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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
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Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
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54
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71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
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Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
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Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
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88
Tulpan
74
Two Lovers
83
Tyson
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U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Sentinel, The
Twentieth Century Fox Film Corporation
FILM:
MPAA RATING: PG-13 for some intense action violence and a scene of sensuality
Starring
Michael Douglas,
Kiefer Sutherland,
Kim Basinger,
Eva Longoria,
David Rasche,
Raoul Bhaneja,
Simon Reynolds,
and
Danny A. Gonzales
Special Agent Pete Garrison is convinced that a Neo-Nazi Aryan Disciple has managed to infiltrate the White House. When a White House Agent is murdered, Garrison is framed and blackmailed over an affair with the First Lady. Garrison is relieved of his duties, but he won't stop trying to prove his innocence, or giving his all to save the life of the President.
| GENRE(S): |
Crime
|
Drama
|
Suspense/Thriller
|
| WRITTEN BY: |
George Nolfi
Gerald Petievich (novel)
|
| DIRECTED BY: |
Clark Johnson
|
| RELEASE DATE: |
DVD: August 29, 2006
Theatrical: April 21, 2006
|
| RUNNING TIME: |
105 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
Christian Science Monitor
Peter Rainer
Michael Douglas plays US Secret Service agent Pete Garrison, and his jaw has never seemed tighter.

75
Chicago Sun-Times
Roger Ebert
It is encouraging that well-crafted thrillers are still being made about characters who have dialogue, identities, motives and clean shirts.

75
New York Daily News
Jami Bernard
Implausible yet enjoyably diverting thriller.

75
San Francisco Chronicle
Mick LaSalle
A well-constructed and genuinely tense thriller.

70
Los Angeles Times
Kenneth Turan
An unassuming thriller, a nifty piece of genre filmmaking without frills or self-importance. It's a throwback, if you will, to the days of B pictures, when formula movies were made with a maximum of skill and a minimum of pretense.

63
USA Today
Claudia Puig
Director Clark Johnson has an energetic style of filmmaking and a facile way with stunts and chase sequences. The result is a fairly stylish action thriller. We've seen plenty of suspense films in which a seemingly good guy is framed, so it helps when a director can pull off a few cinematic tricks to keep audiences on their toes.

63
ReelViews
James Berardinelli
Director Clark Johnson and screenwriter George Nolfi (adapting the novel by Gerald Petievich) do an excellent job of setting things up and getting the story underway. Unfortunately, some of their hard work is undone during the movie's final third.

63
Premiere
Jessica Letkemann
Ultimately all of the ado about men in shades and dark suits running around shooting and shouting at each other comes to a satisfying, if predictable, conclusion.

60
The Hollywood Reporter
Kirk Honeycutt
A slick enough thriller about a presidential assassination attempt. It is also a rather mechanical, soulless affair that avoids politics or anything else that might clearly define who these characters are and why we should care.

58
Seattle Post-Intelligencer
Sean Axmaker
No, it's not the big screen version of "24." For one thing, Sutherland is in the wrong role.

58
Baltimore Sun
Chris Kaltenbach
The Sentinel moves quickly and never becomes a bore. It does become something of a cartoon, though, which proves a major letdown for a movie that aims for something far more intelligent.

58
Portland Oregonian
Shawn Levy
We have reached a point in history when an ordinary TV show is often as good as or even better than an ordinary movie. And movies don't come much more ordinary than The Sentinel.

50
The Globe and Mail (Toronto)
Rick Groen
A contrived and tepid thriller that insists on wanting to interest us in its main plot -- the usual nefarious plan to assassinate the leader of the free world.

50
TV Guide
Maitland McDonagh
Douglas and Sutherland do crackling hostility with devilish glee, and the fireworks are nothing if not entertaining.

50
Boston Globe
Wesley Morris
The Sentinel isn't an entire season of ''24" smushed into a bland two hours of movie? Does Kiefer Sutherland know?

50
Charlotte Observer
Lawrence Toppman
The movie gives away its shifty-eyed villain almost immediately. What it doesn't give away is why he betrayed his trust, who wants the president dead or what they hope to gain by killing him.

50
Miami Herald
Peter Debruge
The Sentinel isn't nearly as slick as it must have looked on the page. Those zingers are perfect fodder for a movie preview, but they just don't lead anywhere interesting on-screen.

50
Philadelphia Inquirer
Steven Rea
Eva Longoria brings a crisp swagger and fluent Spanish to her role.

50
Chicago Reader
Andrea Gronvall
Director Clark Johnson (S.W.A.T.) has a flair for action, which compensates for the flattening effect of Gabriel Beristain's cinematography.

50
Austin Chronicle
Steve Davis
Always an intriguing (though sometimes unpolished) actress, Basinger has softened the rough edges over the years to become an extremely watchable performer who deserves better roles than those in which she appears onscreen.

50
LA Weekly
Scott Foundas
Sentinel works overtime to suggest what a thrill-a-minute world its characters inhabit; but only during the last 20 minutes does the movie's pulse (or ours) raise above a flatline. The actors look uniformly unhappy to be there - except for Basinger, who seems lost in a lithium haze.

50
Chicago Tribune
Michael Phillips
Amid the nervousness Douglas and Sutherland do what they can to enliven their warring stereotypes. And now and then, blessedly, The Sentinel nudges toward camp.

50
Variety
Justin Chang
A half-hearted exercise in political paranoia, The Sentinel unravels its wrong-man scenario with business-like efficiency and an impressively jittery visual scheme, but falls far short of providing visceral or emotional thrills.

50
New York Post
Kyle Smith
The Sentinel is so bland that it wants only to be as good as TV. Not as good as good TV, like "24." It merely aspires to be the Regis Philbin of D.C. thrillers. It isn't trying to dazzle you with style, complexity or intelligence.

42
Entertainment Weekly
Gregory Kirschling
Looking back, 1993 was a golden age for thriller cinema. That was the year Hollywood hatched both "In the Line of Fire" and "The Fugitive," the two obvious and way superior antecedents for the very humdrum B-movie mash-up The Sentinel.

40
Film Threat
Pete Vonder Haar
Plays like a 108 minute episode of Hawaii 5-0, minus the exotic locale.

40
Slate
Grady Hendrix
The screenwriters seem to have meticulously researched the inner workings of the White House by watching DVDs of "The West Wing," but, despite their hard work, casting sinks the film. With Longoria and Sutherland onboard it feels like an uneasy marriage of "24" and "Desperate Housewives."

40
Washington Post
Desson Thomson
Sentinel is a medium-dumb thriller that starts out with momentary promise but gets progressively sillier.

30
The New York Times
Stephen Holden
The question is why. Why would a star of Michael Douglas's stature and intelligence attach himself to a Washington thriller as deeply ridiculous, suspense-free and potentially career-damaging as The Sentinel?

30
Wall Street Journal
Joe Morgenstern
I can't find much slack to cut the film, except to say that it's a potboiler cooked in an upscale Teflon pot.
30
Village Voice
Bill Gallo
Brought low by its premise and rendered idiotic by its subplot, this alleged political thriller spells momentary doom for star Michael Douglas.


The average user rating for this movie is 5.9 (out of 10) based on 26 User Votes
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