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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
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Away We Go
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Beaches of Agnes, The
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Big Man Japan
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Boys: The Sherman Brothers' Story, The
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Brothers Bloom, The
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Burma VJ: Reporting from a Closed Country
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Call of the Wild
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Cheri
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Cherry Blossoms
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Dead Snow
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Departures
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Easy Virtue
70
End of the Line, The
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Every Little Step
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Examined Life
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Food, Inc.
38
Gigantic
56
Girl from Monaco, The
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Girlfriend Experience, The
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Gomorrah
89
Goodbye Solo
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Great Buck Howard, The
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Harvard Beats Yale 29-29
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Julia
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Lemon Tree
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Limits of Control, The
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Little Ashes
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Lymelife
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Merry Gentleman, The
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Moon
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New York
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Not Forgotten
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O'Horten
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Paris 36
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Pontypool
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Pressure Cooker
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Revanche
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Rudo y Cursi
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Seraphine
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Sex Positive
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Shall We Kiss?
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Sin Nombre
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Sleep Dealer
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Song of Sparrows, The
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Sugar
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Tetro
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Tokyo Sonata
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U2 3D
60
Under Our Skin
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Unmistaken Child
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Valentino: The Last Emperor
22
What Goes Up
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Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Resurrecting the Champ
Yari Film Group Releasing
 |
|
FILM:
MPAA RATING: PG-13 for some violence and brief language
Starring
Samuel L. Jackson,
Josh Hartnett,
Kathryn Morris,
David Paymer,
Teri Hatcher,
Alan Alda,
Harry J. Lennix,
and
Peter Coyote
One night after leaving the paper, sports reporter Erik Kernan sees a gang of thugs beating up a homeless man. He notices how well the grizzly old fellow can take a punch. He bobs, he weaves, he lands a few good ones himself until Erik chases the thugs away, who leave jeers of how they beat "The Champ" in their wake. Erik realizes he has just rescued the legendary "Battling Bob Satterfield" and stumbled on the story of a lifetime. Rumor had it that Satterfield was dead...and yet here he was. An article about the rise, fall, and resurrection of a former heavyweight contender could get Erik's career off the ropes and breathe life into his confidence. A story like this could be the title shot he has been waiting for; a chance to change his life forever. (Yari Film Group Releasing)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
J.R. Moehringer (Los Angeles Times Magazine article)
Allison Burnett
Michael Bortman
|
| DIRECTED BY: |
Rod Lurie
|
| RELEASE DATE: |
DVD: April 1, 2008
Theatrical: August 24, 2007
|
| RUNNING TIME: |
111 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
80
Film Threat
Zack Haddad
It is great to see a boxing movie that portrays both boxing and Jackson in different lights.

75
San Francisco Chronicle
Mick LaSalle
It's the complexity of Lurie's moral universe that makes it linger in the mind.

75
Charlotte Observer
Lawrence Toppman
About a guy who stood on the brink of greatness but, because of one flaw he could never overcome, had to settle for being pretty good before he faded away. Strange, then, that the movie works exactly the same way.

75
Chicago Sun-Times
Roger Ebert
Jackson disappears into his role, completely convincing, but then he usually is. What a fine actor. He avoids pitfalls like making Champ a maudlin tearjerker, looking for pity. He's realistic, even philosophical, about his life and what happened to him.

70
Chicago Reader
J.R. Jones
Treacle takes over in the last act, but most of this fact-based story by screenwriters Michael Bortman and Allison Burnett takes the inspirational sports drama into unexpected and morally complex territory.

70
The Hollywood Reporter
Duane Byrge
Charged by a knock-out performance from Samuel L. Jackson, this compelling story of manly redemption will deliver a winning boxoffice combination of word of mouth and ultimately step outside the generic ring of sports lore.

67
Christian Science Monitor
Peter Rainer
By skewing the film into a father-son inspirational saga, the filmmakers sell out the best possibilities in their material. Lurie clearly wants Resurrecting the Champ to be "more" than a sports movie, or a newspaper movie. Ironically, he ends up with less.

67
Seattle Post-Intelligencer
William Arnold
It's more intelligent than most Hollywood movies you'll find in the heat of summer, and its saving grace is the quality of its acting, including Jackson's uncompromising turn as the old fighter, and delicious bits by David Paymer and Alan Alda as veteran editors.

67
The Onion (A.V. Club)
Tasha Robinson
The cast is generally excellent, but Hartnett in particular comes across as convincingly complicated, alternately reprehensible and sympathetic.

67
Baltimore Sun
Michael Sragow
Jackson creates a searing study in reverse nobility as a character with a battered, street-poetic presence and subtle powers of sympathy that come into play even when he appears to be a rogue.

63
Chicago Tribune
Michael Phillips
The film is easy to take, though it must be said: It's almost 100 percent blather.

63
Premiere
Glenn Kenny
This picture reminded me of one of the things I like best about "All the President’s Men": It doesn’t give a good godd--- about Woodward and Bernstein’s personal lives.

63
Philadelphia Inquirer
Carrie Rickey
Struggles to get off the ropes and never quite establishes its rhythm. The film takes place in eternal moral twilight, dark enough to make faces look photogenically poignant, light enough to see the white lies.

63
TV Guide
Maitland McDonagh
Lurie's film never fully reconciles the story about newsroom ethics with the sentimental drama about bad dads and bereft sons.

60
The New York Times
Stephen Holden
For Mr. Lurie, who specializes in political subjects, Resurrecting the Champ is an encouraging return to film following the rise and fall of his television series "Commander in Chief."

60
Variety
John Anderson
Overly sentimentalized and the execution is slack. If not for Samuel L. Jackson's performance as the ravaged boxer, "Champ" would be of limited interest.

60
Los Angeles Times
Kevin Crust
Delivers a heckuva story marred by some credibility problems but lands the majority of its punches via subtly powerful performances and a moving undercard of paternal connection.

50
Miami Herald
Rene Rodriguez
The thoroughly unconvincing drama Resurrecting the Champ might be based on a true story, but that doesn't mean you're going to believe a single frame of it.

50
Boston Globe
Wesley Morris
If most boxing movies are about redemption, Resurrecting the Champ is a boxing movie that goes to exasperating lengths to redeem its boxing writer.

50
Village Voice
Robert Wilonsky
This isn't great raw material, though Lurie and his screenwriters try their best to portray Erik as some guilt-ridden evildoer who's perpetrated a great fraud.

50
Washington Post
Stephen Hunter
Hardly anything feels real, but what feels even more unreal is Hartnett with a cloying, sentimental, self-pitying performance. The liveliest thing in the film is the great Jackson, slumming again in a role miles beneath him.

50
Austin Chronicle
Marjorie Baumgarten
Stays on its feet through all the rounds, but it never “floats like a butterfly.”

50
Wall Street Journal
Joanne Kaufman
The movie itself -- which deals (not very interestingly) with the issue of journalistic integrity and (very predictably) with father-son relationships -- doesn't pack much of a wallop.

50
The Globe and Mail (Toronto)
Jason McBride
The relationship between reporter and subject is always a tricky one, but in Resurrecting the Champ it's downright delusional.

50
Portland Oregonian
Shawn Levy
Clumsiness follows clumsiness -- the acting, the staging, the details of the plot -- until you reach the point of cool indifference. There's a lot more wrong here than can be corrected in a small space in the newspaper.

50
New York Daily News
Jack Mathews
The film itself is a tedious melodrama whose sole saving grace is the performance of Samuel L. Jackson as Tommy Kincaid.

33
Entertainment Weekly
Lisa Schwarzbaum
The gooey sanctity of the bond between fathers and sons all but nullify Jackson's zesty performance.

25
New York Post
Lou Lumenick
Well, it smells, all right, but authentic isn't the word I'd use for this maudlin male weepie, a compendium of the worst clichés of sports and journalism movies.


The average user rating for this movie is 7.4 (out of 10) based on 12 User Votes
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