|

Now Playing
Critics & Publications
Archives: A-Z Index
Advanced Search
Upcoming Release Calendar
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
How Metascores Are Calculated
Discuss Film In Our Forums

Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Sex and the City: The Movie
New Line Cinema, HBO Films
MPAA RATING: R for strong sexual content, graphic nudity and language
Starring
Sarah Jessica Parker,
Kim Cattrall,
Kristin Davis,
Cynthia Nixon,
Chris Noth,
Jennifer Hudson,
and
Lynn Cohen
Carrie Bradshaw, successful author and everyone’s favorite fashion icon-next-door, is back, her famously sardonic wit intact and sharper than ever, as she continues to narrate her own story about sex, love and the fashion-obsessed single women in New York. Sex and the City finds Carrie, Samantha, Charlote and Miranda four years after the hit HBO series ended, as our favorite friends continue to juggle jobs and relationships while navigating motherhood, marriage and Manhattan real estate. (New Line Cinema)
| GENRE(S): |
Comedy
|
Romance
|
| WRITTEN BY: |
Michael Patrick King
Candace Bushnell (characters from the book)
|
| DIRECTED BY: |
Michael Patrick King
|
| RELEASE DATE: |
DVD: September 23, 2008
Theatrical: May 30, 2008
|
| RUNNING TIME: |
135 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
San Francisco Chronicle
Mick LaSalle
The best American movie about women so far this year, and probably the best that will be made this year.

89
Austin Chronicle
Kimberley Jones
In its cinematic incarnation, Sex and the City has lost none of its bawdiness yet gained a more profound sense of soberness. Parker, especially, who in the last season of the show bordered on insufferable in her affected squeaks and shrieks, is allowed to go to very dark places – to be, in fact, quite unfabulous.

88
Chicago Tribune
Jessica Reaves
Michael Patrick King's screenplay hits all the right notes, building on the warmth and familiarity of the series (which King also wrote).

83
Entertainment Weekly
Owen Gleiberman
A movie that taps directly back into the show's primal appeal, which is the sweet, sad, saucy delight of sharing these women's company.

80
Los Angeles Times
Carina Chocano
Can't rightly be called a romantic comedy in the dismal, contemporary sense, though it is at times romantic and is consistently very funny. It's also emotionally realistic, even brutal.

80
New York Daily News
Elizabeth Weitzman
The movie's beating heart is the friendship between the women, who had found some sort of happiness by the show's 2004 finale. Now they're all at a personal crossroads and need one another more than ever.

75
Seattle Post-Intelligencer
Athima Chansanchai
In this film, the clothes and the city are characters as vital as the four leads, and they don't disappoint. But don't expect any trend-setting in the manner of the series. This is a runway that begins and ends with the movie.

75
USA Today
Claudia Puig
Amid the style, sass and sexiness is plenty of sentimentality, especially at the satisfying conclusion.

75
Premiere
Emily Rems
It gives you everything you ever loved about the series, and blows it out into super-size cinematic proportions.

75
Philadelphia Inquirer
Carrie Rickey
The four women couldn't be better - or better matched. As always, Parker is the standout, cracking your heart and cracking you up with equal ease.

70
Washington Post
Ann Hornaday
It's less a movie than a delivery system for sensory pleasures, sunny romance and designer-label stuff that in real life would result in diabetic shock (or at least a ruined credit rating).

70
New York Magazine
David Edelstein
Sex and the City: The Motion Picture is a joyful wallow. And it's more: In this summer of do-overs (The Incredible Hulk, a new Batman versus a new Joker), it's what the series finale should have been.

67
The Onion (A.V. Club)
Genevieve Koski
Ultimately, Sex And The City serves as a glitter-laced love letter to its fans, which is really all it needs to be.

67
Christian Science Monitor
Peter Rainer
At times, the movie resembled nothing so much as Kabuki with Cosmos.

63
Rolling Stone
Peter Travers
Writer-director Michael Patrick King, the creative force behind the show's later seasons, can't disguise the fact that the movie is basically five TV episodes strung together (only three hit the mark). But his script is more honest about aging than anything in "Indy 4."

63
Boston Globe
Wesley Morris
For the moment, King has restored women to their rightful place in a genre that is nothing without them. But, sadly, that genre isn't romantic comedy. It's the chick flick.

60
The Hollywood Reporter
Michael Rechtshaffen
Unfortunately, where episodes of the series used to take their cue from a question posed by one of Carrie's columns, writer-director Michael Patrick King never finds that focus, and Sex and the City loses its tart edge in the process.

60
Empire
William Thomas
If you are immune to the charms of Carrie and co., this will do little to convert you. Still, it has more than enough sass, style and sentiment to keep the faithful satisfied. Add a star if you're a fan.

58
Portland Oregonian
Shawn Levy
It more or less plays like a five-episode arc of the series, which is a strength and a weakness.

55
NPR
Bob Mondello
If this fabulously decked-out foursome is self-absorbed enough to be inadvertently cruel on occasion, they also suffer lots of guilt -- though their angst is rendered somewhat less angsty for viewers by the zingers, the designers, and the cheerfully objectified men on display.

50
Miami Herald
Connie Ogle
Turns out to be a more disappointment than joyful reunion, a tedious and desperately drawn-out affair that tests your patience even as it brazenly courts (and often earns) your contempt.

50
TV Guide
Ken Fox
It's a mainstreamed, big-screen version of the bowdlerized, endlessly syndicated version of the show, not the raunchy original.

50
Time
Richard Corliss
I have the anachronistic notion that romantic comedies needn't be exclusively partial to one gender; they should be critical and loving and true to both. So I'll soldier on with my mixed, distant, defiantly ignorant review of this 142-minute trifle -- which comes close to being the longest non-musical romantic comedy in Hollywood history.

50
Chicago Reader
J.R. Jones
So much has been written about the show's emotional importance to single women that I can't possibly add anything, except to say that, in both its TV and movie incarnations, the empty materialism and sincere longing for love always manage to cancel each other out, leaving behind nothing but what this started out as--a sitcom.

50
ReelViews
James Berardinelli
For those who do not consider themselves to be among the Sex and the City faithful, this is a painful experience, perhaps the longest 148 minutes likely to be spent in a movie theater this year. Watching grass grow is more dramatically satisfying.

50
Variety
Brian Lowry
Best in its small moments, the movie should find receptive gal pals congregating for the mother of all viewing parties.

50
Village Voice
Ella Taylor
Though Sex and the City is every bit as busy as its HBO progenitor was, it's virtually plotless, not to mention pointless.

50
Chicago Sun-Times
Roger Ebert
Here is a 145-minute movie containing one (1) line of truly witty dialogue: "Her 40s is the last age at which a bride can be photographed without the unintended Diane Arbus subtext."

42
Baltimore Sun
Michael Sragow
Sex and the City, as a film, is a testament to bad faith. It wants its characters to eat their wedding cake and have it, too.

40
Film Threat
Pete Vonder Haar
The real problem is that Sex and the City is, except for a few laughs, mostly just irritating.

40
Salon.com
Stephanie Zacharek
Parker IS to blame for the self-consciousness of her performance. She spends much of the movie swanning, not acting: Nearly every movement, every gesture, seems conceived for the benefit of the camera, as opposed to the truth of the character.

40
Wall Street Journal
Joe Morgenstern
In contrast to the series, which was quick-witted, fast-paced and self-ironic -- oh, and sexy -- the movie is earnest, often aimless (couldn't anyone cook up a plot?), visually bland (except for the fashion shows) and, at two minutes short of 2½ hours, a decreasingly amiable meander.

40
Slate
Dana Stevens
And an attempt to address the series' endemic whiteness by adding a subaltern black character--Jennifer Hudson as Carrie's designer-bag-toting Girl Friday--is a major misfire that only underscores our heroine's oblivious entitlement

38
New York Post
Lou Lumenick
Feels like it was written and directed by an audience focus group in Omaha?

38
Charlotte Observer
Lawrence Toppman
As a film, it's flabby and utterly predictable.

30
The New York Times
Manohla Dargis
I wish Ms. Parker had let that bee in her bonnet go silent, because the movie that she and Mr. King have come up with is the pits, a vulgar, shrill, deeply shallow -- and, at 2 hours and 22 turgid minutes, overlong -- addendum to a show that had, over the years, evolved and expanded in surprising ways.

30
The New Yorker
Anthony Lane
Made me laugh precisely once, as a magazine editor let fly with a Diane Arbus gag. It is no coincidence that she is played by Candice Bergen, who gets just the one scene, but who is nonetheless the only bona-fide movie star on show.

0
The Globe and Mail (Toronto)
Rick Groen
Bad summer films, full of furious hype and signifying nothing, are hardly exceptional these days, nor is the sound they typically make: the dull scrape of a culture hitting rock bottom. Yet this one seems uniquely bad; this one is a threshold-breaker with a different sound, the crack of rock-bottom giving way to a whole deeper layer of magma.


The average user rating for this movie is 6.1 (out of 10) based on 179 User Votes
Note: User votes are NOT included in the Metascore calculation.
Read more user comments...
Discuss this movie in our forums |
|