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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Revolutionary Road
Paramount Vantage
MPAA RATING: R for language and some sexual content/nudity
Starring
Leonardo DiCaprio,
Kate Winslet,
Michael Shannon,
Kathryn Hahn,
David Harbour,
and
Kathy Bates
Adapted from the landmark novel by Richard Yates, Revolutionary Road is an incisive portrait of an American marriage seen through the eyes of Frank and April Wheeler. Yates’ story of 1950’s America poses a question that has been reverberating through modern relationships ever since: can two people break away from the ordinary without breaking apart? (Paramount Vantage)
| GENRE(S): |
Drama
|
Romance
|
| WRITTEN BY: |
Richard Yates (novel)
Justin Haythe
|
| DIRECTED BY: |
Sam Mendes
|
| RELEASE DATE: |
DVD: June 2, 2009
Theatrical: December 26, 2008
|
| RUNNING TIME: |
119 minutes, Color |
| ORIGIN: |
USA | UK |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
TV Guide
Perry Seibert
Indeed, all of the performers in the film truly shine, and all of them can probably thank Sam Mendes for creating an ideal environment.

100
San Francisco Chronicle
Mick LaSalle
The best American film of 2008.

100
Chicago Sun-Times
Roger Ebert
This film is so good it is devastating.

91
Seattle Post-Intelligencer
William Arnold
The results are being billed as a reunion of the "Titanic" star team, but anyone expecting a similarly gushy romantic idyll is in for a shock: it is an uncompromisingly dreary view of two self-deluded people incapable and unwilling to understand one another.

90
New York Magazine
David Edelstein
There isn't a banal moment in Winslet's performance--not a gesture, not a word. Is Winslet now the best English-speaking film actress of her generation? I think so.

88
ReelViews
James Berardinelli
Revolutionary Road is a fine motion picture, but it's not a good choice to lighten a burden or brighten a night. It rewards in the ways that only tragedies can.

88
Rolling Stone
Peter Travers
DiCaprio is in peak form, bringing layers of buried emotion to a defeated man. And the glorious Winslet defines what makes an actress great, blazing commitment to a character and the range to make every nuance felt.

88
New York Post
Lou Lumenick
Winslet (Mendes' wife) once again demonstrates why she's one of the best actresses working today.

83
Entertainment Weekly
Owen Gleiberman
The best thing about Revolutionary Road, a cool-blooded and disquieting adaptation of Richard Yates' 1961 novel about a powerfully unhappy Connecticut couple, is that it doesn't end with that rote vision of bourgeois anomie. It only begins there.

80
Los Angeles Times
Kenneth Turan
Encouraged by Mendes' artful direction, his gift for eliciting naturalness, the core of this film finally cries out to us today, makes us see that the notion of characters struggling with life, with the despair of betraying their best selves because of what society will or won't allow, is as gripping and relevant now as it ever was. Or ever will be.

80
New York Daily News
Joe Neumaier
As a whole, Sam Mendes' film of Revolutionary Road comes close but falls short of capturing Richard Yates' terrific novel.

80
Newsweek
David Ansen
Instead of losing myself in the story, I often felt on the outside looking in, appreciating the craftsmanship, but one step removed from the agony on display. Revolutionary Road is impressive, but it feels like a classic encased in amber.

80
Variety
Todd McCarthy
A near-perfect case study of the ways in which film is incapable of capturing certain crucial literary qualities, in this case the very things that elevate the book from being a merely insightful study of a deteriorating marriage into a remarkable one.

80
Film Threat
Don R. Lewis
I couldn't escape the fact that Revolutionary Road seems like a really, really good episode of "Mad Men." There's smoking, drinking, cheating and like the excellent TV show, the lure of a bigger better deal always rules the day. But the film differs in many ways once you get beyond surface appearances.

80
Chicago Reader
J.R. Jones
Fully exploits the drama, with scenes, dialogue, and even key visuals pulled from the text.

80
Empire
Angie Errigo
Handsomely done and beautifully acted, just slightly wanting in a screenplay that leaves questions unanswered about what's behind these unhappy people. And it's ultra-depressing...

75
Chicago Tribune
Michael Phillips
However sterling the craftsmanship, the film adaptation inflates the meaning and buffs the atmospheric surfaces of Yates' story, rather than digging into its guts.

75
Philadelphia Inquirer
Carrie Rickey
When the tobacco is extinguished what comes between April and Frank Wheeler is bigger, colder and more formidable than the iceberg that sundered Kate and Leo in "Titanic": shattered hope.

75
The Globe and Mail (Toronto)
Liam Lacey
Though Revolutionary Road is a less stringent work than Yates's book, it also feels like a more tolerant and humane one.

75
NPR
Bob Mondello
Director Sam Mendes makes '50s suburbia a persuasively suffocating place — he did the same for '90s suburbia in "American Beauty," remember.

75
USA Today
Claudia Puig
It's not quite up to the caliber of Richard Yates' novel, which is deeply nuanced and rich in subtext. But the performances are superb, and the film is beautifully shot.

75
The Onion (A.V. Club)
Keith Phipps
Both director and cast keep the familiar journey intense, but after capturing the death of love in those opening moments, the rest of the film too often feels like a study in dissection.

70
Village Voice
Scott Foundas
Revolutionary Road isn't a great movie -- it lacks the full, soul-crushing force of the novel -- but what works in it works so well, and is so tricky to pull off, that you can't help but admire it.

70
The New Yorker
David Denby
There's a sourness, a relentlessness about the movie which borders on misanthropy. In both the social and the personal scenes, the conversational tone veers between idiotic pleasantries and fathomless bile, with nothing in between.

67
Austin Chronicle
Kimberley Jones
Shannon is monstrously good – unpredictable where the other actors are clipped and careful – and he steals the whole picture in two short, shattering scenes. When Shannon exits the film, the air gets sucked out again, and you realize the pretty artifice extends to more than just the Wheelers.

63
Charlotte Observer
Lawrence Toppman
Leonardo DiCaprio and Kate Winslet do exactly what’s asked of them as Frank and April Wheeler, who may be ironically named: They spin emotional wheels constantly but get nowhere.

63
Boston Globe
Ty Burr
Maybe it's a cheap shot to call Revolutionary Road "American Beauty" without the laughs, but it gets to the heart of the problem.

63
Premiere
Jenni Miller
Revolutionary Road isn't emotionally engaging or moving; it's awfully similar in theme to Winslet's 2006 movie "Little Children."

60
Slate
Dana Stevens
It's a textbook example of a well-crafted movie, beautifully shot, impeccably acted, and structured like an elegant three-act play. So why does the movie feel as pleasantly deadening as the midcentury Connecticut suburb where it takes place?

58
Portland Oregonian
Shawn Levy
Mendes has extraordinary gifts, but he has leveled them at the Wheelers like a firing squad. Strangely, he evinced no particular moralizing agenda when making films about the mob or the military. But put ordinary people in his sights and he's venomous. It's unbecoming -- and it should be worked out in private, not in a movie theater.

50
Christian Science Monitor
Peter Rainer
A sad experience, but the sadness has no emotional heft because its people have none. This movie hasn't earned its funk.

50
Miami Herald
Rene Rodriguez
An impeccably shot, studiously staged, passionately acted bore, one of those curious fizzles in which everyone seems to do everything right, but the film simply refuses to take off.

50
Washington Post
Ann Hornaday
The result is that Revolutionary Road is a hard movie to love. Plenty of people will appreciate the hopelessness, but they might wish for a little less emptiness.

50
Salon.com
Stephanie Zacharek
This is a movie about two people in pain; the last thing they need is for Mendes to turn his cool camera on them. But that's all Mendes knows how to do. He's a clinical director, and whatever feeling he puts into a movie is measured out in careful quarter-teaspoon increments.

50
The New York Times
Manohla Dargis
"Revolutionary Road" is the kind of great novel that Hollywood tends to botch, because much of it takes place inside the heads of its characters, and because the Wheelers aren't especially likeable and because pessimism without obvious redemption is a tough sell.

50
The Hollywood Reporter
Kirk Honeycutt
In "Virginia Woolf," George and Martha are locked into a symbiotic, disturbingly needy relationship that absolutely feed off their acidic battles. But for Revolutionary Road's Frank and April Wheeler, you wonder: Why don't they just get a divorce?

40
Wall Street Journal
Joe Morgenstern
The movie is stifling, all right, and depressing in the bargain.

38
Baltimore Sun
Michael Sragow
Revolutionary Road isn't just a failed literary adaptation. It's a failure of the worst kind: It doesn't even make you want to read Richard Yates' deservedly legendary book.


The average user rating for this movie is 6.7 (out of 10) based on 84 User Votes
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