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Snatch
Screen Gems Inc.

Snatch reviews
Critic Score
Metascore: 55 Metascore out of 100
User Score  
8.5 out of 10
based on 31 reviews
Read critic reviews
How did we calculate this?
based on 73 votes
Read user comments
Rate this movie

MPAA RATING: R for strong violence, language and some nudity

Starring Benicio Del Toro, Dennis Farina, Brad Pitt, Jason Flemyng, and Jason Statham

Guy Ritchie's highly anticipated comedy features a colorful ensemble cast in a rollicking ride through London's gangster world, its bustling diamond district and a rowdy gypsy camp. (Columbia Tristar)


GENRE(S): Suspense/Thriller  
WRITTEN BY: Guy Ritchie  
DIRECTED BY: Guy Ritchie  
RELEASE DATE: DVD: July 3, 2001 
Video: July 3, 2001 
Theatrical: January 19, 2001 
RUNNING TIME: 104 minutes, Color 
ORIGIN: UK / USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

89
Austin Chronicle Marc Savlov
Snatch is nothing if not watchable: It has the insane, popcorn rhythms of a Road Runner cartoon, and for that reason alone it's a minor masterpiece.
Read Full Review
80
Rolling Stone Peter Travers
Ritchie's got something all his own: a go-for-broke energy that cuts through the cliches of the crime genre.
Read Full Review
75
Charlotte Observer Lawrence Toppman
Another whirling crime caper that leaves you shocked and chuckling at the same time.
Read Full Review
75
Chicago Tribune Mark Caro
The abundance of visual and verbal wit here ensures that the pleasure of watching Snatch need not be guilty.
75
USA Today Susan Wloszczyna
All about macho my-weapon-is-bigger-than-your-weapon posturing and far-fetched coincidences that slam together in an entertaining rush.
75
New York Post Jonathan Foreman
Although the jokes aren't as consistently funny as those in "Lock, Stock," once again writer-director Ritchie demonstrates a deeply pleasurable combination of verbal flair and visual wit while conveying the genuine, intimidating hardness of the English working class and its love of language.
75
Portland Oregonian Shawn Levy
The convoluted story is an excuse for comical tricks of the camera, fractures of chronology, acid punch lines and amusingly excessive performances. (In this latter category, Pitt, so deep into his character that you can smell him, wins the day gloriously.)
Read Full Review
75
Miami Herald Rene Rodriguez
Snatch is admittedly superficial, if not downright disposable. More importantly, though, the movie is also fantastic, cheeky fun.
Read Full Review
70
Los Angeles Times Kenneth Turan
Even if it's not quite as lighter than air as its predecessor, Snatch remains a lethal diversion.
Read Full Review
70
Time Richard Corliss
O.K., Ritchie mistakes flash for style. Perhaps that's the price you pay for storytelling exuberance. If he keeps making films as down and witty as Snatch, we may learn to forgive him.
70
Washington Post Desson Thomson
Although the plot is crucial, it's the interaction among characters that makes Snatch percolate. Ritchie knows when to stop and smell the comedy.
Read Full Review
70
Film.com Tom Keogh
It's possible that Ritchie's most important asset is the comic constant within his characters' existential dilemmas. To a man (and, indeed, they're all men), Ritchie's anti-heroes are at odds, in either large or small ways, with their own natures.
Read Full Review
68
Mr. Showbiz Kevin Maynard
Though far from a sophomore slump, Snatch, like "Smoking Barrels," is such a grab bag of other influences that it's tough to figure out what, if anything, about Ritchie's style is uniquely his own.
Read Full Review
67
Seattle Post-Intelligencer William Arnold
Belongs to that distinctly '90s genre of sadistic crime comedy whose time has clearly come and gone.
Read Full Review
63
Christian Science Monitor David Sterritt
If the film is too similar to Ritchie's first movie, "Lock, Stock and Two Smoking Barrels" with its multiple story lines, complex plotting, and double-crossing antics, it's at least colorfully told with dialogue that shines with the inventive slang of Ritchie's screenplay.
Read Full Review
63
Philadelphia Inquirer Carrie Rickey
Since the main reason I go to movies is to engage with characters, I prefer "The Pledge," the film opening today by Madonna's first husband, Sean Penn, rather than this stylish fluff by her second spouse.
Read Full Review
63
New York Daily News Jami Bernard
The movie was snatched, all right, and Ritchie is the culprit.
Read Full Review
60
LA Weekly John Patterson
It all feels rather laddish and belabored, but it will eat up 90 minutes of your time without making you regret the loss.
Read Full Review
60
Wall Street Journal Joe Morgenstern
Mr. Ritchie is back with more of the same in his second feature, a comedy called "Snatch" that's a sort of lethal pinball machine in which even more picturesque characters bounce from pillage to post.
60
Newsweek David Ansen
Those who haven’t seen “Lock, Stock” will probably get a bigger kick out of Snatch than those who have. The second time around, what seemed spontaneous can sometimes feel strained.
50
San Francisco Chronicle Mick LaSalle
There's talent here, but for directing, not writing. If Ritchie wants to last, he's going to have to allow somebody else to write his screenplays.
Read Full Review
50
The New York Times A.O. Scott
Mr. Ritchie seems to be stepping backward when he should be moving ahead.
Read Full Review
50
Chicago Sun-Times Roger Ebert
Follows the "Lock, Stock" formula so slavishly it could be like a new arrangement of the same song.
Read Full Review
50
Entertainment Weekly Lisa Schwarzbaum
Guy Ritchie's second feature, is a faux tough caper modeled lock, stock, kit, and caboodle on his earlier film ''Lock, Stock and Two Smoking Barrels.''
Read Full Review
50
TV Guide Maitland McDonagh
More isn't always better; everything feels slightly forced, and the funny bits -- make no mistake, there are several -- are all but lost in the noise.
Read Full Review
40
New York Magazine Peter Rainer
The problem with all this don't-blink-or-you'll-miss-it dramaturgy is that ultimately everything is sacrificed for effect. When you're dealing, as Ritchie is, with explosions of real violence and viciousness, the hyperslick technique can't accommodate the real pain that comes with the territory, or ought to. What we're left with is a cackling amorality -- not a philosophy of life, just a posture.
Read Full Review
38
Boston Globe Jay Carr
One could argue that ''Lock, Stock'' and Snatch are essentially the same movie - crime comedies marked by an outlandish visual style. Which raises the question of whether Ritchie has the range to do anything else.
30
Chicago Reader Lisa Alspector
Ritchie may be skilled at generating controlled chaos, but his surprise-a-minute strategy ultimately holds no surprises; Snatch is even more frenetically boring than his 1999 "Lock, Stock and Two Smoking Barrels."
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30
Dallas Observer Gregory Weinkauf
Emits the embarrassing aura of a filmmaker desperate to be considered cool, yet utterly inept at finding original ways to reach that status.
Read Full Review
20
Salon.com Stephanie Zacharek
It takes a very clever schoolboy to make a movie as elaborately empty as Guy Ritchie's Snatch.
Read Full Review
20
Village Voice Amy Taubin
For those who care, Madonna has found her match in Guy Ritchie, whose absence of talent when it comes to the film medium is equal to her own.
Read Full Review

What Our Users Said

Vote Now!The average user rating for this movie is 8.5 (out of 10) based on 73 User Votes
Note: User votes are NOT included in the Metascore calculation.

Mitch A. gave it a10:
Humorous, witty, clever, and action-packed...what more can one ask for?

Robert R. gave it a7:
Sly, volatile, and malodorous just as good pulp should be, Snatch isn't a solemn movie that's dependent on sophisticated fundamentals. Snatch’s incentive is to be a subtle distraction, a kind-of self-parody, that's abundant in caricatures, inept narratives, droll dialogue, and gaudy editing. Its familiar character-actors and musics will enrich your Pulpish experience.

Blake J. gave it a4:
One of the many "college boy" films. Right up there with "Boondock Saints", it fits the mold as a movie with violence, over the top, what I can only title as, "macho-man-drama", lame dialogue, and strange terminology, such as referring to shotguns as "shoolas"...that will make boys ages 13-21 shake in their boots with satisfaction. An overall bore. The only thing that saves the movie from being a complete waste of time is Brad Pitt's turn as a gypsy with a mouth full of marbles. If you want something with substance you're barking up the wrong tree, if you want something macho, with guns, cars, and pigs eating peoples bones, you came to the right place.

Ty R. gave it a10:
Great movie, suspenseful, fast-paced, and hilarious. One of my favorites.

Mark S. gave it an8:
Brad Pitt really seems to be relishing his role in this and it shows through. Love the writing and great reactions to the action by the characters.

redlac m. gave it a10:
Sensational thriller. very radical.

Gabor A. gave it an8:
Usually critics dont put serious movies and movies like this on the same page. I dont know what they are expecting. This movie is stupid clever heaven.

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