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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Showtime
Warner Bros. / Tribeca Productions
FILM:
MPAA RATING: PG-13 for action violence, language and some drug content
Starring
Robert De Niro,
Eddie Murphy,
Rene Russo,
William Shatner,
Mel Rodriguez,
and
Jullian Dulce Vida
In this spoof of cop buddy movies, a no-nonsense LAPD detective (De Niro) is forced to star on a reality-based TV show with a frustrated actor-turned-LAPD patrolman (Murphy).
| GENRE(S): |
Crime
|
| WRITTEN BY: |
Keith Sharon
Alfred Gough
Miles Millar
Jorge Saralegui (story)
|
| DIRECTED BY: |
Tom Dey
|
| RELEASE DATE: |
DVD: August 13, 2002
Video: August 13, 2002
Theatrical: March 15, 2002
|
| RUNNING TIME: |
95 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
80
Los Angeles Times
Kevin Thomas
From frame one Showtime displays an ingenuity, cleverness and briskness that never flags.

75
Seattle Post-Intelligencer
William Arnold
It's getting hard not to think of De Niro as anything but a dead-pan comedian.

70
New Times (L.A.)
Andy Klein
It's hard not to warm to a film that features William Shatner (playing himself) looking at De Niro's character and complaining about what a lousy actor he is.

70
Wall Street Journal
Joe Morgenstern
What the movie lacks in coherence it makes up for in zest, well-founded self-delight and a sharpshooter's eye for the absurdities of reality TV.
63
Boston Globe
Tom Russo
Would seem to be surefire casting. The catch is that they're stuck with a script that prevents them from firing on all cylinders.

63
Baltimore Sun
Chris Kaltenbach
Humorous but much too predictable send-up of reality TV and the sheer banality of it all.
60
Film Threat
Michael Dequina
Chalk up another big-name star vehicle that fails to live up to a wealth of potential.

50
Chicago Sun-Times
Roger Ebert
The movie's funny in the opening scenes and then forgets why it came to play.

50
New York Daily News
Jami Bernard
A lame buddy-cop movie that squanders stars De Niro and Eddie Murphy as it races from one cliche to the next, blithely unconcerned with whether anything parses.
50
Charlotte Observer
Lawrence Toppman
By refusing to take anything seriously (including himself), Shatner lifts the movie to a truly funny level of absurdity. Soon, though, it goes back to being the type of buddy picture Hollywood stamps out like stale cookies.

50
New York Post
Jonathan Foreman
It's a wretchedly dumb, lazy and incoherent movie that's magically rendered watchable by Eddie Murphy's charm and Robert De Niro's presence.

50
USA Today
Mike Clark
De Niro's scowl and Murphy's sass are inherently funny, though in this case both actors are forced to call in moviegoers' long-established goodwill.

50
Washington Post
Desson Thomson
So pleased with its own spoofy conceit it stays in annoyingly self-amused, predictable mode.

50
ReelViews
James Berardinelli
The moment Showtime begins to take itself even remotely seriously, it loses whatever edge it might have had -- and that occurs less than 15 minutes into the proceedings. The best time for Showtime is no time.

50
Portland Oregonian
Shawn Levy
Its breeziness keeps it from ever being completely bland or flat.

40
LA Weekly
Manohla Dargis
Showtime is better than the fourth "Lethal Weapon," which was pretty bad, but not as good as the original "Lethal Weapon" or the superior "48HRS."

38
Miami Herald
Rene Rodriguez
No matter how much good will the actors generate, Showtime eventually folds under its own thinness.

38
Philadelphia Inquirer
Steven Rea
A flat-out cynical attempt to launch a new Lethal Weapon-like franchise.

30
New York Magazine
Peter Rainer
Eddie Murphy and Robert De Niro have made any number of lame movies on their own, but there's a special wastefulness connected to their first co-starring vehicle, Showtime: It's lameness times two, and then some.

30
Variety
Todd McCarthy
A shrill, strained and shallow riff on a tired idea.

30
The New York Times
Dana Stevens
Plays every convention twice, once as parody and once by the book, but the movie, trying to be two things at once, fails at both.

30
The Onion (A.V. Club)
Scott Tobias
De Niro and Murphy are visibly uncomfortable with each other. Their improvisation seems chaotic and mismanaged, and the movie follows in kind.

30
Salon.com
Charles Taylor
Isn't particularly assaultive, but it can still make you feel that you never want to see another car chase, explosion or gunfight again.

30
TV Guide
Frank Lovece
This one makes De Niro's recent film "15 Minutes" look like "Network." Even worse, aside from a few scenes with Shatner, it just isn't funny.

25
Christian Science Monitor
David Sterritt
Muddled screenwriting and uninspired directing.

25
Chicago Tribune
Mark Caro
A criminal waste of talent.

25
San Francisco Chronicle
Mick LaSalle
A disgrace to the talents of Robert De Niro and Eddie Murphy, but it's not enough just to say that. It's also a disgrace to the talents of Rene Russo and whoever drove the coffee truck to the set every day.

25
Entertainment Weekly
Owen Gleiberman
De Niro seems to be reacting to nothing so much as the lame movie he's stuck in.

25
The Globe and Mail (Toronto)
It is, from beginning to end, a paint-by-numbers movie. There's a mildly entertaining climax, but most of Showtime is a layering of tired pop-culture tropes by actors who are not especially interested in what they're doing.

20
Rolling Stone
Peter Travers
Add Showtime to the pile of Hollywood dreck that represents nothing more than the art of the deal.

20
Austin Chronicle
Kimberley Jones
The collective charisma of Robert De Niro, Eddie Murphy, and Rene Russo is the only reason to slap down eight bucks for this limp action/comedy, but then, it's difficult not to want to avert your eyes out of embarrassment for the trio.

20
Chicago Reader
Jonathan Rosenbaum
There's so little urgency to the plot that one eventually feels not even the actors and filmmakers believe for a second in what's going on.

10
Slate
David Edelstein
A buddy cop movie that pretends to spoof buddy cop movies along with reality TV shows, Showtime is so lazy and artless that … that … it saps my will to come up with a good quip: Witless in itself, it is the source of witlessness in others.

10
Village Voice
Jessica Winter
Should come with a disclaimer.


The average user rating for this movie is 4.8 (out of 10) based on 5 User Votes
Note: User votes are NOT included in the Metascore calculation.
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