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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Seabiscuit
Universal Pictures
MPAA RATING: PG-13 for some sexual situations and violent sport-related images
Starring
Tobey Maguire,
Jeff Bridges,
Elizabeth Banks,
Chris Cooper,
William H. Macy,
Gary Stevens,
Annie Corley,
and
Chris McCarron
The tale of a down-and-out racehorse that took the entire nation on the ride of a lifetime. (Universal Pictures)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Gary Ross
Laura Hillenbrand (book)
|
| DIRECTED BY: |
Gary Ross
|
| RELEASE DATE: |
DVD: December 16, 2003
Video: December 16, 2003
Theatrical: July 25, 2003
|
| RUNNING TIME: |
129 minutes, Color |
| ORIGIN: |
USA |
Received seven Oscar nominations, including Best Picture and Best Adapted Screenplay (Gary Ross). Also received a Golden Globe nomination for Best Picture (Drama).

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Baltimore Sun
Michael Sragow
Seabiscuit revives the sweeping pleasures of movies that address and respect the mass audience, raising the common denominator instead of pandering to it. This crowd-pleaser rouses honest and engulfing cheers.

100
New York Post
Lou Lumenick
A thrilling, beautifully crafted, fact-based horse story that's not merely the summer's finest movie, but may well be the one to catch come Academy Awards time.

100
Chicago Tribune
Michael Wilmington
A grand ride. Sleek, beautiful and packed with emotion, not too flashy but full of heart, this is a movie worthy of its unlikely yet glorious subject: Depression-era America's best-loved racehorse and the two races that made him a legend.

91
Portland Oregonian
Shawn Levy
This is grand, inspiring entertainment of a sort that Hollywood aspires to and rarely achieves.

91
Seattle Post-Intelligencer
William Arnold
It's not the most viscerally exhilarating racing saga or squishy animal movie ever made, but it's a terrific period piece. It's also a well-acted, engrossing and satisfying character drama that stands out like a diamond in this summer of sequels and comic-book violence.

90
Washington Post
Desson Thomson
Yes, it's that cheesy, but it's also surprisingly appealing. After all, the horse Seabiscuit really WAS that phenomenal.

88
Chicago Sun-Times
Roger Ebert
The movie's races are thrilling because they must be thrilling; there's no way for the movie to miss on those, but writer-director Gary Ross and his cinematographer, John Schwartzman, get amazingly close to the action.

88
Rolling Stone
Peter Travers
Unabashedly hokey, but would you want it any other way? In an era of cynical junk (did anyone say Bad Boys II?), Ross restores the good name of crowd-pleasing.

80
Newsweek
David Ansen
Seabiscuit may be too airbrushed for its own good, but in the end nothing can stop this story from putting a lump in your throat.

80
Los Angeles Times
Kenneth Turan
It is not as exceptional a film as the reality deserves, but with a story this strong and races this expertly re-created, it squeezes out a victory by being as good a movie as it needs to be. On some days, that is enough.

80
Washington Post
Stephen Hunter
Although nowhere near the class of its equine hero, is quite a satisfying ride.

80
The New Republic
Stanley Kauffmann
Aesop endowed animals with human traits to teach us lessons. Seabiscuit almost does the reverse. By means of Ross's adroit shooting and editing, we ourselves pound bravely along the track.

80
Time
Richard Schickel
Ross is a filmmaker with a taste for inherently sentimental tales
but the discipline not to play mawkishly to our sentiments. You will be moved by Seabiscuit--but not to tears.

80
The New Yorker
David Denby
If Ross had merely told his story and re-created the media folk culture of the thirties, the movie might have been a classic. [4 August 2003, p. 84]
80
The Hollywood Reporter
Kirk Honeycutt
Actors dominate with finely nuanced performances where every scene feels dramatically right.

80
Empire
Angie Errigo
William H. Macy is a scream as the composite radio announcer whose hyperbolic racetrack reports are not only hilarious, but illustrate the impact of radio in creating a mass culture and how it was instrumental in making sporting events a nationwide obsession.

75
The Globe and Mail (Toronto)
Liam Lacey
Seabiscuit is a good enough movie, in the sense that it's a well-crafted assemblage of pathos and rousing moments, solidly acted and handsomely shot -- but it's far from champion material.

75
Charlotte Observer
Lawrence Toppman
On first acquaintance, Seabiscuit seems to be about anything but horse racing: the disappearance of the American frontier after 1910, our love affair with automotive speed, the passing of a rural way of life, homelessness during the Depression.

75
USA Today
Mike Clark
Fortunately, a movie that needs some levity gets a comic boost from William H. Macy as a fictional racing handicapper from the golden days of radio. As if training a horse, Macy cues us to laugh every time he's on screen.

75
ReelViews
James Berardinelli
Eventually, Seabiscuit settles into a nice rhythm, and, as it enters the stretch run, it exhibits all the necessary elements of a good sports movie. Like the horse it's named after, Seabiscuit has a lot of heart, and, in the end, that's what won me over.

75
New York Daily News
Jami Bernard
This rousing story of the comeback colt comes close to a modern-day Frank Capra film without the pandering or mawkishness. Yes, it's a bit hokey, but if you fight the movie's gait you'll miss the excitement of the race.

75
Boston Globe
Ty Burr
In the end, Seabiscuit gets right the things that matter.

75
Miami Herald
Connie Ogle
This crowd-pleaser is a genuinely inspirational film, gorgeously filmed and wonderfully acted, echoing an uplifting sentiment that bears repeating: ''You don't throw a whole life away just because it's banged up a little.''

75
San Francisco Chronicle
Mick LaSalle
Ross surrendered himself to the tale, lavishing time on the characters, getting the period details right and making the races look authentic. The result is a faithful, loving piece of work, and the love shows.

75
Philadelphia Inquirer
Carrie Rickey
The three (human) leads are perfection. Bridges' Howard is as breezily garrulous and glad-handing as Cooper's Smith is laconic and withdrawn. Maguire's Pollard has haunted eyes and orangey hair that makes him look like a human jack-o'-lantern, and establishes his own unique rhythm and less-is-more style.

70
Wall Street Journal
Joe Morgenstern
For all its pictorial splendor and carefully calculated drama, this film misses greatness by a country mile.
70
Film Threat
Rick Kisonak
Sublimely directed, scored, shot and performed, the picture misses greatness by a nose as a result of shortcomings in its script.

70
New York Magazine
Peter Rainer
Watching this movie, you get the feeling that the Depression existed so that Seabiscuit could be memorialized.

70
The New York Times
Dana Stevens
Somehow we are never quite swept into the boisterous, democratic world of which Seabiscuit, in Ms. Hillenbrand's account, was the plucky, galloping embodiment.

70
The Onion (A.V. Club)
Scott Tobias
Though the results are a matter of record, the uplift is nevertheless intoxicating, even enough to compensate for a film that routinely substitutes corny iconography for real imagination and vision.

70
Slate
David Edelstein
The best thing about Seabiscuit is that it will make a lot of people hungry to read the book. They've seen the pretty pictures; now they'll want to enter the world.

70
Film Threat
Don R. Lewis
More than "Rocky" on a horse track. It's a moving story about people and how their lives intersect at just the right time. It's also a simple story about second chances.

70
Village Voice
J. Hoberman
More mystical than mysterious, Seabiscuit is a proudly cornball sentimental epic -- a reverential paean to a vanished America that's steeped in inspirational uplift and played for world-historical pathos.

70
Dallas Observer
Jean Oppenheimer
That the film is good rather than great proves a disappointment, but just finding a good film these days is rare, especially a big studio picture.

70
Variety
Todd McCarthy
Respectable when it should be thrilling, honorable when it should be rough and ready.

67
Entertainment Weekly
Lisa Schwarzbaum
Trembles with respect for Hillenbrand's book. It's hobbled by good intentions, grand plans for telling many stories at once, and a fear of the very audience whose intelligence and sophistication it claims to court.

67
Austin Chronicle
Kimberley Jones
Taking a cue from the horse in question, Ross film takes its time getting into the race, but once it gets going, the going gets good.

63
Premiere
Aaron Hillis
For such a pedestrian exercise in Spielbergian sentiment, the somewhat stale Seabiscuit dunks into some gravy moments; the always dependable William H. Macy is three honks and six rattles of comic relief as the sound effectshappy, kooky radio reporter Tick Tock McGlaughlin, and the racing scenes themselves are spectacular.

60
LA Weekly
Ella Taylor
Two-thirds of the way through, Seabiscuit awakes to its duties as a perfectly presentable race movie, rising to a crescendo of satisfying --- if somewhat gaga -- inspiration.

60
TV Guide
Maitland McDonagh
The movie's secret weapons are its stellar cast, whose performances go a long way to ameliorating Ross's ham-fisted use of foreshadowing and symbols, and its brilliantly shot racing sequences -- they're heart-stoppingly suspenseful even when the outcome is a matter of record.

50
Salon.com
Charles Taylor
It's deluxe and handsome and has no soul.

40
Chicago Reader
Jonathan Rosenbaum
Maybe the magic will work for those who loved the book, but I found this film stultifyingly self-important and, despite the regularity with which it cuts to the chase, weirdly static.

25
Christian Science Monitor
David Sterritt
I found much of it as emotionally rigged as a crooked horse race.


The average user rating for this movie is 7.2 (out of 10) based on 50 User Votes
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