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Perfume: The Story of a Murderer
DreamWorks SKG

Perfume: The Story of a Murderer reviews
Critic Score
Metascore: 56 Metascore out of 100
User Score  
7.0 out of 10
based on 30 reviews
Read critic reviews
How did we calculate this?
based on 42 votes
Read user comments
Rate this movie

MPAA RATING: R for aberrant behavior involving nudity, violence, sexuality, and disturbing images

Starring Ben Whishaw, Dustin Hoffman, Alan Rickman, Rachel Hurd-Wood, and John Hurt

Based on Patrick Suskind's best-selling novel, Perfume: The Story of a Murderer is set in Paris and revolves around an eccentric 18th century murderer with an extraordinary sense of smell.


GENRE(S): Crime  |  Drama  |  Foreign  |  Suspense/Thriller  
WRITTEN BY: Andrew Birkin
Bernd Eichinger
Tom Tykwer
Patrick Süskind (novel Das Parfum)
 
DIRECTED BY: Tom Tykwer  
RELEASE DATE: DVD: July 24, 2007 
Theatrical: December 29, 2006 
RUNNING TIME: 147 minutes, Color 
ORIGIN: Germany / France / Spain 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Chicago Sun-Times Roger Ebert
This is a dark, dark, dark film, focused on an obsession so complete and lonely it shuts out all other human experience. You may not savor it, but you will not stop watching it, in horror and fascination.
Read Full Review
88
Charlotte Observer Lawrence Toppman
Most horror movies try to show us the man inside the monster, so we'll empathize with his moral dilemmas or feel his suffering. Perfume: The Story of a Murderer shows us a man who is all monster, whose colossal amorality makes him a potential Messiah or menace to humanity.
Read Full Review
83
Portland Oregonian Marc Mohan
Whishaw's oddly charismatic performance makes the despicable Grenouille into an almost sympathetic antihero. The rather astonishing finale will likely have audiences either howling in derision or ardently dissecting afterward. And it must have given the bluenoses at the MPAA fits.
Read Full Review
83
Seattle Post-Intelligencer William Arnold
The film is downright repulsive in places, and otherwise pushes the envelope for an art film, but it's a dazzling piece of filmmaking that wins us over with its boldness and artistry.
Read Full Review
80
Empire Dan Jolin
The odd conclusion renders it somewhat oblique, but Perfume is a feast for the senses.
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80
Film Threat Rick Kisonak
Tykwer makes of all this murder and madness a concoction of improbable beauty and rare artistry. "Perfume" is not just the finest film of his career but easily one of the past year's most accomplished.
Read Full Review
75
Miami Herald Rene Rodriguez
It is to director Tykwer's credit that, although you never come close to understanding Jean-Baptiste, you don't turn your nose up at him, either.
Read Full Review
75
Premiere Ethan Alter
Perfume is sure to annoy as many moviegoers as it entertains, but at least even the naysayers would find it difficult to argue that film is nothing if not a departure from the ordinary.
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75
New York Daily News Jack Mathews
This is a crazy, gorgeous, disturbing, darkly comic horror story about an early-18th-century Frenchman born in a Paris fish market without any odor of his own but with a sense of smell that would make a pack of bloodhounds wail with envy.
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75
New York Post Lou Lumenick
Perfume: The Story of a Murderer, crosses over from thriller into magic realism for a lavishly staged climax that's a bit much.
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75
Entertainment Weekly Lisa Schwarzbaum
Perfume misses some of the subtler base notes of Süskind's creepier, more self-aware original, but Whishaw and Tykwer blend the movie into something quite heady in its own bottle.
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70
The Hollywood Reporter Bernard Besserglik
Long regarded as unfilmable, Patrick Suskind's 1985 novel "Perfume" has finally reached the screen in a blockbuster production that succeeds reasonably well in achieving what many said was beyond the scope of cinema: conveying the world of scent and smell.
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70
Variety Derek Elley
The seductive, sensory prose of Patrick Suskind's bestseller, "Perfume," reaches the screen with loads of visual panache but only intermittent magic.
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70
Salon.com Andrew O'Hehir
A memorable and outrageous movie, but one more likely to be remembered as a massive folly than a whopping success.
Read Full Review
63
ReelViews James Berardinelli
Deeply flawed though it may be, Perfume is a challenging motion picture, and one whose impressions are not easily shaken.
Read Full Review
63
TV Guide Maitland McDonagh
The film, though admirably ambitious, is resolutely earthbound, mired in ick and slime and never more wooden than in the delirious climax.
Read Full Review
63
Boston Globe Ty Burr
Perfume is a pitch-black period epic of squalor and enterprise.
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60
Village Voice Ed Halter
It's a noble experiment in pushing the limits of cinema, but Tykwer never achieves true profundity.
Read Full Review
58
The Onion (A.V. Club) Nathan Rabin
Perfume is ultimately an unmistakable failure, but there's a strange majesty to its epic overreaching. It can be faulted for many things, but not for lacking the courage of its convictions.
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50
Wall Street Journal Joe Morgenstern
Weaves a sensual spell of extraordinary delicacy, then sustains it -- up to a point.
50
Chicago Reader Jonathan Rosenbaum
Director Tom Tykwer (Run Lola Run) and cowriters Andrew Birkin and Bernd Eichinger preserve some of the novel's storytelling flair, and Dustin Hoffman does a swell turn as the antihero's Italian mentor. But despite a fairly spectacular climax, the material's generic limitations eventually catch up with the plot.
Read Full Review
50
Chicago Tribune Michael Phillips
By the time Perfume arrives at its ridiculous mass orgy, staged at the gallows where Grenouille is supposed to meet his end, you really would rather see him meet his end than endure a ridiculous mass orgy.
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50
Washington Post Desson Thomson
It's simultaneously arty, arcane and nasty.
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50
The Globe and Mail (Toronto) Jennie Punter
While Tom Tykwer's lavish and lively screen adaptation of Perfume: The Story of a Murderer is certainly not a stinker, there is something decidedly off about it.
Read Full Review
50
Philadelphia Inquirer Carrie Rickey
There are sniff movies and there are snuff movies, but Perfume: The Story of a Murderer is both. It has the bouquet of balm and blood. Imagine "Fragrance of the Lambs."
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40
Austin Chronicle Marc Savlov
Tykwer's camera can assault the audience with the rankest of imagery, but not even once does it come close to distilling the actual aroma of the abattoir that was 18th-century France. And for that, I suppose, we should all be thankful.
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40
Los Angeles Times Carina Chocano
What's missing is less a sense of the protagonist's inner nose (which is very well-trammeled) as a sense of his inner life, motivation or desire.
Read Full Review
30
The New York Times A.O. Scott
Try as it might to be refined and provocative, Perfume: The Story of a Murderer never rises above the pedestrian creepiness of its conceit.
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25
San Francisco Chronicle Mick LaSalle
This isn't pleasant to watch. Neither is it amusing, intellectually engaging, whimsically fascinating, coldly satirical or painfully poignant, though at any given moment in this erratic film director Tom Tykwer might be trying for one of these conflicting tones.
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25
Baltimore Sun Michael Sragow
Perfume offers eau de crud.
Read Full Review

What Our Users Said

Vote Now!The average user rating for this movie is 7.0 (out of 10) based on 42 User Votes
Note: User votes are NOT included in the Metascore calculation.

John E. gave it an8:
First I'd like to say that Nanifaye P. is an idiot and only an idiot would rationalize this movie by comparing it to Iraq and insulting the hard work and sacrifices of our soldiers and our country. It's unfortunate that my review will likely be edited before posting (if posted at all) since it's not PC at the moment to insult other reviewers, but sadly on the other hand, it is quite fashionable to trash anything and everyone that has anything to do with Iraq without a shred of logic to one's insane accusations. On a separate note, the movie was great with a very original storyline coupled with excellent acting and directing. Oh and to answer your question Nanifaye P., what's horrific is that you seem to believe every last bit of nonsense you hear and have the gusto to regurgitate it in something as apolitical as a movie review about perfume. Quite frankly, I'm not quite sure who's sicker, the main character of the movie, or you.

Pat A. gave it a3:
It is clear that the director of this movie had a fair-sized budget to work with. It is too bad that it is one of the dumbest stories I have ever wasted two hours on. Save your money; do not rent this movie!

Nancy H. gave it a9:
Truly disturbing in a dark way--like road kill, can't take your eyes off the movie. Beautifully shot, and the story has you screaming in parts. What is most frightening is that the main character is devoid of any feeling--he looks at humans as experiments to feed his obsession. It's one of those movies that has you thinking about it for a few days.

Michael D. gave it a2:
I have nothing positive to say about this movie. The acting is terrible, the plot is nonsensical, and the subject matter is creepy.

NaniFaye P. gave it an8:
First really original plot I have seen in a long time. The trailers made it look like a horror/thriller movie, but I thought it was neither. It was a beautiful portrait of a lost human. He was trying to bottle love, because he had none in himself. Sometimes hated like a devil, sometimes worshiped as a god, but empty inside. It was not offensive to my eyes or my tastes, because the murders were done in such a way that the imagery was beautiful, not horrific. There was nothing frightening or scary about his actions, because they were done for what he saw as a higher cause. I mean, come on, we kill innocent people in Iraq so we can have their oil - tell me if that's not horrific.

Alfonso D gave it an8:
Ben Whishaw plays the main character Jean-Baptiste with such amazing realism that I was truly captivated with his story. The story was an amusing one from start to finish. It did fail to provide me the ending I felt it deserved. I did feel good enough about it to recommend it to my friends. I do feel that Ben Whishaw could one day be nominated for an Oscar if he keeps aligning himself in the right rolls.

Karima A. gave it a10:
Fascinating movie both on the dramatic and technical levels.

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