Advanced Search >
Help Me Search

Movies

Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores

Wide Releases
Now In Theaters

sort by namesort by score

Stars indicate the most critically-acclaimed movies.

Limited Releases
Now In Theaters

sort by namesort by score

58 (Untitled)
96 35 Shots of Rum
56 Adam
72 Adela
39 Adventures of Power
78 Afghan Star
61 After the Storm
66 Afterschool
xx All the Best
58 American Casino
72 Amreeka
48 Antichrist
73 Araya
62 Art & Copy
55 As Seen Through These Eyes
76 Baader Meinhof Complex, The
86 Beaches of Agnes, The
13 Beautiful Life, A
70 Beeswax
35 Beyond a Reasonable Doubt
71 Big Fan
66 Black Dynamite
51 Blind Date
xx Blind Pig Who Wants to Fly
76 Bliss
35 Blue Tooth Virgin, The
26 Boondock Saints II: All Saints Day, The
57 Boys Are Back, The
45 Brief Interviews with Hideous Men
81 Bright Star
70 Bronson
45 Burning Plain, The
xx Carriers
55 Casi Divas
57 Chelsea on the Rocks
62 Cloud 9
65 Coco Before Chanel
69 Cold Souls
59 Collapse
44 Confessionsofa Ex-Doofus-ItchyFooted Mutha
82 Cove, The
75 Crude
82 Damned United, The
67 Departures
xx Dil Bole Hadippa
71 Disgrace
xx Do Knot Disturb
70 Earth Days
24 Eating Out 3: All You Can Eat
85 Education, An
55 Endgame
xx Eulogy for a Vampire
xx Everyone Else
xx Fatal Promises
56 Fifty Dead Men Walking
62 Five Minutes of Heaven
74 Flame & Citron
49 Food Beware: The French Organic Revolution
80 Food, Inc.
28 Free Style
xx From Mexico with Love
50 Fuel
25 Gentlemen Broncos
50 Give Me Your Hand
58 Gogol Bordello Non-Stop
72 Good Hair
89 Goodbye Solo
52 Grace
66 Harmony and Me
81 Headless Woman, The
xx Heretics, The
63 Horse Boy, The
73 House of the Devil, The
xx How to Seduce Difficult Women
74 Humpday
94 Hurt Locker, The
29 I Hope They Serve Beer in Hell
16 If One Thing Matters: A Film About Wolfgang Tillmans
75 In Search of Beethoven
83 In the Loop
61 Intimate Enemies
42 Irene in Time
70 It Might Get Loud
46 Killing Kasztner
19 Labor Day
xx Laila's Birthday
41 Little Ashes
41 Little Traitor, The
66 Liverpool
34 Looking for Palladin
80 Lorna's Silence
83 Maid, The
xx Ministers, The
59 More Than a Game
67 Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, The
34 Motherhood
62 My One and Only
xx Mystery Team
48 New York, I Love You
73 Night and Day
66 No Impact Man
47 Ong Bak 2: The Beginning
34 Other Man, The
xx Painter Sam Francis, The
54 Paper Heart
xx Paradise
68 Paranormal Activity
68 Paris
44 Peter and Vandy
35 Play the Game
77 Precious: Based on the Novel by Sapphire
xx Pretty Ugly People
65 Providence Effect, The
76 Rembrandt's J'accuse
69 September Issue, The
79 Serious Man, A
40 Shrink
61 Skin
77 Skin Too Few: The Days of Nick Drake, A
xx Skiptracers
46 Splinterheads
39 St. Trinian's
89 Still Walking
50 Stoning of Soraya M., The
55 Storm
65 Tetro
70 That Evening Sun
72 Thirst
xx Tim Burton's The Nightmare Before Christmas 3D (re-release)
61 Trucker
xx Turning Green
83 U2 3D
66 Unmade Beds
66 Unmistaken Child
70 Visual Acoustics
55 Walt & El Grupo
67 Way We Get By, The
69 We Live in Public
64 Wedding Song, The
64 Where is Where?
xx White on Rice
74 Woman in Berlin, A
69 World's Greatest Dad
70 Yes Men Fix the World
69 Yoo-Hoo, Mrs. Goldberg
xx You, the Living

Stars indicate the most critically-acclaimed movies.

Reprise

EMAILPRINTMiramax Films

Reprise reviews
79
7.0 User Score:

Generally favorable reviews

Based on 25 critic reviews
How did we calculate this?

Based on 18 votes
Read user comments
Rate this movie >

Movie Info

Genre(s): Drama

Written by: Joachim Trier
Eskil Vogt

Directed by: Joachim Trier

Release Date:
Theatrical: May 16, 2008

Running Time: 105 minutes, Color

Origin: Norway

Summary

RATING: R for sexuality and languag

Starring Anders Danielsen Lie, Espen Klouman-Høiner, and Viktoria Winge

Phillip and Erik stand at the mailbox, two cocky, grinning rebels full of 20-year-old verve and dreams, their whole lives hanging in the balance at this singular moment. Each is about to ship off his first novel to publishers, each is hoping to become a wildly influential cult author, each has a vision of a new life of nonstop intensity, brilliance, romance, and nightclubbing. Fast-forward six months. These reveries have crashed, hard, into reality. Phillip, whose novel garnered instant acclaim and turned him into a mini-celebrity, has had a terrifying breakdown and is just about to be released from a psychiatric hospital. Erik, who never sold his novel, is still pecking away, determined to follow in the footsteps of his undying hero, a reclusive but idolized writing genius, no matter what it takes. Reprise explores not just what happens to Phillip and Erik as they pick up the pieces, but what might have happened to them, what they imagine could happen, what they fear will possibly happen, and why they can't see what's actually happening. (Miramax Films)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

New York Daily News Elizabeth Weitzman

Joachim Trier's energetic, inventive debut takes such a novel approach to well-worn themes that it makes most movies look downright lazy.

Read Full Review >
100

Chicago Tribune Michael Phillips

A kinetic delight, Reprise comes from director Joachim Trier, born in Denmark but raised in Oslo, Norway, and it’s a highlight of the filmgoing year so far.

Read Full Review >
91

Entertainment Weekly Lisa Schwarzbaum

Reprise is kissed with the breath of French New Wave sensibility, sweet with verve and a love of forward movement. The mood of joy in the midst of youthful pain is enhanced by the freshness of the first-time lead actors.

Read Full Review >
91

Baltimore Sun Michael Sragow

The movie has been compared, with some reason, to the French New Wave. But it's like "Jules and Jim" or "Band of Outsiders" blended with "A Hard Day's Night."

Read Full Review >
90

The New York Times Manohla Dargis

An exuberant, exhilaratingly playful testament to being young and hungry -- for life and meaning and immortality, and for other young and restless bodies -- Reprise is a blast of unadulterated movie pleasure.

Read Full Review >
90

Los Angeles Times Carina Chocano

Norwegian director Joachim Trier's inspiring first feature Reprise joyfully tackles the process of self-creation, as well as the friendships that feed and sustain it. He captures, in a way that's cool and romantic and heady, the moment in life when nothing matters more than ideas, influences and the possibility of shaping one's life into a work of art.

Read Full Review >
88

USA Today Claudia Puig

With its almost stream-of-consciousness style, Reprise offers a fresh and compelling look at the vagaries of friendship and creativity.

Read Full Review >
88

Boston Globe Ty Burr

Reprise is exceptionally smart about the crushing expectations brought to the table by those who love us.

Read Full Review >
83

The Onion (A.V. Club) Scott Tobias

Like many debut features, Reprise is a foremost a statement of purpose, and in that respect, at least, Trier shows limitless promise.

Read Full Review >
80

Slate Dana Stevens

The feature debut of young Norwegian director Joachim Trier, is as crisp and cool as a swig of Champagne.

Read Full Review >
80

Washington Post John Anderson

Reprise says many cogent things about success, what it does to people and how they define it. But it also indicts the mechanics of the culture in a way that is neither Danish nor American but globalized and all the more poignant for it.

Read Full Review >
80

Village Voice Ella Taylor

Reprise--a masculine story whose women come off best--is less a hermeneutic finger in your face (though it aims wonderfully low blows at literary celebrity) than a savage, funny, tender, tragic, and strangely beautiful riff on growing up in a broken world.

Read Full Review >
78

Austin Chronicle Kimberley Jones

Post-viewing, I was still coasting on the giddy high of kinetic cinema, only to have the astonishing callousness of its conclusion slowly settle in. It's a better film for it – one only wishes that Reprise on a whole had been of the same mind: a little less cool, a little more cruel. That's where the really good stuff is.

Read Full Review >
75

Miami Herald Rene Rodriguez

Its playful approach to chronology and voice-over narration serves to amplify its themes instead of coming off as a show-off trick.

Read Full Review >
75

Portland Oregonian Marc Mohan

Youth may be wasted on some of the young, but the two aspiring Norwegian novelists at the center of Reprise, director Joachim Trier's debut feature, try desperately to avoid that particular cliche.

Read Full Review >
75

San Francisco Chronicle Ruthe Stein

Reprise has a smart and knowing script and will compel audiences to reflect on themselves at that age.

Read Full Review >
75

New York Post Kyle Smith

The film could have been improved if it had been less aggressively limp. But the post-adolescent, pre-adult moodiness is spot on: Everyone's favorite author is a bitter recluse, and the soundtrack heaves with the suicide sounds of Joy Division. Trier's intent is to reproduce a sweet, hazy vision of the agony of youth. Ever so elliptically, he succeeds.

Read Full Review >
75

Christian Science Monitor Peter Rainer

Clear away the annoying avant-gardism and you have a powerful movie about a writer, Phillip, who undergoes a mental breakdown and is pulled halfway back to health by his girlfriend.

Read Full Review >
75

TV Guide Ken Fox

The result is a rich and touching exploration of the vagaries of fortune, literary reputation and, above all, friendship that works on several levels at once. The soundtrack includes songs by Joy Division, New Order and Le Tigre.

Read Full Review >
70

Wall Street Journal Joe Morgenstern

Anders Danielsen Lie, gives a performance that's as distinctive as any in recent memory -- casually witty, remarkably graceful and yet terrifying in its explosiveness.

Read Full Review >
70

Film Threat Jeremy Mathews

Reprise is an energetic romp through creative frustration, stagnant relationships, the fear of change and romance-fueled insanity.

Read Full Review >
70

Variety Leslie Felperin

Final result, with its peculiar happy ending that may or may not be a further fantasy, may leave some auds feeling more drained than satisfied. It's a bit like spending 105 minutes with a litter of frisky, mischievous puppies.

Read Full Review >
70

New York Magazine David Edelstein

Broadly, this is a coming-of-age movie in the "Diner" mold: Trier tracks Phillip and Erik and a few of their pals as they stagger into a world that can't be attuned to their (male adolescent) expectations--especially in regard to women.

Read Full Review >
70

Chicago Reader J.R. Jones

The movie is enjoyable for its flashy surfaces--the witty editing, the narrative forecasting, the droll omniscient voice-over--but as drama it seems superficial.

Read Full Review >
50

Chicago Sun-Times Roger Ebert

The movie itself is good and shows promise, except for the ending, when Trier shouldn't have been so poetic. Not only does Reprise generate itself, it contains its own review.

Read Full Review >

What Our Users Said

The average user rating for this movie is 7.0 (out of 10) based on 18 User Votes

Note: User votes are NOT included in the Metascore calculation.

Rit B gave it a1:
The NY Times movie critic said this movie is a "blast of unadulterated movie pleasure." Yeah right. That's not the movie I saw. This was dull, dull, dull.

Tim H. gave it a2:
This movie is anything but energetic. It's a total bore. The stupid flashbacks serve only to create confusion and the sense that there is something profound happening, when it's all just mush. There should be a law against movie's that don't grab the audience in the first 30 minutes. After 30 minutes of waiting for something interesting to happen, my pal and I gave up. How this silly movie got a 79 from the critics is a mystery. I guess it's just the slack that critics cut for foreign language movies that have a slightly Bergmanesque quality. Don't waste your time or money on this one.

Sandy S. gave it a4:
I am over 65 years old. Perhaps that is why I found this movie so difficult to watch and to understand. It is hard to tell what is real and what is not , the editing jumps the scences abruptly.

Anonymous gave it a5:
This movie was very disappointing. The plot moves at an amazingly brisk pace. Unfortunately, that left little or no time for character development.

John C. gave it a1:
Gave it a "1" only because I didn't walk out. Depressing and depressed. Pointless and self-indulgent. Shot in one color - depressed blue-gray. With white illegible subtitles - come on! Avoid this pretentious stinker.

Michael M gave it a9:
At risk of sound insensitive: Roger Ebert needs to fade into the sunset already. He's giving horrifically-mediocre, happy-go-lucky movies 4 stars across the board lately, and then something wonderful like this comes along and he shits on it because, essentially, it's too depressing for him in his current state-of-health. Roger Ebert has always been a master of reducing, of glossing-over. For some of the worst reviews ever, I suggest his takes on: Blue Velvet, Dead Man, and now, Reprise.

Walker P. gave it a10:
This is the best film I've seen in ages. Moving and very funny. Great music as well!

Read more user comments >

Popular on CBS sites: SEC Football | NFL | Video Game Cheats | iPhone | Video Game Reviews | Notebooks | Antivirus Software

About CBS Interactive | Jobs | Advertise

© 2009 CBS Interactive Inc. All rights reserved. | Privacy Policy | Terms of Use