|

Now Playing
Critics & Publications
Archives: A-Z Index
Advanced Search
Upcoming Release Calendar
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
How Metascores Are Calculated
Discuss Film In Our Forums

Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Pride and Glory
New Line Cinema (Warner Bros. Pictures)
FILM:
MPAA RATING: R for strong violence, pervasive language and brief drug content
Starring
Edward Norton,
Colin Farrell,
Jon Voight,
Noah Emmerich,
Jennifer Ehle,
Frank Grillo,
Rick Gonzalez,
and
Shea Wigham
Pride and Glory is an authentic, gritty, and emotional portrait of the New York City Police Department. The film follows a multi-generational police family whose moral code is tested when one of two sons on the force investigates an incendiary case involving his older brother and brother-in-law. The case forces the family to choose between their loyalties to one another and their loyalties to the department. (New Line Cinema)
| GENRE(S): |
Crime
|
Drama
|
| WRITTEN BY: |
Robert Hopes
Greg O'Connor
Joe Carnahan
|
| DIRECTED BY: |
Gavin O'Connor
|
| RELEASE DATE: |
DVD: January 27, 2009
Theatrical: October 24, 2008
|
| RUNNING TIME: |
125 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
Baltimore Sun
Michael Sragow
It overflows with a combustible blend of street sensitivity and testosterone.

83
Entertainment Weekly
Gregory Kirschling
Edward Norton is in top form as Ray, a burned-out detective whose investigation into the deaths of four cops leads him to suspect his brother-in-law, Officer Jimmy Egan (Colin Farrell, also terrific).

75
Rolling Stone
Peter Travers
Its value is unquestionable as drama and moral provocation.

70
The Hollywood Reporter
Michael Rechtshaffen
The stark drama harkens back to Sidney Lumet classics like "Serpico" and "Prince of the City"-filmmaking that went after an unadorned, jagged realism, with acting to match.

63
ReelViews
James Berardinelli
The final 15 minutes are so awful that it's difficult to believe that the bulk of the film is actually decent.

63
Premiere
Karl Rozemeyer
If you enjoy a cop drama, regardless how packed with trite and worn plot points, Pride and Glory should do the trick.

60
Salon.com
Mary Elizabeth Williams
What makes the characters in Pride and Glory real -- and raises the movie above the standard corrupt-cop fare -- is their capacity to live and die in shades of gray.

58
Christian Science Monitor
Peter Rainer
At times, Pride and Glory seems to be about a war between actors, not cops. Nobody comes off well.

50
The Globe and Mail (Toronto)
Liam Lacey
A talented cast and moments of brutal violence can't dislodge a sense of ho-hum predictability in Pride and Glory.

50
Boston Globe
Ty Burr
Everything in this good-cop/bad-cop action drama is shrouded in gray and attended by wailing. This isn't a feel-good genre, granted, but does it have to feel this bad?

50
Miami Herald
Rene Rodriguez
It's lifted from pretty much every movie or TV show you've ever seen about police corruption, only not done as well.

50
Variety
Todd McCarthy
Feels like a film that should have been made at least 25 years ago. Or made as a period piece. Heavy, doom-laden and, unfortunately, entirely predictable.

50
Chicago Tribune
Michael Phillips
Full of interesting little grace notes, and the cast is excellent, yet it grows more and more frustrating.

50
Philadelphia Inquirer
Steven Rea
Gritty, jumpy and rife with cliches.

50
Seattle Post-Intelligencer
Sean Axmaker
You can feel the debt to Sidney Lumet's '70s studies in police corruption and cop brotherhood, but O'Connor never captures the edge of danger, anger and moral stands being ground up in compromise.

50
Chicago Sun-Times
Roger Ebert
It follows the well-worn pathways of countless police dramas before it.

50
The New York Times
A.O. Scott
Not especially good, but there is enough rough artistry in Mr. O’Connor’s direction to make you wish the film were better.

42
Portland Oregonian
M. E. Russell
A movie full of actors improvising their idea of how cops in a Scorsese flick would talk. It's a special sort of cartoonishness, a hard-to-pin-down brand of emotionally grandstanding fakeness you sometimes see in movies trying way too hard to be "gritty."

40
Los Angeles Times
Carina Chocano
The movie is as histrionic as it is ham-fisted, a bad combination that leads to scenes such as the one in which officers threaten to torture a baby to get their point across.

40
New York Daily News
Joe Neumaier
Overshoots the mark by spinning its implausible, hyperviolent tale around too tight a family circle.

40
Austin Chronicle
Marjorie Baumgarten
It's a good thing this movie has been sitting on the shelf for a year or more, because, apart from the difference in release dates, there's little to distinguish this new cop drama from last year's cop drama "We Own the Night."

40
Film Threat
Rick Kisonak
There’s something fundamentally unconvincing and contrived about the story. Forget the fact that O’Connor hauls out every cliché in the bad cop handbook and the dialogue is more boilerplate than hard-boiled. The premise itself is just plain preposterous.

38
TV Guide
Cammila Albertson
Pride and Glory would be a pretty cool movie if it were made in 1982.

38
New York Post
Kyle Smith
Edward Norton plays Ray, a (possibly) honest cop wearing an unexplained scar positioned just so on his cheek. It looks like it was bought in the markdown aisle of Halloween Mart on Nov. 1.

38
USA Today
Claudia Puig
It's déjà vu all over again. There isn't much more to say about "We Own the Night 2." Oops, make that Pride and Glory.

30
Washington Post
Ann Hornaday
Pride and Glory would be risible if it weren't so reprehensible.

25
The Onion (A.V. Club)
Nathan Rabin
Norton is infamous for rewriting scripts and acting as a de facto director on his movies yet he seems lost and defeated here.

25
San Francisco Chronicle
Mick LaSalle
A single 125-minute monstrosity of a cop movie.

20
Village Voice
Robert Wilonsky
How ironic that a movie filled with police officers should end up feeling like a hostage situation.


The average user rating for this movie is 7.6 (out of 10) based on 19 User Votes
Note: User votes are NOT included in the Metascore calculation.
Read more user comments...
Discuss this movie in our forums |
|