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Stars indicate the most critically-acclaimed movies.

67
$9.99
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Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
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83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
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74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
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62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Quills
Fox Searchlight Pictures
FILM:
MPAA RATING: R for strong sexual content including dialogue, violence and language
Starring
Geoffrey Rush,
Kate Winslet,
Joaquin Phoenix,
and
Michael Caine
Quills boldly enters the debate surrounding the Marquis De Sade by imagining his final days as a blistering black comedy thriller, a battle between lust and love - and between the brutality of censorship and the unpredictable consequences of free expression. (Fox Searchlight)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Doug Wright (also play)
|
| DIRECTED BY: |
Philip Kaufman
|
| RELEASE DATE: |
DVD: May 8, 2001
Video: May 8, 2001
Theatrical: November 22, 2000
|
| RUNNING TIME: |
123 minutes, Color |
| ORIGIN: |
USA |
Received three 2001 Oscar nominations, including Best Actor (Rush).

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Tribune
Michael Wilmington
Kaufman's startling Quills gives us an anatomy of fear, images both silken swift and molten hot, scenes that disrupt and inflame the imagination.

90
Rolling Stone
Peter Travers
A savage comedy of sexual extremes; the barbed laughs draw blood.
90
Washington Post
Stephen Hunter
Profane, sacrilegious, pornographic, sadistic and Sade-istic, titillating and the most honorable movie of the year.

90
Salon.com
Stephanie Zacharek
It's an unapologetic dazzler, which is why it's never overwhelmed by its themes.

88
USA Today
Mike Clark
Uniformly robust acting puts still more feathers in the caps of Rush, Winslet and Caine.

88
Boston Globe
Jay Carr
A witty yet fiery and, in the best sense, provocative play of ideas about freedom of expression.

88
Chicago Sun-Times
Roger Ebert
Finds a tone that remains more entertaining than depressing, more absorbing than alarming.

88
Miami Herald
Rene Rodriguez
This playful, immensely entertaining movie knows that art is in the eye of the beholder.

80
LA Weekly
John Patterson
Remarkable energy and wit, and is probably the most purely enjoyable entry in Kaufman's suboeuvre of literary excursions.

80
Film.com
Peter Brunette
The dialogue is sparkingly witty, and Phoenix and Winslet are excellent in what are, after all, meant to be fairly one-dimensional roles.

80
Slate
David Edelstein
What the film does have is coruscating anger, impish wit, and a breathtaking style.

80
The New York Times
A.O. Scott
Occasionally becomes pretentious and shrill -- sometimes Mr. Wright isn't aware that his material is so good that he doesn't need to comment on his characters.

80
Village Voice
J. Hoberman
Kaufman's earnestly overblown celebration of the Marquis de Sade.

80
Mr. Showbiz
Kevin Maynard
A literate, dialogue-driven treat delivered by a cast that truly savors the script's wicked wit.

80
Chicago Reader
Jonathan Rosenbaum
Ridiculous enough to be hilarious, but this didn't prevent me from thoroughly enjoying Philip Kaufman's silly romp.

75
New York Daily News
Jack Mathews
The things you can look forward to, however, are the humor, intellectual musing, emotional tumult, superb acting and challenging adult questions.

75
San Francisco Chronicle
Peter Stack
Rush is amazing throughout this absorbing, provocative film.

70
Washington Post
Desson Thomson
Rush is too sinfully good for the drama he's in.

70
Variety
Todd McCarthy
Lacks an edge of danger or excitement that might have brought the subject alive in more than a cerebral way.

70
Newsweek
David Ansen
Ultimately, Quills descends into overwrought melodrama. But at its bright and bawdy best, it bubbles with subversive wit.

70
Film.com
Gemma Files
Quills -- like the Marquis himself--is a posey, pungent, ultra-theatrical yet weirdly seductive mess which wants to have its cake, eat it too and discuss the whole concept and context of its meal (constantly, contradictorily) while it does so.

67
Austin Chronicle
Marjorie Baumgarten
A stunningly impassioned and articulate study of a writer's life and the censorial demons that can strangle that voice.

67
Entertainment Weekly
Owen Gleiberman
Quills bleaches the danger -- and fascination -- out of De Sade, turning him into a kind of mad saint of ''Masterpiece Theatre'' porn.

63
Philadelphia Inquirer
Desmond Ryan
It's a work that preaches to the choir, and the song has been more subtly sung in better movies.

60
Dallas Observer
Gregory Weinkauf
Quills is bound to titillate some, but for most it's likely to summon little more than a few Oscars and appreciative yawns.

60
TV Guide
Maitland McDonagh
Censorship, madness, social rebellion and the power of art.

50
Christian Science Monitor
David Sterritt
The acting is passionate, but the film would be more effective if it presented a more thoroughgoing lesson in the raging horrors that swept through European culture during the era of the French Revolution.

50
Baltimore Sun
Chris Kaltenbach
One gets the feeling Kaufman was so intent on putting fury and fanaticism on-screen, he forgot about having it serve any greater purpose. Which makes Quills the film equivalent of one of de Sade's novels: artifice, without art.

30
Time
Richard Schickel
This is soft-gore porn, obvious in its strategies, witless in the play of its ideas, absurdist only in its pretense to seriousness.

25
New York Post
Jonathan Foreman
Resembles a period version of "The Rocky Horror Picture Show" - played dead straight.

20
Los Angeles Times
Kenneth Turan
Soon becomes a sadistic experience in its own right. Experiencing this pretentious wallow -- overwritten, under-thought and overdone -- is a very sophisticated form of torture.


The average user rating for this movie is 7.4 (out of 10) based on 16 User Votes
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