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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Requiem for a Dream
Artisan Entertainment
FILM:
MPAA RATING: Not rated
Starring
Ellen Burstyn,
Jared Leto,
Jennifer Connelly,
Marlon Wayans,
Christopher McDonald,
Louise Lasser,
Marcia Jean Kurtz,
and
Janet Sarno
This modern-day fable is set on the rusted mean streets of Coney Island, Brooklyn. The dual storyline parallels four people who set out in pursuit of a better life. (Artisan Entertainment)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Darren Aronofsky
Hubert Selby Jr. (novel)
|
| DIRECTED BY: |
Darren Aronofsky
|
| RELEASE DATE: |
DVD: May 22, 2001
Video: May 22, 2001
Theatrical: October 6, 2000
|
| RUNNING TIME: |
102 minutes, Color |
| ORIGIN: |
USA |
Ellen Burstyn received a 2001 Oscar nomination for her starring role.

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Rolling Stone
Peter Travers
No one interested in the power and magic of movies should miss it.
100
Philadelphia Inquirer
Desmond Ryan
Aronofsky has fashioned a chilling vision that lives up to the caustic irony of its title and gives us a nightmare that is not lightly forgotten.

100
Entertainment Weekly
Owen Gleiberman
May be the first movie to fully capture the way that drugs dislocate us from ourselves.

100
San Francisco Chronicle
Bob Graham
He (Aronofsky) has put together a phantasmagoria of self-destructive obsession that is so visually astounding it becomes its own saving grace. Otherwise, we might not be able to bear it.

91
Portland Oregonian
Shawn Levy
Burstyn is astonishing, forsaking all vanity to make silly biddy Sara a fully dimensioned human being.

90
Dallas Observer
Bill Gallo
A fluent, intelligent piece of work whose sex and violence are anything but gratuitous, and exactly the kind of highly personal, no-holds-barred vision of life on the ragged edge that independents always aspire to but rarely have the goods to achieve.

90
The New York Times
A.O. Scott
Be warned: it's a downer, and a knockout.

90
Los Angeles Times
Kevin Thomas
A work of art whose beauty has the eternal power of redemption.

88
Baltimore Sun
Chris Kaltenbach
An unrelentingly dark vision that's as hard to watch as it is impossible to walk away from.

88
Chicago Sun-Times
Roger Ebert
Aronofsky brings a new urgency to the drug movie by trying to reproduce, through his subjective camera, how his characters feel, or want to feel, or fear to feel.

88
New York Daily News
Jack Mathews
Locks in on its self-destructive subjects so precisely, it's almost unbearable to watch.

88
Miami Herald
Rene Rodriguez
Easily the most searing movie-going experience of the year.

88
New York Post
Jonathan Foreman
A powerful fable about love and addiction that manages to be darkly humorous when it isn't graphic or harrowing in the extreme.

80
Salon.com
Andrew O'Hehir
The tremendous power of Aronofsky's filmmaking -- its omnivorous omnipotence, if that makes any sense -- has the curious effect of diluting its emotional impact.

78
Austin Chronicle
Sarah Hepola
Haunts the memory long after you've left the theatre.

75
Chicago Tribune
Michael Wilmington
Often, Requiem for a Dream is as technically inventive and daring as the Scottish heroin film "Trainspotting," but it has more resonance and feeling. And when Burstyn is on screen, it often becomes heartbreaking.

70
Variety
Todd McCarthy
It’s technically striking filmmaking, to be sure, but what it’s presenting is nothing that many people will want to look at.

70
Chicago Reader
Lisa Alspector
This bleak vision directed by Darren Aronofsky ("Pi") is pointless with good reason.

70
Film.com
Peter Brunette
Love it or hate it -- and I suspect, frankly, most people are going to hate it -- this is like no other film you've ever seen.

70
Slate
David Edelstein
Becomes increasingly unwatchable -- not just bleak but punishing, as if the director wants to fry your circuits along with his characters'.

70
Village Voice
Michael Atkinson
May be an elaborate stunt, a bungee jump, but even so, it's forceful enough to leave a rare palpitating residue.

63
San Francisco Examiner
Wesley Morris
It's one of the most beautifully unpleasant movies ever made - its reverse charge being that it is no fun at all.

60
TV Guide
Ken Fox
Aronofsky has given us a well-acted, gorgeously overwrought and luridly entertaining exploitation flick -- a midnight movie for future generations.

60
TNT RoughCut
J. Rentilly
Chilling and technically proficient and, also, fairly hollow.

60
TNT RoughCut
J. Rentilly
Chilling and technically proficient and, also, fairly hollow.

58
Seattle Post-Intelligencer
William Arnold
To be fair, Aronofsky has a knack for stylistic overkill, and his hammering onslaught is undeniably riveting, at first anyway.

50
Christian Science Monitor
David Sterritt
Solid acting helps the story stay earthbound when Aronofsky's filmmaking gets addicted to its own flashy cynicism, but the picture sometimes seems as dazed and confused as the situations it wants to criticize.

50
LA Weekly
Paul Malcolm
Far too complex and provoking.

49
Mr. Showbiz
Kevin Maynard
Never the heart-wrenching emotional experience it seems intended to be.

38
Boston Globe
Jay Carr
It's two hours of slumming in a vision of hell hatched from bourgeois comfort. That, and not its unsavory subject matter, is what makes it bummer theater.

30
Washington Post
Desson Thomson
While director Aronofsky pistol-whips your attention with his style, the characters (mostly relegated to human mannequins in Aronofsky's visual schemes) suffer big time.

30
Film.com
Ernest Hardy
Too self-consciously dark, too aware of its long, murky, art-designed descent into the underbelly of America's addictive personality.

20
Washington Post
Stephen Hunter
In the end the movie goes nowhere a hundred movies haven't already been and tells us nothing we don't already know. It does so with so much violent energy, however, it's like four brutal years at film school crammed into an hour and a half.


The average user rating for this movie is 8.8 (out of 10) based on 136 User Votes
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