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Stars indicate the most critically-acclaimed movies.

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Up the Yangtze
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U2 3D
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Chop Shop
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Taxi to the Dark Side
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Band's Visit, The
79
Visitor, The
78
Counterfeiters, The
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Unforeseen, The
76
Stuff and Dough
75
Young@Heart
75
Shotgun Stories
74
Witnesses, The
73
Duchess of Langeais, The
72
Roman de gare
72
Priceless
72
Tuya's Marriage
72
Life of Reilly, The
71
My Brother Is an Only Child
71
Blindsight
71
Standard Operating Procedure
70
Caramel
69
Redbelt
69
Chicago 10
68
Honeydripper
67
Snow Angels
67
Praying with Lior
67
Year My Parents Went on Vacation, The
67
Jellyfish
66
George A. Romero's Diary of the Dead
66
Shelter
65
Married Life
64
Surfwise
64
Son of Rambow
64
Water Lilies
63
XXY
63
Miss Pettigrew Lives for a Day
63
Body of War
63
Blind Mountain
62
Planet B-Boy
62
Battle for Haditha
61
Dhamma Brothers, The
61
OSS 117: Cairo - Nest of Spies
61
Girls Rock!
59
Under the Same Moon
59
Fugitive Pieces
58
First Saturday in May, The
58
Fall, The
58
Hats Off
58
Bra Boys
57
Flawless
57
Teeth
57
Without the King
57
Grand, The
56
Turn the River
56
Then She Found Me
55
Vice
55
Tracey Fragments, The
55
Pathology
55
Glass: A Portrait of Philip in Twelve Parts
54
Cashback
54
Mister Lonely
52
Noise
52
My Blueberry Nights
50
Look
48
Run, Fat Boy, Run
48
Dark Matter
48
Penelope
47
Bella
47
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46
CJ7
46
Previous Engagement, A
45
Where in the World Is Osama Bin Laden?
45
Zombie Strippers
44
Frontier(s)
44
Chaos Theory
43
Anamorph
43
Favor, The
41
Funny Games
40
Sleepwalking
37
Life Before Her Eyes, The
35
Meet Bill
35
Babysitters, The
35
Deal
32
Backseat
32
Chapter 27
30
Cover
24
Sex and Death 101
20
Expelled: No Intelligence Allowed
17
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xx
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xx
Unsettled
xx
Plumm Summer, A
xx
Kiss the Bride
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Jack and Jill vs. the World
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From Within
Stars indicate the most critically-acclaimed movies.
|
Son's Room, The
Miramax Films
MPAA RATING: R for language and some sexuality
Starring
Nanni Moretti,
Laura Morante,
Jasmine Trinca,
Giuseppe Sanfelice,
and
Silvio Orlando
An Italian psychoanalyst and his family must overcome their grief following the death of their son in a freak diving accident that changes their lives forever.
| GENRE(S): |
Foreign
|
| WRITTEN BY: |
Nanni Moretti
Linda Ferri
Heidrun Schleef
|
| DIRECTED BY: |
Nanni Moretti
|
| RELEASE DATE: |
DVD: October 8, 2002
Video: October 8, 2002
Theatrical: January 25, 2002
|
| RUNNING TIME: |
99 minutes, Color |
| ORIGIN: |
France / Italy |
| LANGUAGE(S): |
Italian (with English subtitles) |
Original foreign title "La Stanza del Figlio"; Winner, Best Picture, 2001 Cannes Film Festival; Best Film, Best Actress (Morante), Best Music, 2001 David di Donatello Awards

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Philadelphia Inquirer
Steven Rea
We feel it, in our hearts. And therein lies the great power of this small, wise film.

100
Chicago Tribune
Michael Wilmington
Moretti gives us something different but very important. He shows us how life goes on.

91
Entertainment Weekly
Owen Gleiberman
It takes skill these days, if not nerve, to put a vital, happy nuclear family on screen and to invite us to share in every quiet tremor, every gentle jostle and smile of their steady, deep-flowing contentment.

90
Washington Post
Desson Thomson
Surprisingly powerful and universal: the search for meaning and small blessings in the face of life's utter randomness.

90
The Onion (A.V. Club)
Keith Phipps
In the end, it's that reserve that makes it work. Keeping his distance, the director lets viewers see in full the moments in which grief turns the world into a narrow, never-ending tunnel.

90
Film Threat
Ben Slater
Moretti's actual direction is always simple, perhaps plain, but this no-frills approach allows him to gently craft a story full of poignant episodes, building toward a melancholy but genuinely uplifting conclusion.

90
Newsweek
David Ansen
Theres not a whisper of melodrama or sentimentality in the way Moretti tells his tale, guiding us through the stages of grief with calm, devastating lucidity.
90
New Times (L.A.)
Bill Gallo
Wise and surprisingly witty, the film is a minor masterpiece and could serve as a fitting companion piece to America's "In the Bedroom," another superb film about the torments of bereavement.
90
Chicago Reader
Meredith Brody
With tender skill, Moretti illuminates Samuel Beckett's phrase "I can't go on -- I'll go on."

88
Chicago Sun-Times
Roger Ebert
Not all movies can be stark, difficult and obscure. Sometimes in a quite ordinary way a director can reach out and touch us.

88
The Globe and Mail (Toronto)
Rick Groen
Always perceptive and curiously light in tone if not in content -- such a remarkably delicate look at an absolutely devastating subject.

88
ReelViews
James Berardinelli
This is a superior motion picture -- an example of the pleasant surprise that can result when a skilled director departs from his usual style. By daring to be honest and unsparing, The Son's Room is meaningful.

80
Washington Post
Ann Hornaday
A deceivingly simple film, one that grows in power in retrospect, as the cumulative impact of so many quiet moments makes itself felt.

80
Salon.com
Stephanie Zacharek
Isn't bold or daring, but it is delicately distinctive; it's the kind of picture that stirs subterranean rumbles of empathy in us rather than flashy, gushing waves.

80
The New York Times
Stephen Holden
The movie's rejection of even a tinge of melodrama lends it a special integrity.

78
Austin Chronicle
Marjorie Baumgarten
The film's closing may be less than conclusive, yet The Son's Room must be admired, at least, for its unsentimentality.

75
Charlotte Observer
Lawrence Toppman
The Son's Room refers to every room this family will inhabit for a long time -- he's an unseen, ubiquitous presence -- but they may learn to lead ordinary, even joyful lives again.

75
Boston Globe
Chris Fujiwara
A triumph of gentility that earns its moments of pathos.
75
USA Today
Claudia Puig
Stands apart for its raw, quiet emotion and its shattering sense of truth.

75
Baltimore Sun
Michael Sragow
The Son's Room is the anti-"In the Bedroom." I mean that as a compliment.

75
New York Daily News
Jami Bernard
A stately and deeply affecting look at the human condition, told in something like a series of snapshots.
75
San Francisco Chronicle
Mick LaSalle
Moretti's performance is low-key but detailed. He makes the psychiatrist a fascinating guy, rather austere and restrained, a Northern Italian, not an expressive Neapolitan.

75
Miami Herald
Rene Rodriguez
While the film is undeniably melancholy, Moretti's trademark light touch keeps it from becoming overbearing.

70
TV Guide
Ken Fox
Occasionally melodramatic, it's also extremely effective.

70
The New Yorker
Anthony Lane
You leave the film like one of Giovanni's patients rising from the couch -- far from healed, but amused and pacified by the sympathy that has washed over you. [4 Feb 2002, p. 82]
70
Wall Street Journal
Joe Morgenstern
I found this film deeply affecting as well. It has a gravity that's independent of technique, and an engaging spirit that's enhanced by flashes of comedy.
63
New York Post
Lou Lumenick
Despite pitch-perfect performances, the craft of Moretti's direction and his honorable intentions, The Son's Room was not especially moving.

60
Variety
David Rooney
While devotees expecting Moretti's wry worldview may feel shortchanged, others will find this a profoundly moving experience, giving it fuel to cross borders into the arthouse niche.

60
Rolling Stone
Peter Travers
Veering on the maudlin, the film ultimately succeeds by striking a universal chord on the subject of inconsolable loss. It's a stirring, humane testament from a surprising source.

60
Village Voice
J. Hoberman
A movie more to be prescribed than recommended.

50
Christian Science Monitor
David Sterritt
Moretti's acting skills aren't up to the demands of the main role, and his portrait of family life is too simplistic to be credible.

50
Los Angeles Times
Kenneth Turan
A measured, decorous, at times pat film that manages to be quietly moving because it touches on something real.

50
New York Magazine
Peter Rainer
A bit too awed by its depiction of the healing power of love. It's minor indeed compared with "In the Bedroom," which deals with a similar subject and doesn't back away from the rawness of grief.

30
LA Weekly
Manohla Dargis
The film portrays a family undone by grief over the death of a loved one; that, in any event, is its plot synopsis. More accurately, the film is a wallow of authorial narcissism, and a tedious, unrelenting, uninteresting wallow at that.


The average user rating for this movie is 9.2 (out of 10) based on 5 User Votes
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