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Stars indicate the most critically-acclaimed movies.

67
$9.99
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66
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48
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56
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Beaches of Agnes, The
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Girl from Monaco, The
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Under Our Skin
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What Goes Up
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Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Son's Room, The
Miramax Films
FILM:
MPAA RATING: R for language and some sexuality
Starring
Nanni Moretti,
Laura Morante,
Jasmine Trinca,
Giuseppe Sanfelice,
and
Silvio Orlando
An Italian psychoanalyst and his family must overcome their grief following the death of their son in a freak diving accident that changes their lives forever.
| GENRE(S): |
Foreign
|
| WRITTEN BY: |
Nanni Moretti
Linda Ferri
Heidrun Schleef
|
| DIRECTED BY: |
Nanni Moretti
|
| RELEASE DATE: |
DVD: October 8, 2002
Video: October 8, 2002
Theatrical: January 25, 2002
|
| RUNNING TIME: |
99 minutes, Color |
| ORIGIN: |
France / Italy |
| LANGUAGE(S): |
Italian (with English subtitles) |
Original foreign title "La Stanza del Figlio"; Winner, Best Picture, 2001 Cannes Film Festival; Best Film, Best Actress (Morante), Best Music, 2001 David di Donatello Awards

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Philadelphia Inquirer
Steven Rea
We feel it, in our hearts. And therein lies the great power of this small, wise film.

100
Chicago Tribune
Michael Wilmington
Moretti gives us something different but very important. He shows us how life goes on.

91
Entertainment Weekly
Owen Gleiberman
It takes skill these days, if not nerve, to put a vital, happy nuclear family on screen and to invite us to share in every quiet tremor, every gentle jostle and smile of their steady, deep-flowing contentment.

90
Washington Post
Desson Thomson
Surprisingly powerful and universal: the search for meaning and small blessings in the face of life's utter randomness.

90
The Onion (A.V. Club)
Keith Phipps
In the end, it's that reserve that makes it work. Keeping his distance, the director lets viewers see in full the moments in which grief turns the world into a narrow, never-ending tunnel.

90
Film Threat
Ben Slater
Moretti's actual direction is always simple, perhaps plain, but this no-frills approach allows him to gently craft a story full of poignant episodes, building toward a melancholy but genuinely uplifting conclusion.

90
Newsweek
David Ansen
Theres not a whisper of melodrama or sentimentality in the way Moretti tells his tale, guiding us through the stages of grief with calm, devastating lucidity.
90
New Times (L.A.)
Bill Gallo
Wise and surprisingly witty, the film is a minor masterpiece and could serve as a fitting companion piece to America's "In the Bedroom," another superb film about the torments of bereavement.
90
Chicago Reader
Meredith Brody
With tender skill, Moretti illuminates Samuel Beckett's phrase "I can't go on -- I'll go on."

88
Chicago Sun-Times
Roger Ebert
Not all movies can be stark, difficult and obscure. Sometimes in a quite ordinary way a director can reach out and touch us.

88
The Globe and Mail (Toronto)
Rick Groen
Always perceptive and curiously light in tone if not in content -- such a remarkably delicate look at an absolutely devastating subject.

88
ReelViews
James Berardinelli
This is a superior motion picture -- an example of the pleasant surprise that can result when a skilled director departs from his usual style. By daring to be honest and unsparing, The Son's Room is meaningful.

80
Washington Post
Ann Hornaday
A deceivingly simple film, one that grows in power in retrospect, as the cumulative impact of so many quiet moments makes itself felt.

80
Salon.com
Stephanie Zacharek
Isn't bold or daring, but it is delicately distinctive; it's the kind of picture that stirs subterranean rumbles of empathy in us rather than flashy, gushing waves.

80
The New York Times
Stephen Holden
The movie's rejection of even a tinge of melodrama lends it a special integrity.

78
Austin Chronicle
Marjorie Baumgarten
The film's closing may be less than conclusive, yet The Son's Room must be admired, at least, for its unsentimentality.

75
Charlotte Observer
Lawrence Toppman
The Son's Room refers to every room this family will inhabit for a long time -- he's an unseen, ubiquitous presence -- but they may learn to lead ordinary, even joyful lives again.

75
Boston Globe
Chris Fujiwara
A triumph of gentility that earns its moments of pathos.
75
USA Today
Claudia Puig
Stands apart for its raw, quiet emotion and its shattering sense of truth.

75
Baltimore Sun
Michael Sragow
The Son's Room is the anti-"In the Bedroom." I mean that as a compliment.

75
New York Daily News
Jami Bernard
A stately and deeply affecting look at the human condition, told in something like a series of snapshots.
75
San Francisco Chronicle
Mick LaSalle
Moretti's performance is low-key but detailed. He makes the psychiatrist a fascinating guy, rather austere and restrained, a Northern Italian, not an expressive Neapolitan.

75
Miami Herald
Rene Rodriguez
While the film is undeniably melancholy, Moretti's trademark light touch keeps it from becoming overbearing.

70
TV Guide
Ken Fox
Occasionally melodramatic, it's also extremely effective.

70
The New Yorker
Anthony Lane
You leave the film like one of Giovanni's patients rising from the couch -- far from healed, but amused and pacified by the sympathy that has washed over you. [4 Feb 2002, p. 82]
70
Wall Street Journal
Joe Morgenstern
I found this film deeply affecting as well. It has a gravity that's independent of technique, and an engaging spirit that's enhanced by flashes of comedy.
63
New York Post
Lou Lumenick
Despite pitch-perfect performances, the craft of Moretti's direction and his honorable intentions, The Son's Room was not especially moving.

60
Variety
David Rooney
While devotees expecting Moretti's wry worldview may feel shortchanged, others will find this a profoundly moving experience, giving it fuel to cross borders into the arthouse niche.

60
Rolling Stone
Peter Travers
Veering on the maudlin, the film ultimately succeeds by striking a universal chord on the subject of inconsolable loss. It's a stirring, humane testament from a surprising source.

60
Village Voice
J. Hoberman
A movie more to be prescribed than recommended.

50
Christian Science Monitor
David Sterritt
Moretti's acting skills aren't up to the demands of the main role, and his portrait of family life is too simplistic to be credible.

50
Los Angeles Times
Kenneth Turan
A measured, decorous, at times pat film that manages to be quietly moving because it touches on something real.

50
New York Magazine
Peter Rainer
A bit too awed by its depiction of the healing power of love. It's minor indeed compared with "In the Bedroom," which deals with a similar subject and doesn't back away from the rawness of grief.

30
LA Weekly
Manohla Dargis
The film portrays a family undone by grief over the death of a loved one; that, in any event, is its plot synopsis. More accurately, the film is a wallow of authorial narcissism, and a tedious, unrelenting, uninteresting wallow at that.


The average user rating for this movie is 9.2 (out of 10) based on 5 User Votes
Note: User votes are NOT included in the Metascore calculation.
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