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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Rabbit-Proof Fence
Miramax Films
FILM:
MPAA RATING: PG for emotional thematic material
Starring
Everlyn Sampi,
Tianna Sansbury,
Laura Monaghan,
David Gulpilil,
Ningali Lawford,
Myarn Lawford,
Deborah Mailman,
and
Jason Clarke
The true story of Molly Craig, a young black Australian girl who leads her younger sister and cousin in an escape from an internment camp, set up as a part of a government policy to train Aboriginal children as domestic workers and integrate them into white society. (Miramax)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Christine Olsen
Doris Pilkington (book Follow the rabbit-proof fence)
|
| DIRECTED BY: |
Phillip Noyce
|
| RELEASE DATE: |
DVD: April 15, 2003
Video: April 15, 2003
Theatrical: November 29, 2002
|
| RUNNING TIME: |
94 minutes, Color |
| ORIGIN: |
Australia |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Portland Oregonian
Shawn Levy
The result is a film that outrages and fills the viewer with poetry that's at once epic and intimate, scandalizing and life-affirming -- a real work of art.
100
Time
Richard Corliss
This is a chase movie (Simon Legree after three Little Evas) across parched outback terrain, captured with rapturous authenticity by cinematographer Christopher Doyle.

100
Baltimore Sun
Michael Sragow
I love Rabbit-Proof Fence as drama, as protest, as moviemaking and as poetry.

100
San Francisco Chronicle
Jonathan Curiel
A breathtaking story of defiance and triumph that has to be considered one of the year's most sublime films.

90
Washington Post
Ann Hornaday
Searing dramatization of a story of remarkable courage, stamina and spirit.

90
Newsweek
David Ansen
Noyce uses his Hollywood craft to unfold this primal, powerful story, he has an epic feel for the harshly beautiful Australian landscape and he gets wonderfully natural performances from the three girls. His bold, lyrical images stay in your head, like an unaccountably beautiful nightmare.
90
Wall Street Journal
Joe Morgenstern
A movie of minimalist moments (Molly's tiniest gestures speak volumes) and lovely, almost holy tableaux.
88
Chicago Sun-Times
Roger Ebert
The final scene of the film contains an appearance and a revelation of astonishing emotional power; not since the last shots of "Schindler's List" have I been so overcome with the realization that real people, in recent historical times, had to undergo such inhumanity.

88
Charlotte Observer
Lawrence Toppman
The rabbits, foolishly introduced to a land that couldn't support them as they bred and dispersed, are symbols of the English: ravenous, unheeding, ineradicable and a constant threat to the native way of life.

88
ReelViews
James Berardinelli
At an economical 94 minutes, Rabbit-Proof Fence trims all the fat and tells its heartfelt and stirring story. This is one of 2002's most memorable imports.

83
Entertainment Weekly
Lisa Schwarzbaum
Noyce honors the story best by standing back (and getting Kenneth Branagh, as a supercilious official, to stand back, too): Noyce lets the landscape and the untrained young actresses own the screen, particularly the naturally magnetic Everlyn Sampi.

83
Seattle Post-Intelligencer
Paula Nechak
Noyce's movie is a testament to endurance -- the camera caresses the landscape -- instilling us with a respect and reverence for it, its harsh ways and the attachment to it that Australia's indigenous people hold.

80
TV Guide
Ken Fox
Thrilling, heart-wrenching tale of the real-life incredible journey.

80
The New York Times
Stephen Holden
Although the movie, adapted from a book by Doris Pilkington Garimara, pushes emotional buttons and simplifies its true story to give it the clean narrative sweep of an extended folk ballad, it never goes dramatically overboard.

80
Variety
David Stratton
It succeeds emotionally in the cause of what seems to be its primary aim, to advance an attitudinal change in Australians not normally sympathetic to the aboriginal cause.

80
LA Weekly
Ella Taylor
Noyce wants us to feel the joy of the homecoming, but he's honest enough to show, in a coda that tells what happened to the girls after their break for home, how Rabbit Proof Fence finally must be more a tale of courage than of victory.

80
Chicago Reader
Jonathan Rosenbaum
The story is so black-and-white that one feels like hissing the villain (Kenneth Branagh) and cheering the heroines at every stage, but it's so amazing that the simplicity of the telling seems warranted.

80
The Onion (A.V. Club)
Keith Phipps
Where Noyce could easily have given Branagh a mustache and tilted the film toward old-fashioned melodrama, he leans on tactics that are less obvious and more effective.

80
Village Voice
Michael Atkinson
Based on a memoir by a grown daughter of the eldest girl and rarely digressing from the journey itself, the movie is a dusty, calloused, primal Odyssey, as forceful and single-minded as a bullet train.

80
Los Angeles Times
Manohla Dargis
An old-fashioned weepie tucked inside a fiercely indicting political thriller.

80
The New Republic
Stanley Kauffmann
Noyce has treated this story almost like a page of holy writ. If he has erred, it is in the very awe of his approach.

78
Austin Chronicle
Marc Savlov
Its adult themes of familial separation and societal betrayal are head and shoulders above much of the directors previous popcorn work - more hurt, more heart, more unassailable hope.

75
New York Post
Lou Lumenick
Noyce paces this amazing story well, and even if his young actors don't seem to have physically suffered as much as they would during such a long journey, he makes extremely good use of the bleak Outback scenery.

75
Chicago Tribune
Robert K. Elder
Characters are so well-drawn, so human - that even in the harsh light of history - it remains difficult to understand how Australia allowed such inhumanity to become institutional, mechanized and accepted.

75
Boston Globe
Wesley Morris
As ambitious as this may be, however, the movie's objectives tax its energy even as the girls' plight tears at your heart.

75
New York Daily News
Jami Bernard
Here, Noyce lets his camera, the geography and the youngsters tell this exceptionally powerful story.

70
Dallas Observer
Jean Oppenheimer
The story itself is absolutely amazing, and the sense of outrage it evokes is universal, but director Noyce faces a difficult task in that once the story is set in motion there is very little action, other than walking shots of the girls, and almost no dialogue.

70
Film Threat
Clint Morris
The performances of young Sampi, Monaghan and Sansbury are amazing. Theyre immersing and compelling.

63
The Globe and Mail (Toronto)
Liam Lacey
Not until the final shot does Noyce rise up to the potential of the history: There's a sudden shiver of recognition, that, my God, these people really lived this.

50
Film Threat
Phil Hall
Achieves the impossible by taking one of the most compelling and harrowing stories imaginable and channeling it into one of the most ordinary movies of the year.

50
Christian Science Monitor
David Sterritt
Kenneth Branagh overplays his portrayal of Neville, but most of the other characters are skillfully acted by a solid cast, including the great Aborigine actor David Gulpilil as the tracker. In all, this is a watchable movie that's not quite the memorable experience it might have been.


The average user rating for this movie is 7.6 (out of 10) based on 28 User Votes
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