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Prairie Home Companion, A

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Prairie Home Companion, A reviews
75
6.1 User Score:

Generally favorable reviews

Based on 38 critic reviews
How did we calculate this?

Based on 89 votes
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Movie Info

Genre(s): Comedy  |  Musical

Written by: Garrison Keillor (also radio program A Prairie Home Companion)

Directed by: Robert Altman

Release Date:
Theatrical: June 9, 2006
DVD: October 10, 2006

Running Time: 105 minutes, Color

Origin: USA

Summary

RATING: PG-13 for risque humor

Starring Woody Harrelson, Tommy Lee Jones, Garrison Keillor, Kevin Kline, Lindsay Lohan, Virginia Madsen,, John C. Reilly, Maya Rudolph, Meryl Streep, Lily Tomlin, Marylouise Burke, and L.Q. Jones

Director Robert Altman and writer Garrison Keillor join forces with an all-star cast to create a comic backstage fable, A Prairie Home Companion, about a fictitious radio variety show that has managed to survive in the age of television. (Picturehouse)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Chicago Sun-Times Roger Ebert

What a lovely film this is, so gentle and whimsical, so simple and profound.

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100

Baltimore Sun Michael Sragow

A down-home-exquisite musical dramedy.

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90

Film Threat Don R. Lewis

The songs in the film are a blast and John C. Reilly and Woody Harrelson share one of the funniest singing moments onscreen ever.

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90

Wall Street Journal Joe Morgenstern

Both magical and consistently joyous. The director, Robert Altman, and the writer, Garrison Keillor, have, against all odds, transmuted the fatigued public radio institution into a lovely fable about mortality, fleeting fame, fondness for the past and the ineffable beauty of life in the present.

90

The Hollywood Reporter Kirk Honeycutt

Not since Woody Allen's "Radio Days" has anyone created such a cinematic Valentine to the wonderfully imaginative medium of radio as A Prairie Home Companion.

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90

Variety Todd McCarthy

Rib-ticklingly funny at times and genial as all get-out.

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90

New York Magazine David Edelstein

Sometimes you forget how great an actor is, then he or she is reborn in an Altman movie.

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90

Village Voice Rob Nelson

Keillor's modest subservience to Altman's group dynamic feels downright gallant, and in the context of the veteran director's most humanistic movie by a wide margin, it certainly has its rewards.

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90

The New York Times Dana Stevens

It's not a perfect movie, and it does not aspire to be a great one. It's just wonderful.

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89

Austin Chronicle Marjorie Baumgarten

At the age of 81, Altman may show signs of mellowing, but he again emerges as a master filmmaker.

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88

Rolling Stone Peter Travers

Take a swig of this moonshine. There's magic in it.

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88

Premiere Glenn Kenny

As for this film's esteemed director, I don't remember getting such sheer pleasure out of an Altman movie since . . . hmm, lemme look at the filmo . . . hmm—"The Player"? Not so much . . . "O.C. and Stiggs"? I wish . . . Um, "Popeye"? More likely, but . . . Ah-"A Wedding." Yeah, that’s it, "A Wedding." Whoa. That was, like, almost 30 years ago.

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88

The Globe and Mail (Toronto) Rick Groen

A meditation on death that has you humming to the melody and laughing at the joke -- it's an elegiac picture that refuses to eulogize.

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83

The Onion (A.V. Club) Nathan Rabin

Altman and Keillor's A Prairie Home Companion is fittingly both a celebration and a winning example of the joys of collaboration.

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83

Christian Science Monitor Peter Rainer

Streep and Tomlin are so attuned to each other that it's as if they had worked together all of their lives. In fact, it's their first time. Streep has become a wonderfully soulful comedian; Tomlin always was one.

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83

Entertainment Weekly Owen Gleiberman

What sustains the film is the performers' belief in their shaggy-dog selves, which is more than just talent - it's faith.

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80

LA Weekly Ella Taylor

For a film about death and endings, A Prairie Home Companion is a cracking good time - a warm, golden bauble within which to shelter, like the radio show that inspired it, from the misery and ennui that engulf us in and out of the multiplex.

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80

Slate Michael Agger

With a theatrical setting, a large ensemble cast, and musical numbers, Altman and his crew are in their own tailored version of heaven.

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75

Boston Globe Wesley Morris

Kline's combination of pratfalls and urbanity is funny, but it rubs against the rest of the movie's effortless rustic charm. He's like Errol Flynn on a hayride.

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75

Miami Herald Rene Rodriguez

It's a breezy, homespun, relaxing thing...watching this laid-back picture feels, oddly enough, like a vacation from movies.

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75

New York Daily News Jack Mathews

People unfamiliar with either man may think Altman is mocking Keillor and his 32-year-old radio program here. But, it is pure affection, and the movie is as much up-tempo, irresistible fun to watch as the show is to hear.

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75

Chicago Tribune Michael Phillips

Like his recent, elegant dance film "The Company," A Prairie Home Companion will appeal especially to those who are not story-dependent. Altman's sidewinding tribute to a surprisingly hardy 32-year-old public radio phenomenon is like a 105-minute putter in the garden, with a few songs and some jokes.

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75

Portland Oregonian Shawn Levy

As it stands, it entertains quite a bit, frustrates too much, and leaves you feeling slightly undernourished, like a meal of tasty but not filling hors d'oeuvres.

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70

The New Yorker David Denby

A Prairie Home Companion has many lovely and funny moments, but there's not a lot going on. Dramatically, it's mellow to the point of inertia. There may not be any sweat, but there isn't any heat, either.

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70

Chicago Reader J.R. Jones

Good-humored and enormously entertaining but also sentimental and a little dishonest.

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70

Salon.com Stephanie Zacharek

It's by no means the greatest Altman, and not even a great Altman. And yet, even though it was written and conceived by Garrison Keillor -- as a fanciful fiction that draws on elements of his popular radio show -- it is somehow pure Altman.

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63

TV Guide Maitland McDonagh

Overall, the film falls into some comforting cocoon midway between affectionate spoof and adoring homage, much like Keillor's warmly nostalgic show.

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63

Philadelphia Inquirer Carrie Rickey

I'm not sure that the endearing charms of the assorted fogeys and whelps add up to a movie. But I always enjoy how Altman weaves the warp of professional life with the weft of the personal.

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63

Charlotte Observer Lawrence Toppman

It's a pleasant but insubstantial excuse for a film.

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63

ReelViews James Berardinelli

This combination of storytelling, singing, and corny comedy is sometimes a little too slow and long-winded for its own good, but at least the aftertaste isn't bitter.

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60

Washington Post Desson Thomson

A Prairie Home Companion tries to embrace the spirit of that longtime radio series but suffocates the very qualities that make the original show so special in the first place.

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60

Empire Angie Errigo

Not one of Altman’s masterpieces, but aficionados will find pleasures in a bittersweet swansong from the grand old man.

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58

Seattle Post-Intelligencer Gianni Truzzi

A beautiful angel of death (Virginia Madsen) meanders through the final broadcast, gracing beatitudes over the backstage romances and egg-salad sandwiches.

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50

USA Today Claudia Puig

At its best, it's a gentle meditation on mortality. But at weaker moments it feels meandering and strangely empty.

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50

Los Angeles Times Carina Chocano

The result is at once familiar and disconcerting, meta-Keillor done in Altman's desultory, distracted style.

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50

New York Post Lou Lumenick

At best, mildly entertaining.

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50

The New Republic Stanley Kauffmann

Only the onstage performing has moments of lift, particularly Keillor's diabolically homespun monologues and the cowboys with their risqué jokes that are reminders of such outhouse reading as Captain Billy's Whiz Bang.

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25

San Francisco Chronicle Mick LaSalle

This is not one of the good Altmans. This isn't even one of the mediocre Altmans.

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What Our Users Said

The average user rating for this movie is 6.1 (out of 10) based on 89 User Votes

Note: User votes are NOT included in the Metascore calculation.

Jon J. gave it a10:
Just what you would expect from a Keillor-Altman collaboration. Given the distinctiveness of their respective styles, you'd expect wide ranging reviews. If you like both, you'll like the movie. If you don't like one or the other, the movie may very well drive you crazy.

Jenny S. gave it a10:
This is the best and most creative dramatization of loss and death that I have ever seen. GK, the great storyteller, describes how to live life without looking forward or back. Best film of 2006.

Robert M. gave it a10:
Absolutely brilliant !!! I enjoyed every second.

Jeremy F gave it a2:
This is a perfect example of perfect cast, horrid movie. I came into this with iffy expectations, and they got lower and lower as I watched. About 30 minutes in I was seriously considering leaving the boring movie, but I thought, SOMETHING ELSE MUST HAPPEN!!! And nothing did. I stopped watching it at about 1 hr and 6 min. The only reason to see this is the somewhat humorous Lily Tomlin and the great vocals of Meryl Streep. Otherwise, this movie should not have been made.

Andrew C. gave it a1:
A Prairie Home Companion is an excellent variety show on radio, but the movie...it's another story altogether. First, the lack of a script during the "dramatic" portions makes it rambly and random, the music is rather horrific (who knew Meryl Streep could sing? Oh wait - she can't.), and the all-star cast goes to waste as there is little character development, no plotline to speak of, and no variety. The trademark humor from the radio show is missing here. Even Garrison Keillor's wacky personality can't save this film from being terrible. Take this from a fan of the radio show: don't watch this movie.

Daniel C. gave it a0:
Worst movie of 2006. This slow, plodding movie isn't slow, it doesn't move. Basically, the APHC is based on the radio show, however nothing happens in the movie expect the very drawn out and boring radio performance . Not only that, but It's not funny and it's drama moments are incredibly contrived. Added to the fact that all the characters are incredibly irritating and dull, it makes for a bad movie. Unless you're 60 or older, and enjoy country music and old radio shows, AVOID THIS MOVIE. I know I sound harsh, but this really sucks. I like arty films which try to be touching, but I really, really have no idea what the critics are talking about this movie.

Reid F. gave it an8:
I have rarely listened to the radio show, although I’ve always been drawn to Garrison Keillor’s dry wit, and many moviegoers are not even aware that this relic is still on the air. For the purposes of the movie, Keillor and director Robert Altman devised a fictitious story about the final broadcast. I loved the acting by Meryl Streep, Kevin Kline, and a host of other A-list actors, but mostly I enjoyed the way the movie told a story and made me smile. I also found it ironic that Altman’s last film should feature death as a major plot vehicle.

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