scenes, but by then it's almost too late.

50
San Francisco Chronicle
Peter Hartlaub
Most moviegoers will have trouble looking past Culkin the actor, who does a decent job of sending up youthful fame in a movie that's barely worth the effort.

50
Newsweek
David Ansen
There isn't an ounce of genuine affection on display. Fenton and Barbato already made a documentary of the same title about Alig, and their fascination with this vapid, charmless pied piper of decadence remains a mystery.

50
Premiere
Glenn Kenny
Better than I expected but still not entirely convincing. As a cautionary tale for demimonde-sters, though, it has its useful points--never argue about money while you're in a K-hole, that sort of thing.

40
Chicago Reader
Jonathan Rosenbaum
If this were witty, it might have qualified as a downtown version of "All About Eve"; if it were believable, I wouldn't have come away feeling that the actors (including Dylan McDermott and Chloe Sevigny) were wasted.

40
Variety
Dennis Harvey
A colorful, lurid and ultimately so-what look at obnoxious personalities careening down their own road to ruin.

40
Village Voice
Laura Sinagra
Party never gets rolling.

38
Chicago Tribune
Mark Caro
In the end you don't believe what you're watching, and you don't care. This party is a drag.

38
New York Post
Lou Lumenick
Devotes most of its energy to its costumes and makeup, which are fabulous. But that and a tabloid-worthy star just aren't enough to revisit this sordid tale as a kind of twisted comedy.

30
The Onion (A.V. Club)
Nathan Rabin
The film's only real bright spot is Seth Green, who, as Culkin's sidekick, brings Party Monster a droll wit it otherwise lacks. It's such a dreary mess that when Culkin insists that life in prison isn't too different from being a club kid, it's all too easy to believe him.

30
Washington Post
Michael O'Sullivan
The psychologizing in Party Monster never goes deeper than what you might get out of Dr. Phil on a bad day.

25
New York Daily News
Jami Bernard
Macaulay Culkin still can't act, and it's no longer cute. His performance in Party Monster is so embarrassing one doesn't know where to look.

25
Rolling Stone
Peter Travers
Feels fake, forced and indigestible.

25
Boston Globe
Ty Burr
"Prison isn't all that different from a nightclub,'' comments Alig toward the end. Funny; this movie isn't all that different from prison.

20
Wall Street Journal
Joanne Kaufman
The distance between tawdry and tedious can be amazingly short. It is traveled with Concorde speed in the arch Party Monster.

20
LA Weekly
Ernest Hardy
There's really only one reason to see Party Monster, and that's Seth Green's scene-stealing performance as former (and somewhat reluctant) New York club kid James St. James, the boy who would be queen.

20
Washington Post
Ann Hornaday
The wanton fabulistas of Party Monster are as boring and insignificant as the very "normals and drearies" they so contemptuously deride.

20
Austin Chronicle
Marc Savlov
A colorful mess, all style and substances and little else.

10
Salon.com
Charles Taylor
Unwatchable.


The average user rating for this movie is 7.7 (out of 10) based on 21 User Votes
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