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Stars indicate the most critically-acclaimed movies.

64
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69
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68
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43
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83
U2 3D
59
We Are Wizards
55
What Just Happened?
89
Man on Wire
85
Slumdog Millionaire
84
Momma's Man
84
Christmas Tale, A
84
Happy-Go-Lucky
83
Trouble the Water
83
U2 3D
82
Tell No One
82
Rachel Getting Married
82
Frozen River
82
Let the Right One In
81
Dear Zachary: A Letter to a Son About His Father
79
Stranded: I Have Come from a Plane That Crashed on the Mountains
78
I've Loved You So Long
77
Pray the Devil Back to Hell
76
Betrayal - Nerakhoon, The
75
Pool, The
73
Girl Cut in Two, A
73
Frost/Nixon
72
I Served the King of England
70
I.O.U.S. A
69
Ashes of Time Redux
69
Fear(s) of the Dark
68
August Evening
68
Hunger
67
Black Balloon, The
67
Synecdoche, New York
64
Appaloosa
63
JCVD
63
Eden
63
Changeling
62
Duchess, The
59
We Are Wizards
57
Special
57
Sixty Six
56
Religulous
55
Boy in the Striped Pajamas, The
55
What Just Happened?
54
Battle in Seattle
54
Good Dick
53
RocknRolla
51
Morning Light
50
Breakfast with Scot
47
How About You
47
Choke
46
Dukes, The
43
Tru Loved
43
Gardens of the Night
41
Cthulhu
40
Igor
40
Other End of the Line, The
34
My Name Is Bruce
34
Otto; or Up with Dead People
32
Repo! The Genetic Opera
31
Hounddog
30
Guitar, The
28
Fireproof
27
Lake City
26
House of the Sleeping Beauties
26
Filth and Wisdom
xx
Dostana
xx
Let Them Chirp Awhile
xx
Local Color
xx
Nobel Son
xx
Extreme Movie
Stars indicate the most critically-acclaimed movies.
|
Quality of Life
Quality of Life Film LLC
MPAA RATING: R for pervasive language, some drug use and violence
Starring
Lane Garrison,
Brian Burnam,
Luis Saguar,
Mackenzie Firgens,
Fred Pitts,
Andrew A. Rolfes, Tajai,
Bryna Weiss,
and
Ezra Stanley
Two young men develop graffiti into an urban art form on the streets of San Francisco’s Mission District, only to face prosecution and the prospect of imprisonment. A former at-risk kid himself, director Benjamin Morgan's connection to the underground youth of today provides the film with its gritty realism and "drama verite" style. (Quality of Life Film, LLC)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Brian Burnam
Benjamin Morgan
|
| DIRECTED BY: |
Benjamin Morgan
|
| RELEASE DATE: |
Theatrical: April 6, 2006
|
| RUNNING TIME: |
85 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
San Francisco Chronicle
Jane Ganhal
This is a small -- if rough -- gem of a film.

75
New York Post
V.A. Musetto
Kev Robertson's gritty camerawork and a musical soundtrack mixing hip-hop, punk and electronica add to the ambience of this impressive shoestring-budget indie.

70
LA Weekly
Paul Malcolm
It's Garrison and Burnam who hold the film's center, however, with a natural magnetism. Newcomers both, they take the same clean approach to their roles that their characters bring to their tags.

63
TV Guide
Maitland McDonagh
While Burnam and Garrison imbue their characters with authentic-feeling frustration and anger, they never succeed in making them especially interesting; it's hard to care in any serious way what becomes of either.

60
Los Angeles Times
Mark Olsen
The ending, which unnecessarily veers toward lumpy, overwrought melodrama, undoes the scrappy elegance the film previously displays in fits and starts.

60
The New York Times
Nathan Lee
A minor movie, modestly made, that develops to a counterculture beat but ends with a status quo conundrum: Is selling out the new keeping it real?

60
Variety
Eddie Cockrell
Picture's cliched underlying story of restless youth plays as too naive for an older audience and too provocative for teens.

60
Village Voice
Joshua Land
Establishes a strong sense of milieu in these street scenes, and while the movie's not without its flaws--much of the dialogue is colorless and Lisa seems a bit too together to be hanging out with Curtis--it's never less than credible.

30
Film Threat
Phil Hall
With a clumsy hip-hop score permeating every free inch of the soundtrack and ugly 16mm cinematography that would never be allowed out of Film School 101, the audio-visual experience is a wreck. The quality of Quality of Life is non-existent.


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