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Stars indicate the most critically-acclaimed movies.

67
$9.99
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Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Secuestro Express
Miramax Films
MPAA RATING: R for strong violence, drug use, sexuality and language
Starring
Mía Maestro,
Rubén Blades,
Carlos Julio Molina,
Pedro Perez,
Carlos Madera,
and
Jean Paul Leroux
Secuestro Express -- the business of quick kidnapping perpetrated by two or three organized thugs who chose their victims among the upper-class in Latin America. This film tells the frightening story of one young couple's ordeal as they careen through the underbelly of Caracas, Venezuela in the hands of three thugs who've made them their latest payday. (Miramax Films)
| GENRE(S): |
Action
|
Drama
|
Foreign
|
Suspense/Thriller
|
| WRITTEN BY: |
Jonathan Jakubowicz
|
| DIRECTED BY: |
Jonathan Jakubowicz
|
| RELEASE DATE: |
DVD: January 3, 2006
Theatrical: August 5, 2005
|
| RUNNING TIME: |
90 minutes, Color |
| ORIGIN: |
Spanish (with English subtitles) |
| LANGUAGE(S): |
Venezuela |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
80
The New York Times
Laura Kern
The constant threat of violence and rape is difficult to endure, but the unpredictable Secuestro Express is more than just a dizzying thrill ride laced with small doses of pitch-black comic relief.

80
The Hollywood Reporter
Sura Wood
Jakubowicz's direction is assured except in the film's final moments, when he makes a clumsy attempt at sociopolitical philosophy that is delivered by an omniscient narrator. It's an indulgence that threatens to undercut the ferocity that precedes it.

75
New York Post
V.A. Musetto
There's nary a dull moment in the semi-autobiographical Secuestro Express (secuestro means kidnap), as Jakubowicz pleases the eyes with closeups, sped-up scenes, hand-held camerawork and other stylized tricks.

70
TV Guide
Ken Fox
This is pulp with smarts and a social conscience.

67
Austin Chronicle
Marjorie Baumgarten
Zips along at an urgent pace, both tantalizing and repulsing as it goes.

60
Empire
Anna Smith
Illuminating as to the reality of being a victim of crime in a dangerous society but not exactly absorbing entertainment.

60
Los Angeles Times
Kevin Thomas
Jakubowicz has aptly said of his film that "the beauty of Secuestro Express is how localized it is. The more local it becomes, the more universal it becomes." The truth of his remark resonates throughout this fast and furious film.

60
Variety
Robert Koehler
Assuming the victims' point of view in the type of kidnapping that's now epidemic in Latin America, Jonathan Jakubowicz's Kidnap Express depicts a nocturnal Caracas with tense energy.

50
Chicago Reader
Andrea Gronvall
Slick, violent thriller that could seriously dampen tourism to Venezuela.

50
Chicago Tribune
Robert K. Elder
Exploits the epidemic of kidnapping in Venezuela without offering solutions or insight--only sophomoric platitudes. Jakubowicz's talents as a filmmaker are many, but crafting an articulate, well-examined social theory isn't among them.

50
Miami Herald
Rene Rodriguez
There's no denying the movie's visceral impact: It's too bad, though, that Jakubowicz isn't aiming for anything other than sensation.

50
New York Daily News
Elizabeth Weitzman
Jakubowicz successfully portrays a country corrupted beyond repair by financial inequality. But the sadism that drives the story is so gleefully nasty, it overshadows any rational arguments he's trying to make.

50
Dallas Observer
Luke Y. Thompson
It's a skillfully made film, but not especially fun to watch, and the apparent thesis that poverty justifies such acts doesn't quite wash.

40
Village Voice
Nona Willis-Aronowitz
A focus on a timely social problem paired with an archetypal class-war tale would be a winning combination for Secuestro Express, were it not for the movie's strangely exploitative nature.

40
LA Weekly
Scott Foundas
Too often, though, Jakubowicz falls back on his relentlessly pirouetting DV camera, attention-deficient editing and ear-splitting sound effects as a substitute for real tension, or a more piercing inquiry into the bubbling tension between South America's haves and its poverty-stricken have-nots.

25
San Francisco Chronicle
Walter Addiego
Has more in common with a horror movie than with a genuine political work.

10
The Onion (A.V. Club)
Nathan Rabin
Writer-director Jonathan Jakubowicz does his best Quentin Tarantino impersonation, loading the film with percussively profane dialogue, smug adolescent nihilism, rampant drug use, pop-culture references, homophobic invective, and empty stylistic excess.


The average user rating for this movie is 8.9 (out of 10) based on 26 User Votes
Note: User votes are NOT included in the Metascore calculation.
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