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Rails & Ties
Warner Bros.

Rails & Ties reviews
Critic Score
Metascore: 44 Metascore out of 100
User Score  
8.0 out of 10
based on 15 reviews
Read critic reviews
How did we calculate this?
based on 2 votes
Read user comments
Rate this movie

MPAA RATING: PG-13 for mature thematic elements, an accident scene, brief nudity and momentary strong language

Starring Marcia Gay Harden, Miles Heizer, and Kevin Bacon

Tom and Megan Stark always thought there would be time--—time to have children, time to take that trip to San Francisco, time to fix the problems in their marriage. But Megan's illness and Tom's inability to face the possibility of losing her are stealing all the time they have left. All Tom can do is bury himself in his job as a train conductor, where at least he feels in control and everything runs on a predetermined track--until now. Tom's train hits a car on the tracks in a tragic turn of events that, while not his fault, may still cost him his job. Worse, a young woman is dead and her son, Davey, has been left to cope with the loss of his mother, the guilt that he could not save her not only from the train but from herself...and the anger at the man he holds responsible: Tom Stark. The accident puts the Starks and Davey on their own collision course. But instead of leading to tragedy, this crossing could mean new hope for a woman who has only one chance left to fulfill her dreams, for a man who must learn to open his heart before it's too late, and for a young boy who has never known the true meaning of family. (Warner Bros.)


GENRE(S): Drama  
WRITTEN BY: Micky Levy  
DIRECTED BY: Alison Eastwood  
RELEASE DATE: DVD: June 17, 2008 
Theatrical: October 26, 2007 
RUNNING TIME: 96 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

63
The Globe and Mail (Toronto) Stephen Cole
The film's best and most carefully shaded performance belongs to Bacon.
Read Full Review
63
Chicago Sun-Times Roger Ebert
I found the opening third tremendously intriguing and involving, I thought the emotions were so real they could be touched, but then the film lost its way and fell into the clutches of sentimental melodrama.
Read Full Review
60
The New York Times Manohla Dargis
Everything looks professional if undistinguished.
Read Full Review
60
Variety Todd McCarthy
Reserved, careful and largely predictable in the way it plays out its wrenching emotional crises.
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50
Village Voice Ella Taylor
Alison Eastwood's debut feature is slow, deliberate, assured, and shot with a graceful feel for place--none of which is enough to overcome the creaky themes that tie this hackneyed domestic drama together with fearsome symmetry.
Read Full Review
50
Entertainment Weekly Owen Gleiberman
Rails & Ties is like one bad TV movie that slammed into another.
Read Full Review
50
Chicago Reader J.R. Jones
Alison Eastwood, whose good looks and last name have served her well as a Hollywood actress, makes her directing debut with this mediocre cancer drama.
Read Full Review
50
USA Today Claudia Puig
While it features three strong performance and the debut of a promising filmmaker, the story line is obvious and rather melodramatic.
Read Full Review
50
Los Angeles Times Carina Chocano
As lovely as some of the footage looks and as committed as are the three lead performances, they serve only to make Rails & Ties play like an exceptionally well-acted and well-made Lifetime movie.
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50
The Hollywood Reporter Michael Rechtshaffen
A heartfelt but dramatically flat portrait of a couple grappling with one tragedy whose lives are profoundly affected by the outcome of another.
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50
Chicago Tribune Michael Phillips
All the astute acting in the world can’t bring such a preposterous story into the station on time and intact.
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42
The Onion (A.V. Club) Keith Phipps
Nobody feels anything they're not explicitly told to feel. Not even the audience.
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25
TV Guide Maitland McDonagh
The film rings so consistently false that it's more likely to induce snickers and eye-rolling.
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25
New York Post Kyle Smith
The only conceivable reason for Warner Bros. to (barely) release this mush is as a favor to Clint Eastwood, whose daughter Alison directed.
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25
San Francisco Chronicle Ruthe Stein
Chock-full of holes.
Read Full Review

What Our Users Said

Vote Now!The average user rating for this movie is 8.0 (out of 10) based on 2 User Votes
Note: User votes are NOT included in the Metascore calculation.

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