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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Patriot, The
Sony Pictures Entertainment
FILM:
MPAA RATING: R for strong war violence
Starring
Mel Gibson,
Heath Ledger,
Joely Richardson,
Jason Isaacs,
Chris Cooper,
Tom Wilkinson,
and
Donal Logue
In this story of the American Revolution, Gibson plays a pacifist turned warrior. Gibson joins his son (Ledger) in a bitter and personal battle for independence after experiencing the iron fist of a cold-blooded British officer.
| GENRE(S): |
War
|
| WRITTEN BY: |
Robert Rodat
|
| DIRECTED BY: |
Roland Emmerich
|
| RELEASE DATE: |
DVD: October 24, 2000
Video: October 24, 2000
Theatrical: June 28, 2000
|
| RUNNING TIME: |
164 minutes, Color |
| ORIGIN: |
USA |
Received three 2001 Oscar nominations, including Best Cinematography.

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
90
Salon.com
Andrew O'Hehir
This bloody celebration finally gives the American Revolution the epic it deserves.

90
Rolling Stone
Peter Travers
A thunderous spectacle.
80
Time
Richard Schickel
It has everything you want in an epic: sweep, scope, wild reversals of fortune and plenty of bold, basic emotions.

80
Dallas Observer
Luke Y. Thompson
Sentimental, overbearing, flag-waving--and a crowd-pleaser.

80
Chicago Reader
Lisa Alspector
Doesn't try too hard to be anything other than a vicarious experience that makes you crave the satisfaction you know you'll get when the hero gets his revenge.

75
Philadelphia Inquirer
Desmond Ryan
If Emmerich had any sense, he would have ceded the direction of the battle scenes to his star.

75
USA Today
Mike Clark
Emmerich might have had a masterpiece, but he'll have to settle for what comes close to being a must-see movie today.

75
Boston Globe
Jay Carr
It's often corny, but it's never boring, and it'll sweep you up in its momentum if you give it a chance.

75
Charlotte Observer
Lawrence Toppman
The best movie I've seen about the Revolutionary War.

75
Chicago Sun-Times
Roger Ebert
It is rousing and entertaining, and you get your money's worth.

75
Miami Herald
Rene Rodriguez
It's big, exciting, ambitious, and it makes you cry in all the right places.

75
Christian Science Monitor
David Sterritt
What might have been a treat for history buffs and a refresher course for the rest of us turns into just another occasion to watch Gibson shoot guns, swing tomahawks, and wreak other kinds of havoc on enemies we've been primed to hate.

75
Seattle Post-Intelligencer
William Arnold
Has a flag-waving dumbness at its core.

70
Newsweek
David Ansen
There's no denying that Emmerich's film, though a good half hour too long, keeps us watching.

70
Variety
Todd McCarthy
Has some emotional pull and isn't stuffy and dull.

70
TNT RoughCut
J. Rentilly
Only so much (pop)cornball tubthumping, a sweeping, occasionally stirring, always gorgeous bit of action-figure history.

70
Washington Post
Desson Thomson
Mostly, the movie is riveting, well-done fare -- the stuff of Hollywood epic adventure.

70
Slate
David Edelstein
It's depressing that this first movie in years to dramatize the American Revolution has so little to do with the politics of secession and so much to do with pop-culture themes of vigilantism.

67
Austin Chronicle
Marjorie Baumgarten
"We, the people" have never been big fans of movies about the American Revolutionary War. The Patriot, however, appears to be the movie that will break that historical jinx.

67
Entertainment Weekly
Owen Gleiberman
It's a death-wish revenge thriller posing as a lavishly pastoral historical epic.

63
Chicago Tribune
Michael Wilmington
As a whole, though, the movie is much less magnetic or believable than its star.

63
New York Daily News
Jack Mathews
Far from the smart historical epic some might have expected, is just another feisty summer shoot-'em-up.

63
New York Post
Jonathan Foreman
While the film contains some terrific, realistically bloody battle scenes, it has a distinctly Germanic feel, both in its epic heaviness and in the peculiar way it revises the history of the American Revolution.

60
Film.com
Robert Horton
Gibson's performance is robbed of his customary humor, and he flounders around in search of the character's core.

60
LA Weekly
Ella Taylor
Patriot reflects on nothing, except perhaps that the American Revolution was a golden opportunity for Mel Gibson to go postal.

60
The New York Times
A.O. Scott
Shamelessly stirring, brandishing Mr. Gibson's anguished masculinity like a musket. It may be effective, but you leave the theater feeling used.

50
Portland Oregonian
Bob Thomas
Seems likely to stir rebuttal from historians, especially those on the other side of the pond.

50
San Francisco Examiner
Wesley Morris
The Patriot makes the Revolutionary War look like super-produced studio footage of the L.A. riots.

50
Village Voice
J. Hoberman
A movie of cornball sentiment, humorously anachronistic dialogue, and expensive Colonial Williamsburg sets.

50
San Francisco Chronicle
Mick LaSalle
The film is long, empty and bogus.

50
Film.com
Sean Means
Trots out more flag-waving wartime cliches than any movie since John Wayne's "The Alamo."

50
Los Angeles Times
Kenneth Turan
Does benefit from Gibson's charisma...Whether it is quite good enough is another question.

50
TV Guide
Maitland McDonagh
Undeniably handsome..., but no cliché is left unturned, right down to the spray of toy soldiers falling from the hand of a dead child. Everything old isn't new again.

44
Mr. Showbiz
Michael Atkinson
Whatever extraordinary ingredients are necessary to fashion a 1776 home run, this movie doesn't have them.

38
Baltimore Sun
Ann Hornaday
Overblown sanctimony and sentimentalism as corny as the Fourth of July.


The average user rating for this movie is 6.4 (out of 10) based on 23 User Votes
Note: User votes are NOT included in the Metascore calculation.
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